may 2019

A beast of an octave fuzz with versatility in mind.

DeArmond Jet Star with DeAmond USA GoldTone humbuckers and 1968 Fender Bassman through 2X12 cabinet with Warehouse G12c/s speakers.
Clip #1 — All EQ controls at noon. Volume and Fuzz at noon, two, and three o’ clock.
Clip #2 — All knobs at noon. Pre-fuzz octave position and Tight voice, followed by Post-fuzz position and tight voice, followed by pre-fuzz position and open voice.


Excellent tone and huge control. Fuzz and Octave circuits can be used separately.

On the slightly expensive side for an octave fuzz.


Wampler Fuzztration


Ease of Use:


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Shelve the John Mayer comparisons. This Australian virtuoso establishes his voice and makes the best album of his career.

Joe Robinson


Australian virtuoso Joe Robinson has firmly established himself as a top-tier Nashville picker, and his new album proves he’s far more than a flashy prodigy. The comparisons to John Mayer are inevitable: catchy songs, soulful vocals, and virtuosic playing. However, Robinson’s ethos outshines whatever category iTunes or Spotify might put him in. He can move easily from straight-up Chet Atkins-style stomp (“Let the Guitar Do the Talkin’”) to infectious pop-rock (“Reputation”) easier than most of us change strings.

Robinson’s songwriting has always revolved around interesting harmonies and impeccably crisp lead playing. His deft, melodic lines on “Mindless” have a focus that will make you want to break out the metronome and get your syncopation together. Robinson has developed into an artist with a fully formed vision of who he is and where he wants to go. It makes me look forward to the album he makes 10 years from now.

Must-hear tracks: “Mindless,” “Reputation,” “Undertone”

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