How much do you know about “re-amping?”
How much do you know about “re-amping?” If you’re like most guitarists, you’re familiar with the concept of recording a direct, dry guitar track (without going through an amp or any effects) into your recorder or computer, then feeding it from your recorder back through an amplifier later in the song production process to get the final tone you want for the song. But re-amping presents some challenges that make it impractical for many musicians. First, there’s the problem of getting the guitar out of your computer and into the amp. You’ll need specialized hardware, like the Radial X-Amp, in order to make this work.
But then there’s the logistical problem. Most of us have one or two amps – but what about those occasions where you want something different? Or what if you want to try out a dozen different amps before making up your mind about which one is ideal for the sound you want? Few of us have the luxury of having dozens of guitar amps at our disposal (as much as we might like to!).
Good news: thanks to Line 6, re-amping just got a lot easier.
Unless you’ve been living under a technological rock for the last eleven years, you’ve heard of Line 6. Chances are, even if you don’t own one yourself, you’ve played through one of the company’s Pod series of guitar processors, or have at least heard one live or on a recording. Line 6 wrote the book on what has become known as guitar amp emulation, or amp “modeling,” where software is used to re-create the sound of hardware. For the uninitiated, the Pod, along with other Line 6 products like the Spider and Vetta guitar amps, allow guitarists to emulate the sounds of dozens of classic guitar amps, cabinets, and stomp boxes using a single, seemingly magical little box. Love it or loath it, the Pod is undeniably an icon in the world of guitar effects.
For almost as long as there has been a Pod, enterprising musicians have wanted the same sounds in a software product compatible with popular computer audio platforms. Some of those guitarists got their wish with the release of Line 6’s Amp Farm, an amplifier emulation plug-in for Digidesign Pro Tools TDM systems. But relatively few musicians have TDM systems of their own, leaving most of us hoping for a solution that would work with our various other software DAWs (computer-based “Digital Audio Workstations,” such as Cakewalk SONAR, MOTU Digital Performer, Apple Logic, Steinberg Cubase, Ableton Live, Sony ACID, and others).
At long last, Line 6 has delivered a piece of software for us non-Pro Tools TDM users. It’s called Gear Box, and it does on your Mac or Windows XP computer what the Pod does in your guitar rig. It’s compatible with virtually every popular audio recording software system, or can be used completely stand-alone, with no additional software at all.
Built into Gear Box is an impressive array of vintage and modern amp and cabinet models and stomp boxes. All of them have familiar analog-style knobs and switches for control, so all of the controls feel very familiar, even if you’ve never used a software effects processor before. Not sure what settings to use? Gear Box comes with dozens of tweakable presets that serve as starting points to craft your tone. They cover every genre of music imaginable, from country to hard rock. There are even presets for vocals, drums, and other “outside the box” uses of guitar amps.
Even if you are a hardcore collector of amps, cabinets, and guitar processors, precious few collections rival the amazingly wide variety of gear models available in Gear Box. Best of all, all of those tones are at your fingertips. Changing your virtual signal chain is as easy as loading a new preset.
Jeff Barnett
Jeff Barnett was drafted to run sound at church in junior high, and he hasn’t gotten out from behind the console since. He has 15 years of experience in professional audio, and has worked for churches, bands, recording studios, and theater companies as an engineer. Jeff is now a Senior Sales Engineer and product specialist at Sweetwater.
He can be reached at Sweetwater at 1-800-222-4700, ext. 1283, or via email at Jeff_Barnett@sweetwater.com.
From his first listen, Brendon Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great.
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
Use code EMG100 for 15% off at checkout!
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Katana-Mini X is designed to deliver acclaimed Katana tones in a fun and inspiring amp for daily practice and jamming.
Evolving on the features of the popular Katana-Mini model, it offers six versatile analog sound options, two simultaneous effects, and a robust cabinet for a bigger and fuller guitar experience. Katana-Mini X also provides many enhancements to energize playing sessions, including an onboard tuner, front-facing panel controls, an internal rechargeable battery, and onboard Bluetooth for streaming music from a smartphone.
