guitar amp

Room to get raunchy and clean, with reverb and tremolo that sound like a dream.

Great tremolo and reverb in a combo that’s relatively portable. Fantastic looks. Powerful enough for big clubs but not too loud.

Overdrive tones can sound rather ratty and ragged—a cool thing, if that’s your jam, but don’t expect refined lead tones.

$999

Harmony H650
harmony.com

3.5
3.5
4
4

Hot on the heels of their very cool vintage guitar reimaginations, the revitalized Harmony’s new tube combos are bound to stir up excitement for their tasty retro looks alone. But while the navy blue vinyl covering and white woven-fabric grille cloth with gold piping make the H650 reviewed here a head-turner, its power and clean-to-dirty tone range will garner double-takes, too.

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If you're a diehard devotee of tube-amp filth but want in on IR action, this innovative architecture may be just what you've been waiting for.


Recorded using an Eastwood Sidejack Baritone DLX with Widerange Jazzmaster pickups and a Gibson Les Paul with 57 Classics into an Audient iD44 going into GarageBand with no EQ-ing, compression, or effects.

Clip 1: Eastwood bridge pickup through gain channel in wide voicing (aggression set to red), bypassing the G20's power amp and using virtual-cab preset #1 direct into GarageBand. G20 gain at max, treble, mid, and bass at noon.

Clip 2: Same settings as clip 1, but with G20's power amp in-line.

Clip 3; Les Paul 57 Classic bridge pickup through gain channel in wide voicing (aggression set to red) with gain and bass maxed, treble at 10 o'clock, mid at 2:30, and volume at 2 o'clock, with an Ibanez ES-2 Echo Shifter in effects loop and G20's speaker output routed to a Celestion Ruby-stocked 1x12 miked by a Royer R-121.

Clip 4: Eastwood bridge pickup through gain channel (aggression off), bypassing the G20's power amp, and using virtual-cab preset #1 direct into GarageBand. G20 gain at noon, treble at 1 o'clock, mid at 11 o'clock, bass at noon.

Clip 5: Same settings as clip 3, but with G20's power amp in-line.

Clip 6: Eastwood's middle position, then bridge pickup into gain channel (aggression off, gain at 2 o'clock, treble at 1 o'clock, mid at 8 o'clock, bass and volume at max) with Ibanez ES-2 Echo Shifter in effects loop, through Celestion Ruby-stocked 1x12 miked by a Royer R-121.

Clip 7: Eastwood (middle position) through SoundBrut DrVa (boost side), Ground Control Tsukuyomi mid booster, Ibanez Analog Delay Mini, and Anasounds Element, then into G20's clean channel (treble at 1 o'clock, mid at 11 o'clock, bass at noon), bypassing the G20's power amp and using virtual-cab preset #1 direct into GarageBand. Clean first, then with Jordan Fuzztite pedal engaged.

Clip 8: Eastwood's neck pickup through gain channel (aggression on), bypassing G20's power amp, using “Doom mooD" 2x15 cab IR (based on a JCM800 bass cab) with simulated Audio-Technica MB2k mic 100-percent off axis direct into GarageBand. G20's gain, treble, and bass at max, mid at minimum.

Ratings

Pros:
Almost limitless range of heavy tones via Two Notes IRs and MIDI control capabilities. Works well with pedals.

Cons:
Some may wish for more brutal gain and/ or more clean-tone variety. 4-button footswitch not included.

Street:
$1,299

Revv G20
revvamplification.com



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