Never kit-built a stompbox? It’s easy—if you let pro pedal maker Alex Guaraldi of CopperSound be your guide. Here, he takes you on a step-by-step tour as he assembles a Build Your Own Clone Classic Delay.
For this DIY adventure, we’re going to be walking through the steps of building the Classic Delay pedal from Build Your Own Clone (BYOC), a company that has been a big player in the pedal-kit game for quite a while. This is a little more complicated than building a fuzz or overdrive, so I’m going to explain the process with great detail. Let’s get started.
Tools You’ll Need for This Project
- Soldering Iron
- Solder
- #2 Phillips screwdriver
- Wire strippers
- 8 mm (5/16") nut driver/wrench
- 10 mm (25/64") nut driver/wrench
- 1/2" nut driver/wrench
- 14 mm (9/16") wrench
- Flush cutters
- Small needle-nosed pliers
- Third hands
These tools are available via a variety of suppliers, including StewMac, Allparts, and Amazon.
Step 1: Review the Instructions
The kit as it arrives (Photo 2).
Each BYOC kit comes with a detailed set of instructions in the form of a PDF that can easily be printed out. The Classic Delay’s instructions can be found at https://www.byocelectronics.com/classicdelayinstructions.pdf. They are 32 pages long, and I suggest following their steps as you read this article. Here, I will refer to specific page numbers that correspond with the steps. I’ve also taken photos to coincide with the steps. Within the instructions, we find a table of contents, pictures of the fully assembled pedal, a list of parts included, and step-by-step instructions from internal population and soldering to external assembly. With any kit, always read the instructions carefully before you start building.
Step 2: PCB set-up
Photo 3
A lot of pedal builders use PCB jigs that are specifically designed to hold several printed circuit boards so that they can be easily populated and soldered. These jigs are great tools. However, they’re not something a casual DIY enthusiast will often have. Essentially, all we really need to do is elevate the PCB off of the working surface so that the leads of the components can pass through the bottom side of the PCB. This is most helpful with components that can be soldered from the top side of the PCB. “Third hands” or “helping hands” (Photo 3) are a good tool for this job. So, what can we do to elevate the PCB if we don’t have access to third hands? Simply turn the enclosure upside down and place the PCB perpendicular (Photo 4). This will elevate the PCB enough to allow the component leads to easily pass through.
Photo 4
Step 3: Populating Resistors and Diodes (instructions page 9)
Photo 5
When populating PC boards, we typically like to work lowest to tallest in regards to the seating. Seating is how far above the PC board the component rests. Resistors and diodes sit pretty low to the PC board, so populating them first makes sense.
Resistors: Remove the resistor from the paper ribbon, bend the leads (Photo 5), and place them through the corresponding pads (Photo 6) as directed. (A pad, by the way, is the term for the designated surface area of a component’s electric contact point.) A good practice is to populate all resistors of the same value before moving on to the next value. Populate all 1k resistors, then all 10k resistors, and so on.Photo 6
Reading resistor color bands can be confusing, so don’t forget the reference guide on page 7 of the instructions. Here, you will find a detailed breakdown of each value and its corresponding 5-band reading (i.e. 1k = brown/black/black/brown/brown). Once all the resistors are placed, we can go on to the diode.
Diode: Next, we need to place the diode. Just like resistors, remove the diode from the paper ribbon, bend the leads, and place them through the corresponding pads. Diodes are polarized and need to be oriented a certain way (Photo 7). Be sure to match the diode to the outline on the PCB, as shown on page 10 of the instructions.
Photo 7
Step 4: Solder Resistors and Diode
Photo 8
Fire up the soldering iron! Once the iron is up to temperature (650 to 750 degrees Fahrenheit, depending on how fast you work), it’s time to get to work. Resistors and diodes can easily be soldered from the top side. So no need to flip the PCB over. Place the solder tip to the pad and feed the end of the tip a bit of solder. What we’re looking for here is solder that covers the entire pad, encapsulates the lead, and has a nice shine to it. Think of it like a shiny Hershey's Kiss shape (Photo 8). Repeat this step for every part. If you’re new to soldering, you should consult our concise guide to soldering, online or in PG’s October 2015 issue.
