Michael Majett typically wields this Nate Mendal signature P bass or an eye-catching orange Jaguar.

Nashville’s Michael Majett uses two amps—an Ampeg B-15N and a Markbass TTE 500—to go deep and low.

When we spoke, bassist Michael Majett had just checked off an item on his bucket list: playing the New Orleans Jazz & Heritage Festival. For Majett, the headlining set with the War and Treaty at the festival’s Blues Stage wasn’t just a gig. It was a way to connect with the history of the festival and what it represents: the deep legacy of American music and culture that’s synonymous with the Crescent City, and especially the Black heritage that birthed rock ’n’ roll, blues, jazz, and R&B, plus some of the world’s tastiest cuisine.

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"I don’t like any type of art that has to be explained."

Photo by Scott Friedlander

The profoundly prolific guitarist leads his band of tricksters through a surrealist sonic exploration of deep, esoteric rhythms and intricate interplay on Thisness.

On his new album Thisness, Miles Okazaki is credited as playing guitar, voice, and robots. If you imagine that the reference to robots is some sort of artsy kitsch—like trapping a Roomba Robot Vacuum into a tight space to sample its struggles as it percussively barrels into the four walls—you’re very far off the mark. Okazaki—who has an elite academic pedigree with degrees from Harvard, Manhattan School of Music, and Julliard, and currently holds a faculty position at Princeton University (after leaving a post at the University of Michigan, to which he commuted weekly from his home in Brooklyn for eight years)—wasn’t kidding.

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See a sampling of picks used by famous guitarists over the years.

Marty Stuart

Submit your own artist pick collections to rebecca@premierguitar.com for inclusion in a future gallery.

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