Shelve the John Mayer comparisons. This Australian virtuoso establishes his voice and makes the best album of his career.

Joe Robinson


Australian virtuoso Joe Robinson has firmly established himself as a top-tier Nashville picker, and his new album proves he’s far more than a flashy prodigy. The comparisons to John Mayer are inevitable: catchy songs, soulful vocals, and virtuosic playing. However, Robinson’s ethos outshines whatever category iTunes or Spotify might put him in. He can move easily from straight-up Chet Atkins-style stomp (“Let the Guitar Do the Talkin’”) to infectious pop-rock (“Reputation”) easier than most of us change strings.

Robinson’s songwriting has always revolved around interesting harmonies and impeccably crisp lead playing. His deft, melodic lines on “Mindless” have a focus that will make you want to break out the metronome and get your syncopation together. Robinson has developed into an artist with a fully formed vision of who he is and where he wants to go. It makes me look forward to the album he makes 10 years from now.

Must-hear tracks: “Mindless,” “Reputation,” “Undertone”

Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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Johnny Winter's Burning Blues by Corey Congilio

Learn to rip like one of the all-time masters of modern electric blues.

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