Cort teamed up with German luthier Sandberg Guitars to design this 5-string bass that dabbles in both boutique feel and budget price.
Of the many companies that have produced guitars and guitar-related equipment through the years, Cort is certainly one of the most prolific and well-known. There’s a simple reason for this. For many of us, our first guitars were Corts. They’re one of those companies that has managed to produce a wide range and unbelievable amount of instruments—rivaling the amount of some of the industry’s most heralded brands. Big-name players have come onboard with Cort, with signature models designed for Matt “Guitar” Murphy (Muddy Waters, The Blues Brothers Band) and Gene Simmons (KISS). Recently, the company began a partnership with German company Sandberg Instruments, with the intent of producing a line of basses that play and sound like high-end, high-priced counterparts—without the sticker shock. One such bass—dubbed the Arona 5—attempts to take on the large tonal territory of the 5-string bass, with an infusion of tightness and clarity that isn’t normally associated with this style of instrument.
A Match Made in Heaven
The Arona series was developed in conjunction with Sandberg Instruments. Over the years, Sandberg has made quite a name for itself in the boutique guitar and bass market, with their modern, stylistic body-designs, quality builds, and instruments with a balanced tone across the tonal spectrum.
Sandberg’s influence was most immediately apparent in the shape and style of the body itself. The Arona 5’s 7.7-pound swamp ash body has a rather large and extended upper horn, jutting out in length to the same territory of the neck’s 12th fret. The lower horn has a deep, contoured cut that allowed my hand a considerable amount of access to the higher frets of the neck, without any sort of discomfort or cramping. The 3-piece body doesn’t have any grain filler applied—so there are noticeable pockmarks along the grain—and the review model was finished with Cort’s Open Pore Brown Burst (OPBR). A simple, satin sealer locks in the finish, completing the bass’ rustic look and feel. It’s not a lack of quality control on Cort’s part to apply the body’s finish in this way, but rather a conscious decision to give the body a unique look and texture. Regardless, the fact that it doesn’t have a smooth-looking sheen could be a deal breaker for some players after a bass with a more conventional look.
The Arona 5’s electronics are without a doubt its biggest draw. Two Desonic by Delano active pickups—a Jazz-F single-coil in the middle and a heaping MM-R humbucker in the bridge—are screwed directly into the body. Delano, another company based in Germany, specializes in producing boutique pickups that are found in Sandberg’s higher quality, more expensive models. The output of both pickups are governed by a single Volume control, along with a 2-band EQ for bass and treble frequencies, and a Blend knob to tip the balance of each pickup’s output. These controls felt solid and sturdy to the touch and have a nice, satisfying click at their midway points. Topping off the body’s accouterments is a weighty Sandberg-designed bridge, crafted for top-loading each of the bass’ five strings.
Attached to the body is a 34" scale, 24-fret, 3-piece maple neck carved with Sandberg’s C-shape profile, and topped with a robust-looking slab of rosewood with a 15 3/4" radius. Five sealed Sandberg-branded tuners keep the strings taut over the neck’s 24 frets.
Down Low and Dirty
The fruits of the Cort and Sandberg partnership proved to be quite formidable. Through a TC Electronic Classic 450 head and matching RS210 2x10 cabinet, the Arona pumped out throaty and defined lows with smooth midrange while I fingerpicked a hard blues groove. I was particularly taken aback by how well the 5th string kept a stellar amount of clarity from the first fret on up the neck, making it easy for me to carve out a sharp, bubbly tone that was perfect for slap and pop.
In a lot of instances, bassists who employ slap techniques forget just how fatiguing the resulting high end frequencies can end up being. A squeaky-clean, razor-sharp top end when a bassist is laying down an aggressive funk line can be downright irritating. Thankfully, the Arona’s smooth-sounding and highly-responsive pickups allowed me to keep those temple-tunneling frequencies in check by carefully changing my fingering-hand technique. Even though it was easy to back off the upper-mid and high-end cut by laying back with a more ginger approach, it really didn’t take much to keep the Arona’s in-your-face-tone tight and up-front. In fact, sometimes it was almost unavoidable. I have to stress again that the Sandberg pickups—especially the bridge humbucker—are extremely responsive and clear. Keeping the amp’s settings down to tamer regions is essential in making sure the bass and midrange doesn’t overpower everything else.
Cort and Sandberg also are due some high marks for the Arona’s speedy and comfortable neck. Basses of the 5-string variety aren’t necessarily known for high-playability—mostly due to their wider necks—but the Arona’s neck was a dream to work. Sliding up to the 24th fret and picking out melodies that slinked back to the 12th fret were effortless, and the bass’ tone kept its bouncy, distinct midrange even while playing the fretboard’s higher registers. And since the upper horn’s strap button jutted out to my left more than a conventional design, playing the bass while standing allowed me a huge amount of access to the upper frets. The end of the neck joint sat almost center against my gut, putting all the high notes of the bass right in front of me for quick access to fills and walk downs in the upper registers.
The Verdict Cort’s Arona 5 is a great 5-string bass with an attractive price. The quality that Sandberg is known for has certainly shown itself here, along with their penchant for building clear, robust-sounding instruments. Its inherent tone is anything but subtle, yet funk and power-pop players that swoon over gutsy, full-on muscle should feel right at home with the Arona 5.
Watch the video review:
Buy if...
you need your bass tone to be as punchy and noticeable as your guitarist’s, sometimes even more so.
Skip if...
your bass tone tendencies lean more towards subtler tones with a wide spread.
Rating...
Street $610 - Cort Guitars - cortguitars.com |
PG contributor Tom Butwin takes a deep dive into LR Baggs' HiFi Duet system.
LR Baggs HiFi Duet High-fidelity Pickup and Microphone Mixing System
HiFi Duet Mic/Pickup System"When a guitar is “the one,” you know it. It feels right in your hands and delivers the sounds you hear in your head. It becomes your faithful companion, musical soulmate, and muse. It helps you express your artistic vision. We designed the Les Paul Studio to be precisely the type of guitar: the perfect musical companion, the guitar you won’t be able to put down. The one guitar you’ll be able to rely on every time and will find yourself reaching for again and again. For years, the Les Paul Studio has been the choice of countless guitarists who appreciate the combination of the essential Les Paul features–humbucking pickups, a glued-in, set neck, and a mahogany body with a maple cap–at an accessible price and without some of the flashier and more costly cosmetic features of higher-end Les Paul models."
Now, the Les Paul Studio has been reimagined. It features an Ultra-Modern weight-relieved mahogany body, making it lighter and more comfortable to play, no matter how long the gig or jam session runs. The carved, plain maple cap adds brightness and definition to the overall tone and combines perfectly with the warmth and midrange punch from the mahogany body for that legendary Les Paul sound that has been featured on countless hit recordings and on concert stages worldwide. The glued-in mahogany neck provides rock-solid coupling between the neck and body for increased resonance and sustain. The neck features a traditional heel and a fast-playing SlimTaper profile, and it is capped with an abound rosewood fretboard that is equipped with acrylic trapezoid inlays and 22 medium jumbo frets. The 12” fretboard radius makes both rhythm chording and lead string bending equally effortless, andyou’re going to love how this instrument feels in your hands. The Vintage Deluxe tuners with Keystone buttons add to the guitar’s classic visual appeal, and together with the fully adjustable aluminum Nashville Tune-O-Matic bridge, lightweight aluminum Stop Bar tailpiece, andGraph Tech® nut, help to keep the tuning stability nice and solid so you can spend more time playing and less time tuning. The Gibson Les Paul Studio is offered in an Ebony, BlueberryBurst, Wine Red, and CherrySunburst gloss nitrocellulose lacquer finishes and arrives with an included soft-shell guitar case.
It packs a pair of Gibson’s Burstbucker Pro pickups and a three-way pickup selector switch that allows you to use either pickup individually or run them together. Each of the two pickups is wired to its own volume control, so you can blend the sound from the pickups together in any amount you choose. Each volume control is equipped with a push/pull switch for coil tapping, giving you two different sounds from each pickup, and each pickup also has its own individual tone control for even more sonic options. The endless tonal possibilities, exceptional sustain, resonance, and comfortable playability make the Les Paul Studio the one guitar you can rely on for any musical genre or scenario.
For more information, please visit gibson.com.
Introducing the Reimagined Gibson Les Paul Studio - YouTube
The two pedals mark the debut of the company’s new Street Series, aimed at bringing boutique tone to the gigging musician at affordable prices.
The Phat Machine
The Phat Machine is designed to deliver the tone and responsiveness of a vintage germanium fuzz with improved temperature stability with no weird powering issues. Loaded with both a germanium and a silicon transistor, the Phat Machine offers the warmth and cleanup of a germanium fuzz but with the bite of a silicon pedal. It utilizes classic Volume and Fuzz control knobs, as well as a four-position Thickness control to dial-in any guitar and amp combo. Also included is a Bias trim pot and a Kill switch that allows battery lovers to shut off the battery without pulling the input cord.
Silk Worm Deluxe Overdrive
The Silk Worm Deluxe -- along with its standard Volume/Gain/Tone controls -- has a Bottom trim pot to dial in "just the right amount of thud with no mud at all: it’s felt more than heard." It also offers a Studio/Stage diode switch that allows you to select three levels of compression.
Both pedals offer the following features:
- 9-volt operation via standard DC external supply or internal battery compartment
- True bypass switching with LED indicator
- Pedalboard-friendly top mount jacks
- Rugged, tour-ready construction and super durable powder coated finish
- Made in the USA
Static Effectors’ Street Series pedals carry a street price of $149 each. They are available at select retailers and can also be purchased directly from the Static Effectors online store at www.staticeffectors.com.
So, you want to chase the riches and glories of being a mid-level guitar YouTuber. Rhett and Zach have some reality checks.
This outing of Dipped In Tone kicks off with an exciting update from Zach Broyles’ camp: He’s opening a brick-and-mortar guitar shop in Nashville, called High Voltage Guitars. Opening on October 8, the store will carry gear from Two-Rock, Divided By 13, Dr. Z, Castedosa, Fano, Novo, and of course Mythos Pedals. Zach hints that there might be some handwired JHS pedals from Josh Scott himself, too, and Rhett reveals that he plans to consign some of his guitars at the shop.
The business side of Zach’s new venture brings them to a key piece of today’s episode: Rhett and Zach aren’t running charities. They do what they do to make money; guitars, gear, podcasting, and content creation are their literal jobs. And they’re not as glamorous and breezy as most armchair commentators might guess.
Want to do what Rhett and Zach do? Welcome to the club. The guitar-influencer field is what one might call “oversaturated” at the moment, and it’s difficult to break out—but not impossible. As our hosts explain, it requires putting in 60-hour work weeks, a diverse skillset, a knack for catching people’s attention, and a certain level of genuineness. Rhett knows this path well, and he has hard-earned advice for staying true to oneself while building a following in the gear world.
Tune in to learn why Rhett thinks Fretboard Summit, a three-day guitar festival organized by Fretboard Journal, blows NAMM out of the water and builds legitimate connections between guitarists, and catch the duo dipping a Dick Dale-inspired, all-Fender rig.