The brighter side of the mahogany equation.

Bold voice for a small-bodied, all-mahogany flattop. Great value. Excellent build quality.

Strong midrange could prove too strident for some.

$899 street

Godin Fairmount Composer QIT


I'm a big believer in the all-mahogany, small-body acoustic formula. In the studio, through a nice microphone and signal chain, a mahogany concert-, grand-concert-, or auditorium-sized guitar can make the sweetest sound you ever heard. And in a good fingerstylist's hands they can exhibit a lovely dynamic range—albeit usually within what you'd call the "mellow" spectrum.

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Photo 1

All photos courtesy SINGLECOIL (

We're getting close to the end of our journey. We've aged most of the metal parts on our project guitar, so now let's take care of the output jack, knobs, back plate, and pickguard.

Hello and welcome back to Mod Garage. This month, we'll continue with the aging process of our Harley Benton DC-Junior project guitar (which is a copy of a 1958 Les Paul Junior Double Cut), taking a closer look at the pickguard while aging the rest of the hardware discussed in the last part of this series ["DIY Relic'ing: Harley Benton DC-Junior Electronics"]. If you need a refresher on our aging process for hardware, refer back to "DIY Relic'ing: Break the Shine" for guidance. You can see the parts we'll be discussing today in their "finished" form, aka relic'd, in Photo 1.

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