Songwriter/guitarist Lauren Strange, PG editors, and our reader of the month share the guitar projects they’ve embarked on during the pandemic.

Q: What guitar projects are you focusing on while in quarantine?

Photo by Tony Smith

Lauren StrangeGuest Picker
A: I recently released a new single called “The Solution” and will be releasing another song from my debut album soon. I’ve been writing almost every day, mostly focusing on songs for a new side project with my friend Riley Haynie (of Righteous Vendetta and Deathwish 406). I’ve also been spending quality time with my Supro Bowie Edition Dual Tone—I’m obsessed with the versatility and tone of its Vistatone pickups. Another thing I’ve been experimenting with is taking heavily layered pop songs like MUNA’s “Stayaway” and stripping them down to just guitar and vocals to examine the song’s structure and guitar parts.

Current obsession: Australian indie and garage-rock bands like Press Club, Violent Soho, DZ Deathrays, WAAX, and Tired Lion. There’s a sort of grunge revival happening in Australia that’s really exciting to watch. It reminds me of when mainstream rock in the U.S. was dominated by bands like Nirvana, Smashing Pumpkins, Soundgarden, and Hole. It’s refreshing to hear new bands that still pay homage to the grunge era with their sound because that’s also where my heart is musically as a songwriter and guitar player.

Alejandro AstorgaReader of the Month
A: I made a Jazzmaster copy with hardware and wood stock from my shop. I’m a literature teacher and a luthier in Chaco, Argentina. I was having hard days in quarantine, depression and anxiety, and then the idea of making a Jazzmaster became real.

It took me 15 days to make it, all by hand. We have plenty of beautiful tonewoods here. I used Parana pine in the body (two pieces), the neck is made from guatambú (similar to maple’s tone, but even brighter), and the fretboard is classic rosewood. The electronics are Alpha and the pups are Wilkinson alnico V.

Current obsession: Do the best job with the cheapest tools I have. I’ve always been obsessed with creating pristine sounds like my favorite artists (Tool, Nirvana, Killing Joke, Helmet, Silverchair, Failure, Hum), but with the things I could create. I've never had the money to buy the gear my heroes use, but, nonetheless, I always tried to make guitars, pedals, and amplifiers that sound as powerful and clear as the albums I heard since I was a kid. Argentina is a poor country with high-level artisans, luthiers, and musicians. We try to make the best of a little or nothing.

Shawn HammondChief Content Officer
A: I’ve refocused on arranging, tracking bass and vocals (in addition to guitar), and honing recording, editing, and mixing chops, while my drummer delved into creating beats with computer-based kits. I still prefer having a studio whiz do the final touches, but the experience has prodded us to invest in gear that’ll save us time and money by letting us capture quality live tracks together at home.

Current obsession: Getting drum mics and an interface with enough quality preamps to record drums and amps simultaneously.

Rich OsweilerAssociate Editor
A: Until a couple months ago, I had never played around with Nashville tuning before. Now, my Larrivee P-01’s new zingy sounds have been both a creative spark and a fun way to strum around with my 10-year-old daughter, who’s just starting out. I’m not a guitar teacher, but teaching her has been an unexpected project that’s a ton more satisfying than the math duties I’ve also taken on.

Current obsession: The New Abnormal from the Strokes. I loved the band’s first record all those years ago but wasn’t such a fan of their stuff that followed—until now.

Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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