Jumbo sounds resound in a flattop that's a straight-up steal.

Excellent value. Great quality for the price. Super playable. Unique tone profile.

Midrange can sound brash.


Guild F-240E


Everyone should try playing a jumbo-bodied acoustic at some point. Though unless you live somewhere with a well-stocked guitar shop, it's not always the easiest thing to do. Compared to dreadnoughts and orchestra-sized models, jumbos make up just a small fraction of the acoustic market. But playing a good one is an extraordinary experience. They are viscerally vibrating things—loud, powerful, and pianistic for all their sustain and panoramic tone spectrum.

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You could WIN a Greenhouse Effects Deity in This week's All-new giveaway! Ends December 15, 2021.

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Sam Fender shares a moment with his saxophonist and childhood friend, Johnny "Blue Hat" Davis, at London's O2 Brixton Academy in September 2021.

Photo by Linda Brindley

The British songwriter traversed the bleak thoroughfares of his past while writing his autobiographical sophomore album, Seventeen Going Under—a tale of growing up down-and-out, set to an epic chorus of Jazzmasters and soaring sax.

British songwriter Sam Fender hails from North Shields, England, an industrial coastal port town near the North Sea, about eight miles northeast of Newcastle upon Tyne. Fender grew up in this small village, which he calls "a drinking town with a fishing problem." He lived there with his mother on a council estate, a type of British public housing. This is the mise-en-scène for Sam Fender's coming-of-age autobiographical new album, Seventeen Going Under. On the album's cover, a photograph shows Sam sitting on a brick stoop.

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