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Bryan Sutton on Session Life in Nashville

Ever wonder what it's like being a session ace in the hyper-competitive Nashville studio scene? It's a world Sutton knows intimately, and in this episode he tells us how he became a first-call player and what it takes to pick with the best.



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Slash Talks About His New Album and Tour, and the Gear He’s Playing on the Road
Full Slash Interview on New Blues Album, S.E.R.P.E.N.T. Festival, Guitar Gear, Pedal Steel & More

The guitar icon shares what went into making his chart-topping blues album and what gear fans can expect to see at the S.E.R.P.E.N.T. Blues Festival tour.


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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.

$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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Blackstar's Class A, single-ended, 1x12 tube combo that pays homage to classic American amplifiers.

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