Each of the MT100's three channels is built from its own unique circuit with dedicated preamp tubes to ensure the voicing of each channel is exactly as intended.
The result of many years of R&D and road-testing, the MT 100 is a professional amp built on a robust chassis. The MT 100 features custom transformers and three independent channels with identical controls, but unique voices.
The Clean channel stays pristine and chimey, the Gain channel gets lush heavy tones with massive bass response, and the Overdrive channel brings a flexible gain structure and musical midrange response.
Select your channel on the amp face or via the included footswitch - both feature matching channel lights. All three channels share the same preamp tube type (12AX7's) for ease of servicing.
PRS MT100 Mark Tremonti Signature Amp Demo | First Look
Price: $1,849 USD.
More info at prsguitars.com.
The company's flagship amp packs a mind-boggling amount of features in a robust four-channel setup.
The Revv Amplification Generator 120 MKIII is the world's first stereo-direct-output reactive load & impulse response tube amp. Not only does it bring you 4 channels of all-tube finely-tuned boutique Canadian tone based on feedback from world-class touring artists, session guitarists, & audio engineers – it also features Two notes Audio Engineering Torpedo-embedded DynIR Virtual Cabinet technology for going direct to FOH, studio monitors, or headphones. No cabinet required.
But it doesn't stop there! A state-of-the-art noisegate & lush reverb are built right in! All accompanied by a host of switching & voicing updates to make getting the sound in your head faster than ever.
Generator 120 MKIII features all 4 of Revv Amplification's channels, each an original circuit! These have received many voicing updates for MKIII. The clean Blue Channel is chimey with tons of headroom, & now includes a "Wide" switch to give you a wide-range frequency boost for more push & sustain. The crunch Green Channel feature 3 all-new drive modes to take this dynamic channel from edge of breakup, to clear overdrive, to classic stack tones. High gain Purple Channel is famous for its razor-sharp metal clarity, & now in MKIII it receives more low end & saturation with no loss in tightness. Finally, highest gain Red Channel has an all new touch-sensitive feel which takes you from warm oldschool overdrive to the most massive modern tones available.
Revv Amplification is committed to bringing you the most complete amplifier experience available. Clarity, feel, & tone – for stage, studio, & home
Crave big black-panel Fender feel in an amp that doesn’t bust eardrums? This little brute delivers the substance and the sting.
Delivers big-amp feel in a compact combo. Beautifully well-built. Versatile voicing switch. Effective attenuator.
Lacks the tremolo that many love in black-panel combos.
Carr Super Bee
Ease of Use:
Summoning big-amp tones from smaller, lighter, less-window-rattling amplifiers is now a top priority for many amp builders. For some of these manufacturers, that quest takes the shape of getting convincing high-gain sounds out of a less potent circuit. But Carr's new Super Bee takes on an arguably more challenging task: making the sound, dynamic response, and complex tone nuances of Fender's big Super Reverb into a less hefty whole.
Crank It Down
The original Fender Super Reverb 4x10 is a pretty loud 40-watt amp. So to rein in the power while retaining a Super's thumping push-pull feel, Carr employs a pair of unusual 6BM8 output tubes, rather than 6L6s. They generate only 10 watts between them, but when you push them hard they yield surprisingly full-throated response. The front end includes a traditional 12AX7 preamp tube. A Fender-inspired spring reverb is powered by another 12AX7 and a 12AT7. And because those unusual 6BM8 tubes each house both a preamp triode and an output pentode in the same bottle, they perform phase-inverter duties as well. A 9-pin EZ81 tube takes care of rectification.
Two key features further distinguish the Super Bee from a vintage Fender. First is Carr's fourth generation attenuator, which takes the output down to 2 watts, or a near-silent setting. Then there's the 3-way Sting switch that offers three voices: “64," which is scooped and shimmering; “68," which is a thicker, classic black-panel voice; and “72," which delivers higher gain and greater midrange emphasis.
The solid pine cabinet measures 21"x17.75"x10" but tapers beautifully to 9" deep at the top. The trapezoidal speaker cut-out is a distinctive retro-design touch. And the vertical central racing stripe (our review amp features a tasty two-tone of cream with a Carolina-blue stripe) and the Super Bee name are another cool Carr nod to '60s muscle car culture. The speaker is a 12" Eminence-made Carr Valiant, though a 10" Eminence Copperhead is also available. Inside, the Super Bee is classically Carr: point-to-point wiring, a bundle of high-end components including Jupiter capacitors, and American-made transformers by Chicago's TMI, who have built transformers since 1949.
Sting Like a…
Matched to a Fender Stratocaster, a Gibson Les Paul, and a Collings I-35 LC, the Super Bee fast made it clear how thoroughly Steve Carr attained his design goals. Classic black-panel sounds might seem, for some, an unoriginal jumping-off point. But the Super Bee feels both familiar and full of possibilities. It delivers big, sparkling clean tones, meaty twang, and deep output-stage overdrive—which are all easy to fine-tune via the simple 3-band EQ and the Sting switch voices. The resulting combination of bite, articulation, and compression is positively addictive. It's difficult to switch this amp off once you get into a groove.
Obviously, one of the main attractions of a vintage black-panel Super Reverb is the volume and pronounced low end you get from the 4x10 speaker configuration. But apart from the Carr's essentially lower volume, you shouldn't expect anything less than a genuine black-panel experience. The reverb is lush and full. And though it sometimes feel like it comes on a bit strong at lower levels, you'll never worry about having too little reverb to replicate the surf-ier side of the vintage Fender experience. The amp also interacts with overdrive pedals wonderfully. Even at just 10 watts, full-power mode gives you enough gas to hang with a drummer. But if there's no band to compete with, the attenuated sounds deliver much of the same richness, overdrive characteristics, and stout playing feel at quieter volumes.
On the surface, the Super Bee might seem to do relatively little for the price. There's no channel switching, no effects loop, no high gain switch, and no master volume—yet that's exactly the point: the amp just flat out sounds great, and enables players to rediscover a classic tone and feel that can be hard to achieve in intimate gigging and recording environments that require lower volume. The Sting switch also significantly extends its versatility, delivering three distinctive amp voices in one. When it comes to providing exquisite American-style big-amp tone in a manageably sized combo, the Super Bee is a total success, and one of the most inspiring amps I've played in quite some time.
Watch our First Look demo: