Recorded direct into Focusrite Scarlet 2i4 into Garageband.
Clip 1: Neck pickup only. Tone at 75 percent.
Clip 2: Neck and bridge pickups blended 50/50 using pick. Tone at 75 percent.
RatingsPros:Comfy neck. Easy fret access. Versatility of P/J configuration. Cons: Non-spectacular bridge pickup. Typical 60-cycle hum with bridge soloed. Street: $499 Aria Pro II ariaguitarsglobal.com | Tones:  Playability:  Build/Design: Value:  |
Name: Tony Houston
Location: Dayton, Ohio
Guitar: 1972 Fender Stratocaster
After years of reading about other readers’ guitars, I decided to write about my original 1972 black Fender Stratocaster. Attached is a picture of my Strat and original warranty card, and myself.
I was 21 years old back in 1971 when I first started to learn guitar. I was already a fan of Jimi Hendrix, as was a co-worker who played guitar. We were talking about Jimi and I mentioned that I would love to learn guitar, but at that time couldn’t afford it. It turned out that he had an original Sears Silvertone guitar/amp in the case that he gave me. It was almost impossible to play, but I loved it.
By 1972, I was in much better shape financially (well, somewhat) to buy a “real” guitar. For over a year I would stop in Bernie’s Music here in Dayton and look at guitars. I was mesmerized by the white Strat that Jimi played at Woodstock. They had one in the store, but when I went in to buy it, it was gone. They had a black Strat, and I was told that I could trade it back when another white Strat was in stock … they never got another one.
Fast-forward to the late ’70s. I’d read enough about guitars to mod my Strat, so over a few years I installed a brass bridge, replaced the stock bridge pickup with a DiMarzio Fat Strat, and did various re-wirings of the pickup switch. Also the stock pickups weren’t wax-potted properly and would squeal like a pig! I re-potted the pickups by dipping them in melted beeswax.
Here’s Tony Houston playing his black Strat in 1980 with his band BLACKMALE, getting awesome feedback at around 2:38.
I gigged with it until 1988, when it was almost stolen at a show. I decided then to retire it, as I had brought a couple more Strats. In the mid-90s, I decided to restore it to factory specs. I’d kept the original bridge pickup and the original bridge. While testing the bridge pickup with a multimeter, I found it had a short. I sent it to Lindy Fralin and had it wound to original spec.
Since being in quarantine, I have it tuned to Eb now, and, at 70 years old, decided that I was going to properly learn to play Jimi’s “Little Wing.”
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