Valuing a ''90s Guild 12-string and a look at the company''s history
I have a great Guild 12-string jumbo here, and this thing sounds huge! Everything is original except for the electronics. The serial number is AJ520145. I researched the guitar a little bit, and I think it is from the 1990s, but Iād like to know what year it was built and what it is worth today. Iām also wondering what happened to Guild?
Tom
Syracuse, New York
Hi, Tom.
There is no question that Guildās jumbo acoustics are some of the loudest guitars out there! Your guitar appears to be a model JF-55 12-string, which is no doubt a loud guitar. Unfortunately, Guild guitars arenāt what they once were, and most of this is due to several ownership changes and manufacturing relocation over the years. Letās discuss Guildās glory years first.
Jewish emigrant Avram āAlfredā Dronge founded Guild in 1952 in New York City. In the early 1950s, the union labor force was very prevalent in New York, and it forced many guitar builders out of the city. Epiphone finally had enough of the union and relocated to Philadelphia in the early 1950s. Many Epiphone employees didnāt want to move, so Dronge recruited several of them to work for the new Guild guitar company. The first Guild guitars appeared in 1953, and in 1956 manufacturing moved to Hoboken, New Jersey. By the late 1950s, production was rolling and Guild was offering a full line of acoustic and electric guitars.
In 1966, electric parts producer and supplier Avnet Inc. purchased Guild, but Dronge remained president. In 1967, Guild relocated to what would become its home for the next 35 years in Westerly, Rhode Island. Becoming a corporate entity didnāt seem to affect Guild negatively like it had Fender and Gibson, and in the late 1960s and early 1970s, Guild was blossoming. But tragedy struck in 1972, when Dronge was killed in a plane crash. Guildās vice president, Leon Tell, then became president until 1983.
In 1986, Avnet sold Guild to an investment group, but that was just the first of what would be many sales of the company in the next 10 years. In 1989, the Fass Corporation (later renamed U.S. Musical Corporation) became the new owners. Electric production was suspended for much of the early 1990s as the company focused on acoustic production. In 1995, Fender Musical Instruments Corporation purchased Guild, and it continues to own them today. Guild was FMICās first big purchase in the music industry, and during the late 1990s the company prospered with the reintroduction of its electric line. In 1997, a Guild custom shop opened in Nashville, Tennessee, and in 1999 luthier Robert Benedetto signed an agreement to build a few high-end Guilds.
As FMIC grew, it acquired more brands and seemed to focus on bottom-line profits. It closed the Westerly factory in 2001 and moved all production to an existing manufacturing facility in Corona, California. Many Guild enthusiasts consider this to be the unofficial end of Guild. Guild production moved again to Tacoma, Washington, in 2004 after FMIC purchased Tacoma Guitars. And in 2008 it was moved once again to New Hartford, Connecticut, when FMIC bought Kaman Music Corporation. Guild has strictly produced acoustic guitars since 2005, and many of their models are now produced overseas. However, the Westerly factory is still in use by a new guitar company called Campbell American Guitars, which employs several former Guild workers.
According to the serial number on your guitar, it was produced in 1995āa time when ownership was being transitioned from U.S. Musical Corporation to FMIC. But the guitar was indeed built in Westerly. Your JF-55 features Guildās revered jumbo body style in 12-string configuration, a solid spruce top, solid rosewood back and sides, scalloped bracing, abalone rosette, ebony fretboard with pearl block/abalone wedge inlays, gold tuners, and an ebony bridge. The electronics are more than likely aftermarket, and as long as the guitar hasnāt been altered, it wonāt affect the value negatively. It appears to be in excellent condition, so today your guitar would be valued between $1500 and $1800. The JF-55 12-string was introduced in 1991, and the regular six-string was introduced two years earlier. Both models were discontinued when the Westerly factory closed in 2001.
Today, Guild is considered FMICās high-end acoustic line. A few Guilds are still produced in the US, but they arenāt nearly the same as what came out of the Westerly factory. This is disappointing for many Guild enthusiasts, and it has driven the value of Westerly-produced instruments higher, because no more Guilds will come from that location. Most collectors wouldnāt even consider this guitar vintage, but it already has vintage-style value based on its history, and I would certainly consider that a treasure!
For more information on Guild guitars, read The Guild Guitar Book: The Company and the Instruments, 1952ā1977 by Hans Moust.
Zachary R. Fjestad
Zachary is the author of the Blue Book of Acoustic Guitars, Blue Book of Electric Guitars, and the Blue Book of Guitar Amplifiers. Questions can be submitted to:
Blue Book Publications
Attn: Guitar Trash or Treasure
8009 34th Ave. S. Ste #175
Minneapolis, MN 55425
bluebookinc.com
guitars@bluebookinc.com
Nineties-style high-gain heaviness that can be surgically tailored with a powerful EQ.