Soldering tip: Shut the iron off between population steps. Use a small, tabletop fan to blow the solder fumes away during soldering steps. Quick tutorial videos on YouTube are also of benefit here, for builders new to soldering.
Step 5: Trim the Leads
Photo 9
Next, place the PCB upside down to expose the leads (Photo 9). Using flush cutters, trim the excess leads (Photo 10).
Photo 10
Step 6: Soldering IC Sockets (page 11)
Photo 11
Place the 8-pin and 16-pin IC sockets into the corresponding pads on the top side of the PCB. We need to solder the IC socket pins from the bottom side. This means flipping the PCB over without having the IC sockets fall out. For this, I like to use a small piece of foam (Photo 11).
Photo 12
I place the foam on top of the PCB (Photo 12), then flip the foam and PCB simultaneously so the foam is below the PCB and the bottom side of the PCB is facing up (Photo 13).
Photo 13
For this soldering step, we’ll want to solder ONLY 1 pad and then flip the board over to ensure that the IC sockets are sitting flush. If the IC sockets are not flush, go back to the bottom side and reflow that solder pad while pressing the PCB downward and keeping it parallel to the work surface. Solder the remaining pads (Photo 14).
Photo 14
Step 7: Soldering the Voltage Regulator (page 12)
Photo 15
Place the voltage regulator into the three corresponding pads, while keeping mindful of the orientation. The flat side needs to match the outline on the PCB. Now, we’re ready to solder. This can be done from either side. Flush-cut the excess lead and we’re done here (Photo 15).
Step 8: Soldering the Trim Pot (page 13)
Photo 16
Place the trim pot (Photo 16) into its corresponding pads. For the trim pot provided, I found it easiest to solder the two exposed legs from the top side (Photo 17) and then the remaining leg from the bottom side.
Photo 17
Step 9: Soldering Ceramic and Film Caps (page 14)
Photo 18
Place all ceramic (pill-shaped) and film (red) caps into their respective locations. Again, use page 7 of the instructions as a reference for identifying the correct capacitors (i.e. 100n film cap, which may say “104” or “.1” or “u1” on the body). We’ll need to solder the pads from the bottom side. So, once again, the piece-of-foam trick can be your friend here. Flush-cut the excess lead and we’re done (Photo 18).
Tip: An alternate method would be to bend the leads away from each other so they stay in place when the PCB is flipped over (Photo 19).
Photo 19
Step 10: Soldering Electrolytic Caps (page 15)
Photo 20
Let’s do the same thing here as we just did in Step 9. One thing to note is that electrolytic capacitors are polarized and need to be populated in the correct orientation. This is denoted on both the PCB and the component itself. On the PCB, the positive pad is denoted by the square pad. On the electrolytic capacitor, the positive lead is the longer leg. Additionally, the negative lead of the cap also corresponds to the white strip on the body (Photo 20).
So, let’s go ahead and populate the caps and solder them with either the foam trick or by bending the leads. Flush-cut the excess lead and we’re done (Photo 21).
Photo 21
Step 11: Battery Snap and Hook-Up Wire
Photo 22
This DIY kit offers a battery option for those that feel so inclined. (See page 17 of the instructions.) For this step, we’ll need to connect the battery snap to the PCB. Before soldering, we’ll want to first feed the two wires through the holes directly below the solder pads. These holes act as strain relief for the battery snap and have + and - signs next to them (Photo 22). Then, simply solder the red wire to the positive (+) pad and the black wire to the negative (-) pad (Photo 23).
Photo 23
Next, we need to cut and strip the included wire (page 18). We need four 2.5" pieces of wire, and one 1.5" piece (Photo 24).
Photo 24
Place the 2.5" wires into the top side of the solder pads for in, out, and the two courtesy grounds—all handily marked. Then, solder from the bottom side. Do the same for the 1.5" wire going to the ring pad (Photo 25).
Tip: If painting the enclosure is desired, this is the last chance you’ll have to do it. After this, there will be components mounted to the chassis.
Photo 25
Step 12: Install DC Jack (page 19)
Photo 26
Place the DC jack into the large hole on the back heel of the enclosure and tighten the nut using a 14 mm (9/16") wrench (Photo 26).
Step 13: Potentiometers and Status LED (pages 20 and 21)
Photo 27
The included instructions for this next part have you mate the PCB to the inside of the enclosure. This will help line up the pots and LED. However, afterwards it will make soldering the remaining wire more difficult. Here’s a trick we can do that gives us the benefits of using the enclosure to help with pot alignment without needing to take the PCB out afterwards to solder the remaining wires. What we’ll want to do is simply use the face of the enclosure to hold the pots and set the LED height. Additionally, we can use the flush cutters to help balance the PCB (Photo 27). Be sure to have the long lead of the LED mate with the square pad, then solder away!
Step 14: Final Hook-Up Wire
Photo 28
My steps continue to vary slightly from the instructions throughout the rest of the build, so you might want to do a side-by-side comparison. Let’s finish the wire for the DC jack next. Cut and strip three 1.5" pieces. These need to be placed into the three power pads at the top of the PCB marked -, +, + , as in Photo 28.
Photo 29
Next, cut and strip five more 1.5" pieces. Place these in the footswitch pads at the bottom of the PCB marked 1, 2, 5, 7, 8 as shown in Photo 29.
Photo 30
Last wire! Cut one 1.5" piece. Only for this one, strip half an inch off of one side (Photo 30). Place the short-stripped side into the footswitch pad labeled 4.
Step 15: Footswitch prep
Photo 31
For the footswitch, we need to jump lugs 3 and 6. To do this, we’ll use the remaining wire. Place the footswitch into the correct hole on the face of the enclosure. Then, cut a 1" piece of wire and strip half of it. Feed the exposed wire through lug 3 and into lug 6 and then solder both (Photo 31). Cut the excess wire.
Step 16: Insert the IC
Photo 32
Now, we’re ready to insert the integrated circuits into their respective sockets. These need to be placed in the correct way, and there are two ways to identify them. Pin 1 is the top left leg of the IC—which is the rectangular black object in Photo 32. These legs are marked with a small dot in the top left corner or the upside of the IC is marked with a debossed half circle.
Step 17: Mounting and Final Soldering
Photo 33
PCB: Now for the real fun! We’re ready to start inserting chassis-mounted components. Let’s start with the populated PCB. Place the PCB with the three pots lining up with the drilled holes, place the pot washers on the shafts, and then tighten the pot nuts using a 10 mm (25/64") nut driver/wrench, for the results in Photo 33.
Photo 34
Footswitch: Now that the PCB is securely tightened, let’s go ahead and do the same for the footswitch. Remove all hardware from the footswitch bushing except for one nut and the lock washer (Photo 34).
Photo 35
Feed the footswitch through the footswitch hole, making sure that the footswitch has the two poles that we soldered together facing the bottom left (Photo 35).
Photo 36
Next, place the plastic washer onto the bushing (optional), and tighten the hex nut with a 14 mm (9/16") wrench (Photo 36).
Photo 37
Lets go ahead and solder the footswitch wires to their respective footswitch poles (Photo 37). See the instructions’ page 26 for pole-numbering reference.
Tip: Solder from the top row down—i.e. 1, 4, 7, then 2, 5, 8.
Another tip: Remember that the wire for pole 4 also connects to pole 9.Step 18: DC Jack
Photo 38
Next, we’ll need to solder the three wires that go to the DC jack, as explained in page 22 of the instructions. Start with the middle wire, since it sits the lowest and will be easier to get at without the other two wires in the way (Photo 38).
