A thick, varied take on the silicon Fuzz Face that spans punky, sparkling, and full-spectrum heavy.
Dimensional, thick variations on the silicon Fuzz Face voice. Surprisingly responsive to dynamics at most tube amp’s natural clean/dirty divide. Bass control lends range.
Thins out considerably at lower amp volumes.
$185
McGregor Pedals Classic Fuzz
mcgregorpedals.com
Compared to the dynamic germanium Fuzz Face, silicon versions sometimes come off as brutish. And even though they can be sonorously vicious, if dirty-to-clean range and sensitivity to guitar volume attenuation are top priorities, germanium is probably the way to go. The McGregor Classic Fuzz, however, offers ample reminders about the many ways silicon Fuzz Faces can be beastly, sensitive, and sound supreme.
Even though the two BC107B top hat transistors will look familiar to many who have poked around other SFF-style circuits, the Classic Fuzz is not precisely a silicon Fuzz Face clone. It’s distinguished by a low-pass filter “bass” control that true SFFs lack, but which widens its vocabulary extensively. In an A/B test with a solid, archetypal-sounding BC108 Fuzz Face clone, the Classic Fuzz sounded roughly equivalent at the 60-percent mark of the bass control’s range. But the Classic Fuzz was more dimensional, and on either side of the bass control I heard many intriguing tone variations spanning garage-punk snot and corpulent, almost triangle-Big Muff thickness.
Like most SFFs, the Classic Fuzz sounds best with a generous spoonful of amp volume. I ran it with a Fender Vibrolux just on the clean side of breakup. At amp volumes much lower than that, the fuzz voice thinned, the nuanced responsiveness to guitar volume attenuation dropped off, and the range of clean tones became much narrower. In its happy places, though, the Classic Fuzz rips—lending sparkling overdrive colors and banshee-scream aggression to Stratocasters and sounding especially sweet and terrifyingly mammoth with humbuckers
The effects freaks came out this weekend for the 2024 event, and here are some of their freakiest creations.
Artists of all kinds have found Philadelphia a famously supportive and enthusiastic creative environment, with audiences hungry for the weirdest and wildest. Guitar pedal makers are no exception, and the Philadelphia area is home to one of the hottest burgeoning pedal-building communities. This weekend, the Philly Pedal Party, hosted at rock club Johnny Brenda’s, brought out a crew of pedal-makers showing off everything from the fiercest fuzzes to the deepest reaches of knob-twirling modulation.
Organizer Bram Johnson, a recent transplant who moved to town about a year ago after living in London and New York City, says Philly has “such a vibrant music scene. There’s so many cool builders and so much happening.” While bigger guitar shows come through the area and bring people from much farther and and wider, Johnson was inspired to curate a show that just focused on pedal builders from the region.
Fuzzrocious Delivers Fun at Your Feet
Fuzzrocious’ Ryan Ratajski displayed some of his latest work.
Fuzzrocious’ colorful tone manglers have been a long-time standby in the Philly pedal scene. Owner Ryan Ratajski had some of their latest works on hand in the form of a line of re-designed pedals in smaller enclosures with an innovative elevated third footswitch. Located at the top of the pedal and positioned high enough to avoid accidental knob clicks or twists, it’s a control for various options, depending on the effect.
All hail the Cat King!
In the case of their new Cat King, the momentary switch activates a feedback control, providing a gateway to interactive noise generation that you probably won’t want to stop messing with. For this line, priced at just $180, Ratajski promises, “I’m gonna try and put as many cool things in a small box and not charge you more for it.”
Feature-ful Fuzz
The DTF, Smalls, and Awkward Mustache, from Voltic.
Voltic Electronic Devices’ dynamic, feature-ful fuzzes are becoming standbys on local pedalboards. Their flagship is the DTF (dual-transistor fuzz) that owner and fuzz-master John-Anthony DeMaio explains is like a Harmonic Percolator going into a MOSFET boost. Anyone stopping by the Voltic table got a taste of their recent Smalls Fuzz—inspired by the Sam Ash Fuzz and the Analog Man Astrotone—and a coming-soon smaller version of the 3-knob, 2-switch Awkward Mustache op-amp fuzz. “I try to do a one-off for every show,” says DeMaio, and he delivered with a Ram’s Head build (with hip bowling bowl knobs) that was up for grabs.
Weird and Wobbly from Woolly
Woolly had the latest from his Champion Leccy line on diplay.
Champion Leccy owner Woolly has created a world of lo-fi weirding modules that are full of surprises. The Skitzy borrows elements from his chorus/tape-delay combo platter the Woozy and fits it into a dual reverb, dosing one side with pitch and warble controls, the other with tremolo and phase-cancelation tremolo, and a host of other options. On his vibrant, colorful board, he also offered a sneak peek at his not-yet-released Kilter, an effects-loop modulator that promises a world of oddball options.