Excellent variations on high-gain modern distortion tones. Powerful EQ.
Not many low- or mid-gain sounds here.
$199
JHS Hard Drive
jhspedals.com
JHS makes many great and varied overdrive stomps. Their Pack Rat is a staple on one of my boards, and I can personally attest to the quality of their builds. The new Hard Drive has been in the works since as far back as 2016, when Josh Scott and his staff were finishing off workdays by jamming on ā90s hard rock riffs.
During these sessions, Scottās go-to pedal was the Ibanez SM7 Smash Box. He realized that JHS had never offered anything along those lines, conferred with his then lead engineer, Cliff Smith, and the wheels were set in motion. Over several years of design, the Hard Drive evolved from an SM7 homage to a unique, original circuit.
JHSā Hardest to Date
The Hard Driveās control panel is streamlined, consisting of knobs for volume, mid frequency, drive, bass, middle, and treble. Driven by cascading gain stages, the Hard Drive can cop a wide range of modern distorted tones. Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end on muted power chords. Nudging the drive up very slightly transforms the Hard Drive into a roaring Marshall JCM 900. And if you bring the drive all the way up, youāre in for all out chaos. Even with an amp set just louder than bedroom levels, the Hard Drive, with its volume at just 11 oāclock, is very loud and in-your-face. You donāt have to work hard to imagine how this could sound and feel like multiple stacks raging at Madison Square Garden in the context of a recorded track.
Even at the lowest drive settings, the Hard Drive simmers, delivering massive bottom end.
Zoning the Frequencies
Unlike some heavy pedals that concern themselves with mega-gain and little else, the Hard Driveās EQ controls are very effective and powerful. Moving the treble knob from 11 oāclock to 1 oāclock changes the pedalās tone and response characteristics completely, opening up and transforming the naturally relatively dark sound of my Fender Super Sonic amp. Turning the treble knob all the way off with the bass and mid knobs at noon gives me a vocal lead tone thatās creamy, warm, and still immediate and responsive.
The middle and mid frequency controls work in tandem. The mid control itself works as a cut or boost. The mid frequency control, however, lets you choose the specific frequency you cut or boost. I found these controls invaluable for sculpting tones that could leverage the copious gain without being abrasive. Meanwhile, adding more high midrange lends clarity to complex chords.
The Verdict
The Hard Drive is an unapologetically heavy pedalāif youāre looking for a dirt box that can double as a clean boost, well, the Hard Drive is not that. Itās meant to slay with gain, and it performs this task well and with a vengeance. There are countless dirt boxes on the market that deliver hot rodded, ā80s-style brown sound. Fewer cater to the subsequent generations of high-gain players that used the ā80s as a mere jumping-off point. The Hard Drive is very much voiced for this strain of heavy music. If thatās your jam, the Hard Drive is hard to beat.
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonicsāall perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
āThis pedal is the culmination of 45+ years developing a sound thatās perfect in every possible way,ā Yngwie says. āI present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.ā
āMXR Yngwie Malmsteen Overdrive highlights:
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- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Voltage Cable Company's new Voltage Vintage Coil 30-foot guitar cable is now protected with ISO-COAT technology to provide unsurpassed reliability.
The new coiled cables are available in four eye-grabbing retro colors ā Surf Green, Electric Blue, Orange and Caramel ā as well as three standard colors: Black, White and Red. There is also a CME exclusive āChicago Creamā color on the way.
Guitarists can choose between three different connector configurations: straight/straight plugs, right angle/straight and right angle/right angle options.
The Voltage Vintage Coil offers superior sound quality and durability thanks to ISO-COAT treatment, a patent-pending hermetic seal applied to solder terminations. This first-of-its-kind airtight seal prevents corrosion and oxidization, a known factor in cable failure and degradation. ISO-COAT protected cables are for guitarists who value genuine lifetime durability and consistent tone throughout their career on stage and in the studio.
Voltage cables are hand made by qualified technical engineers using the finest components available and come with a lifetime warranty.
Voltage Vintage Coil features include:
- Lifetime guarantee, 1000+ gig durability
- ISO-COAT treatment - corrosion & oxidization resistant cable internals
- Strengthened structural integrity of solder terminations
Voltage Vintage Coils carry $89.00 USD pricing each and are available online at voltagecableco.com, as well as in select guitar stores in North America, Australia, Thailand, UK, Belgium and China.
About Voltage Cable: Established in 2021, Voltage Cable Co. is a family owned and operated guitar cable company based in Sydney, Australia. All their cables are designed to be played, and built for a lifetime. The companyās ISO-COAT is a patent pending hermetic seal applied to solder terminations.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dualāengine processing and worldāclass UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* ā the notorious 120āwatt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp ā with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120āwatt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
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- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
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For more information, please visit uaudio.com.