Step 19: Audio Jacks
Photo 39
The last chassis-mounted components are the two audio jacks. Let’s do the stereo input jack first. Go to page 24 of the instructions to see how these jacks are oriented. The lock washer goes on the bushing first, then gets placed into the hole to the left of the DC jack. Then, place the washer onto the bushing and tighten the hex nut with a 1/2" nut driver/wrench.
Follow the same steps for the mono output jack. And then, it’s the final soldering step: Solder the wires to the appropriate lugs on the audio jacks (Photo 39), as on instructions page 28. Then, finally, place the knobs on, tighten them down, and we’re done!
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Pearl Jam announces U.S. tour dates for April and May 2025 in support of their album Dark Matter.
In continued support of their 3x GRAMMY-nominated album Dark Matter, Pearl Jam will be touring select U.S. cities in April and May 2025.
Pearl Jam’s live dates will start in Hollywood, FL on April 24 and 26 and wrap with performances in Pittsburgh, PA on May 16 and 18. Full tour dates are listed below.
Support acts for these dates will be announced in the coming weeks.
Tickets for these concerts will be available two ways:
- A Ten Club members-only presale for all dates begins today. Only paid Ten Club members active as of 11:59 PM PT on December 4, 2024 are eligible to participate in this presale. More info at pearljam.com.
- Public tickets will be available through an Artist Presale hosted by Ticketmaster. Fans can sign up for presale access for up to five concert dates now through Tuesday, December 10 at 10 AM PT. The presale starts Friday, December 13 at 10 AM local time.
earl Jam strives to protect access to fairly priced tickets by providing the majority of tickets to Ten Club members, making tickets non-transferable as permitted, and selling approximately 10% of tickets through PJ Premium to offset increased costs. Pearl Jam continues to use all-in pricing and the ticket price shown includes service fees. Any applicable taxes will be added at checkout.
For fans unable to use their purchased tickets, Pearl Jam and Ticketmaster will offer a Fan-to-Fan Face Value Ticket Exchange for every city, starting at a later date. To sell tickets through this exchange, you must have a valid bank account or debit card in the United States. Tickets listed above face value on secondary marketplaces will be canceled. To help protect the Exchange, Pearl Jam has also chosen to make tickets for this tour mobile only and restricted from transfer. For more information about the policy issues in ticketing, visit fairticketing.com.
For more information, please visit pearljam.com.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.
Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.
Session secret weapon Rob McNelley demos his gotta-have-it studio gear.
Rob McNelley spends a lot of time at Sound Stage Studios in Nashville. When he says, “I live here,” he’s only half kidding. McNelley has recorded with country superstars like Carrie Underwood, Dierks Bentley, Miranda Lambert, Luke Bryan, Kenny Chesney, Eric Church, Luke Combs, and more, and he’s performed with Wynonna Judd, Delbert McClinton, Bob Seger, and Lee Ann Womack—and that’s on top of his own solo releases. He’s probably listened to his rig with headphones more than without.
McNelley ditches the headphones when PG’s John Bohlinger pays him a visit at Sound Stage for this Rig Rundown. Check out McNelley’s choice gear below.
Brought to you by D’Addario.A Golden Trade
McNelley traded a 1962 Gibson SG to bassist Victor Krauss in return for this 1953 goldtop Les Paul—which did, admittedly, have a broken headstock at one point. In addition to the Music City bridge, which keeps great intonation and holds strings over their pole pieces, another novelty is the height of the tone and volume knobs, which stand taller than most stock knobs from the era. McNelley uses D’Addario .010s on this axe.
Ready for Petty
This pre-CBS 1963 Fender Stratocaster went out on the road with McNelley when he played with Bob Seger. Besides a refret, it’s totally stock and gives McNelley a perfect Tom Petty tone thanks to its unusually balanced bridge pickup. It takes D’Addario .011s.