One for Steve Albini
Vaderin’s fuzz-friendly board delivers some familiar imagery on various flavors of grit, from the Big Muff-inspired Super Ram—which includes a useful gate control—to their Steve Albini-inspired Harmonic Percolator offering, covered in X’s.
Bonus Guitar!
This Sturner Hazzard has an ash body with a maple neck and fretboard.
Sure, it was a pedal show, but local builder James Sturner lives in the neighborhood, so he had some of his angular Sturner Guitars on hand. Here’s his Hazzard, loaded with Guitar Fetish pickups and a preamp
Joe Satriani and Steve Vai unite to form the SATCHVAI Band.
Kicking off on June 13, 2025, this monumental musical journey will feature stops in major cities like London, Paris, Copenhagen, and Amsterdam, and will also include performances at major European summer festivals including Hellfest, Umbria Jazz Festival and Guitares en Scene Fest. The tour is set to conclude in late July, with more dates to be announced soon.
The duo, along with each of their respective bands, initially joined forces for their first-ever tour together, outside of the G3 format, the past spring (2024) across select U.S. cities, and decided it was finally time to actually form a band together and bring that winning formula to the live stage, beginning in Europe.
Celebrating nearly five decades of musical friendship, Joe Satriani and Steve Vai made their first musical collaboration debut in March 2024. “The Sea of Emotion, Pt. 1” showcases the unmatched synergy between these two legendary guitarists as they seamlessly trade solo sections throughout the nearly six-minute opus. Their second collaboration is set to be released just before the European tour, adding even more anticipation for this epic run.
Pre-sale tickets for “The SATCHVAI Band Tour” will be available starting Wednesday and Thursday December 11 and 12, with general sales opening on Friday, December 13.
Satch and Vai’s musical careers have been intertwined since their very early days. Satriani served as Vai’s guitar teacher during their teenage years on Long Island, New York. Their connection has continued to evolve over the years, even sharing record labels, starting at Relativity Records in the late 80’s, to both calling Sony/Epic Records home for a significant portion of the 90’s. Together, they have also frequently teamed up with a third guitarist on multiple occasions throughout the span of three decades, participating in the semi-annual G3 Tours, both in the U.S. and abroad.
“The SATCHVAI Band Tour is happening! I’m so looking forward to sharing the stage with Steve again,” Satriani said. “Every time we play together, it takes me back to when we were teenagers, eating and breathing music every second of the day, pushing, challenging, and helping each other to be the best we could be. I guess we’ve never stopped!”
Vai added, “Touring with Joe is always a pleasure and an honor. He is my favorite guitarist to jam with, and now we have another opportunity to take it to the stage. I feel as though we are both at the top of our game, and the show will be a powerful celebration of the coolest instrument in the world, the electric guitar!”
Joe Satriani has had a packed schedule having recently concluded the Sammy Hagar-led Best of All Worlds Tour, which was met with much fanfare and critical acclaim. While Steve Vai has been playing shows across the U.S. as part of the BEAT tour following the conclusion of the Satch/Vai tour earlier this year.
Surfing with the Hydra Tour 2025 Itinerary:
June 13 York, UK Barbican
June 14 London, UK Eventim Apollo
June 17 Glasgow, SC Glasgow Royal Concert Hall
June 18 Wolverhampton, UK Civic Hall
June 19 Manchester, UK O2 Apollo
June 21 Clisson, FR Helfest
June 22 Paris, FR Palais Des Congres
June 23 Antwerp, BE Lotto Arena
June 24 Amsterdam, NL Amsterdam Afas
June 26 Copenhagen, DK Amager Bio
June 29 Helsinki, FI House of Culture
June 30 Tampere, FI Tampere Hall
July 2 Uppsala, SE Parksnackan
July 3 Oslo, NO Sentrum Scene
July 5 Warsaw, PL Torwar
July 8 Munich, DE Tollwood Festival
July 10 Dusseldorf, DE Mitsubishi Electric Hall
July 11 Frankfurt, DE Jahrhunderthalle
July 12 Zurich, CH Volkshaus Zürich
July 13 Milan, IT Comfort Festival @ Villa Casati Stampa
July 15 Pordenone, IT Parco San Valentino
July 16 Perugia, IT Umbria Jazz
July 17 Bologna, IT Sequoie Music Park
July 18 Saint-Julien, FR Guitares en Scene Festival
July 20 Prague, CZ Forum Karlin
July 22 Sofia, BG National Palace of Culture
More dates TBA