Chase Bliss Audio Releases the Brothers

The Brothers is built upon two independent JFET/IC analog channels comprising a total of six unique boost, drive, or fuzz circuits.

Anoka, MN (March 21, 2017) -- Designed in collaboration with Resonant Electronic, Brothers is built upon two independent JFET/IC analog channels comprising a total of six unique boost, drive, or fuzz circuits in one small enclosure. The pedal can be routed in thirty-three distinct ways, including mixing them in parallel or changing the order of the effects. As with every Chase Bliss pedal, you can save everything and recall presets instantly, on-the-fly either on the pedal or with MIDI. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed.

The Brothers delay is ideal for the control freak who demands analog processing in their signal chain. With analog presets, MIDI capability, and expression control on any parameter, the technology in this pedal bridges the gap between the analog tone many players crave and the modern, digital tweakability that they demand.

Each Brothers pedal offers the following features:

  • Six independent effects via two independent channels (A & B)
  • Stack A into B, Stack B into A, or mix channels in parallel
  • Saveable presets (2 on board, 6 via “faves” switch, 122 via midi)
  • 16 dip switches in back of pedal for usage with expression pedal or CV
  • 33 different routing options, all saveable with knob positions
  • 9-volt operation and standard DC input

The Brothers carries a suggested retail price of $349 and can be ordered from dealers worldwide. For a complete list of dealers visit www.chaseblissaudio.com/dealers

For more information:
Chase Bliss Audio

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Advanced

Beginner

• Understand how to map out the neck in seven positions.
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• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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