Green Donkey
This metal baritone by Mule Resophonic Guitars made its way into Luke Combs’ song “Ain’t No Love in Oklahoma,” for this summer’s blockbuster movie Twisters. For this and other guitars, McNelley uses Dunlop Ultex picks—.88mm for leads, .73mm for rhythm.
Old Man, Look at My Life
McNelley’s father, a guitarist himself, bought this Telecaster at Gruhn Guitars in 1981 while working on some records in Nashville. When a young McNelley saw it, he was enamored—but the guitar disappeared, and when McNelley’s father passed, it wasn’t in his collection. Years later, McNelley discovered that the guitar was in the possession of Paul Worley, the producer of the records his dad was working on. McNelley met with him and said that if he ever wanted to sell it, McNelley wanted first dibs. A few months later, a mutual friend invited McNelley over. There was the guitar, in a brown tolex case, just as enchanting as it was years before—Worley wanted McNelley to have his dad’s old guitar. That was nearly 30 years ago.
Aside from a refinished body, this one is all-original, too.
Bought from Buk
McNelley got this rare totally stock 1959 Gibson ES-355 Mono, complete with PAFs, from Tom Bukovac—one of many acquisitions from the player over the years.
Also in McNelley’s studio stable are a Gibson Rick Nielsen “Collector’s Choice” Les Paul with Tom Holmes pickups, and a rehabbed Silvertone acoustic. A friend of McNelley’s cleaned it up and installed a humbucker and rubber bridge—a popular Nashville trend these days. It takes flatwound strings.
Rob McNelley’s Studio Amps
McNelley maintains a collection of amplifiers at Sound Stage, but his number-one is his 1965 Fender Deluxe Reverb, with a mod by tech Nick Rose at Jeff Hime’s shop to make it gainier—a trick Rick Nielsen allegedly did to his Deluxe Reverb.
A Hime-modded Marshall SV20H Studio Vintage MK II gets him big-stack tones in small recording rooms, and a pair of Fender Bassmans are on hand, too. The final piece is an early Matchless SC-30 combo, but all amps go through McNelley’s Carr cabinet—an open-back 112 with a Warehouse ET65 speaker.
McNelley likes to switch amps by hand rather than with a switching system; it gives him time to think about what he’s going to play next.
Apologies to Mr. O’Neal
XTS built McNelley’s main board, but Rob has made a few adjustments as pedals have conked out, so it’s not as seamless as it once was—don’t be mad, Barry! McNelley’s guitar hits a Sonic Research Turbo Tuner ST-200 before going into Basic Audio Scarab Deluxe, Xotic RC Booster, Ibanez MT10 Mostortion, ARC Effects Klone, Analog Man King of Tone, Electro-Harmonix POG2, Analog Man Boss GE-7/Pro, Boss VB-2w, Strymon TimeLine, Strymon Mobius, Strymon Flint, and a Mission Engineering Expressionator. A Diamond Memory Lane sits just off the board, and other goodies out of sight include a BSM RW-F Treble Booster, FXengineering RAF Mirage Compressor, and Analog Man Sun Bender MK IV.
Shop Rob McNelley's Rig
1953 Gibson Les Paul goldtop
1955 Fender Telecaster
1963 Fender Stratocaster
Mule Resophonic Guitars Mulecaster
Gibson Rick Nielsen “Collector’s Choice” Les Paul
FX engineering RAF Mirage Compressor
Diamond Memory Lane
Strymon Mobius
Strymon TimeLine
Analog Man King of Tone
Boss VB-2w
Strymon Flint
Mission Engineering Expressionator
EHX POG2
Ibanez MT10 Mostortion
Xotic Effects RC Booster
Basic Audio Scarab Deluxe
Dunlop Volume X pedal
ARC Effects Klone
Apollo Approved Audio Devices Sawdust
AmpRx BrownBox
Fender Bassman
Marshall SV20H MK II
Fender Deluxe Reverb
Warehouse ET 65 speakers