A tip-top rockabilly bomber at a bargain price.
0:00 - Bridge pickup, into Twin Reverb clean
0:20 - Neck pickup, Twin Reverb
0:52 - Bridge pickup, into Friedman BE-50 Lead Channel
1:20 - switch to neck pickup.
RatingsPros:Well-built for the price. Fresh angle on timeless Gretsch styling. Versatile tones. Cons: Sharp nut corners. Hot pickups might not suit traditionalists. Street: $549 Gretsch Streamliner G2420T gretsch.com | Tones: Playability: Build/Design: Value: |
Just as the Electromatic Collection took the pricier designs of the Professional series to a wider audience, the even-more-affordable Streamliner line delivers Gretsch looks, sounds, and feel at prices around the mid-three-figure range. But while the Indonesian-made Streamliners are tagged at only 60 percent to 70 percent or so of their Electromatic equivalents (and about a quarter of the most comparable Professional Collection models), a quick assessment will tell you they’re not nearly as down-market in features, fit, and finish as that might imply.
The Streamliner series doesn’t always feature vintage-correct appointments or period-perfect materials and construction. But that’s far from the point. “That Great Gretsch Sound” has already successfully morphed across several different pickup configurations and body styles in six-and-a-half decades. There’s no reason players with tighter budgets should miss out on the fun. Let’s dig in and see just how much of it this smartly revamped Streamliner delivers.
Chet, One-Two
The Streamliner G2420T stylistically nods to the legendary 6120 Chet Atkins hollowbody of the ’50s. It’s also tied to Gretsch’s flagship axe in terms of features and format. The design cornerstones are a 2.75"-deep, fully hollow archtop body made from laminated maple, with trestle (i.e. parallel rail) bracing and a single rounded cutaway. The “T’ in the model name designates inclusion of a Bigsby-licensed vibrato tailpiece—another classic Gretsch element. The candy apple red finish on our test model is one of three available (riviera blue and goldust are the others), and it’s nicely framed by aged-white binding with 3-ply b/w/b purfling front and back. The reddish-brown tortoiseshell pickguard probably wouldn’t be my first choice against the red-metallic of the candy apple finish (parchment, black, silver?). Others will no doubt like the customized look.
Another change is the replacement of full-block inlays with the characteristic Gretsch hump-blocks from the mid ’50s. They’re inlaid in an attractive, medium-brown laurel, 12" radius fretboard with aged-white binding. It caps a nato neck scaled to 24.75", with a nut width of 1.6875". Gretsch calls the neck shape a “thin U,” but in my hands it feels more like a fully rounded C profile. Measurements are .875" deep at the first fret and just shy of 1" at the tenth. In any case, it fills the hand comfortably and plays great up and down its length. My only complaint is that the corners of the synthetic nut are a little sharp. (That’s a problem easily cured with a few swipes of the correct file.)
Other hardware includes an Adjusto-Matic bridge on a pinned laurel base—which helps prevent you from knocking it out of whack in your more enthusiastically rocking moments—and die-cast nickel OEM tuners with Grover-style kidney buttons. The new Broad’Tron BT-2S pickups, which are really the feature attraction in this evolution of the Streamliner line, are bigger than Filter’Trons, but they share a Filter’Tron’s cool styling with their peekaboo covers and 12 adjustable pole pieces. The resistance in this set measure 9.24k ohms in the bridge position and 8.90k ohms in the neck, so they’re also wound hotter than traditional Filter’Trons. But the hotter output might suit the tastes of a lot of guitarists shopping in this range. They’re wired through individual volume controls, a master tone, a master volume, and a 3-way switch.
Revved Up
Visually speaking, the Streamliner G2420T screams “rockabilly.” It lives up to its outward attitude when you plug it in, too. Tested through a TopHat Club Royale 1x12 combo set clean with a touch of breakup, the pickups were still clear and well defined for a set wound to the hotter edge of traditional PAF humbucker specs. The sparkle, chime, and articulation of the bridge pickup and in-between settings are very Filter’Tron-like, and impressive for pickups in this price class. But they also deliver a little more bite and grind at the same time. Traditional rockabilly riffs bounced and snarled. And the twang in lower single-note runs exuded characterful grit that cut with authority. The neck pickup, meanwhile, ably delivers rich, warm jazz tones for players who might need to bop or swing occasionally.
The G2420T delivers in higher-gain situations, too. Dirtied up with overdrive from a Bogner Wessex and a Tube Screamer (used independently and in series), it generated thick rock textures with ease. The bridge pickup delivers great lead tones with good string-to-string separation. The neck pickup sings in round, vocal blues tones. Better still, the feedback howl that plagues most hollowbodies is not nearly as prominent or overwhelming as I would have expected—at least at reasonable volumes and reasonable distances from the amp. And many pickup settings enable creative sustain effects and harmonic swell that’s more controllable than I’ve experienced with other large hollowbody electrics. It’s all pleasantly manageable.
The Verdict
Confidently delivering the spirit and sounds of Brian Setzer, Billy Duffy, and many points in between, the Streamliner G2420T is an impressive guitar for the money. Build quality is good for the price, and playability and tone are even more impressive. At around $550, it’s primed to surprise a lot of players who assumed a versatile hollowbody archtop electric with the Gretsch name on the headstock was beyond their reach.
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From his first listen, Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
Learn more: emgpickups.com
Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.
Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.