While its footprint is small, the Katana-Mini X sound is anything but. The multi-stage analog gain circuit features a sophisticated, detailed design that produces highly expressive tones with immersive depth and dimension, supported by a sturdy wood cabinet and custom 5-inch speaker for a satisfying feel and rich low-end response. The no-compromise BOSS Tube Logic design approach offers full-bodied sounds for every genre, including searing high-gain solo sounds and tight metal rhythm tones dripping with saturation and harmonic complexity.
Katana-Mini X features versatile amp characters derived from the stage-class Katana amp series. Clean, Crunch, and Brown amp types are available, each with a tonal variation accessible with a panel switch. One variation is an uncolored clean sound for using Katana-Mini X with an acoustic-electric guitar or bass. Katana-Mini X comes packed with powerful tools to take music sessions to the next level. The onboard rechargeable battery provides easy mobility, while built-in Bluetooth lets users jam with music from a mobile device and use the amp as a portable speaker for casual music playback.
For quiet playing, it’s possible to plug in headphones and enjoy high-quality tones with built-in cabinet simulation and stereo effects. Katana-Mini X features a traditional analog tone stack for natural sound shaping using familiar bass, mid, and treble controls. MOD/FX and REV/DLY sections are also on hand, each with a diverse range of Boss effects and fast sound tweaks via single-knob controls that adjust multiple parameters at once. Both sections can be used simultaneously, letting players create combinations such as tremolo and spring reverb, phaser and delay, and many others.
Availability & Pricing The new BOSS Katana-Mini X will be available for purchase at authorized U.S. Boss retailers in December for $149.99. For the full press kit, including hi-res images, specs, and more, click here. To learn more about the Katana-Mini X Guitar Amplifier, visit www.boss.info.
The in-demand New York-based musician and singer shares how she became one of the music industry’s buzziest bass players.
At 26, Blu DeTiger is the youngest musician ever to have a signature Fender bass guitar. The Fender Limited Player Plus x Blu DeTiger Jazz Bass, announced in September, pays tribute to the bassist and singer’s far-reaching impact and cultural sway. She’s played with Caroline Polachek, Bleachers, FLETCHER, Olivia Rodrigo, and more, and released her own LP in March 2024. In 2023, Forbes feature her on their top 30 Under 30 list of musicians. So how did DeTiger work her way to the top?
DeTiger opens up on this episode of Wong Notes about her career so far, which started at a School of Rock camp at age seven. That’s where she started performing and learning to gig with others—she played at CBGB’s before she turned 10. DeTiger took workshops with Victor Wooten at Berklee followed and studied under Steven Wolf, but years of DJing around New York City, which hammered in the hottest basslines in funk and disco, also imprinted on her style. (Larry Graham is DeTiger’s slap-bass hero.)
DeTiger and Wong dish on the ups and downs of touring and session life, collaborating with pop artists to make “timeless” pop songs, and how to get gigs. DeTiger’s advice? “You gotta be a good hang.”
Wong Notes is presented by DistroKid.
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Trey Anastasio unveils plans for a special solo acoustic run starting in March, 2025.
The tour gets underway March 8, 2025 at Springfield, MA’s Symphony Hall and then visits US theatres and concert halls through early April. Real-time presales begin Wednesday, December 4 exclusively via treytickets.shop.ticketstoday.com. All remaining tickets will go on sale to the general public on Friday, December 6 – please check venues for on-sale times. For complete details, please see trey.com/tour.
TREY ANASTASIO - SOLO ACOUSTIC TOUR 2025
MARCH
8 – Springfield, MA – Symphony Hall
9 – Boston, MA – Wang Theatre at Boch Center
11 – Wilkes-Barre, PA – The F.M. Kirby Center
12 - Rochester, NY - Kodak Hall at Eastman Theatre
14 – Columbus, OH – Mershon Auditorium
15 – Milwaukee, WI – Riverside Theater
16 – Nashville, IN – Brown County Music Center
18 – Chicago, IL – Orchestra Hall
19 – Kansas City, MO – Uptown Theatre
21 – New Orleans, LA – Saenger Theatre
22 – Birmingham, AL – Alabama Theatre
23 – Nashville, TN – Ryman Auditorium
26 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
28 – Clearwater, FL – Ruth Eckerd Hall
29 – Savannah, GA – Johnny Mercer Theatre
30 – Charleston, SC – Gaillard Auditorium
APRIL
1 – Knoxville, TN – Tennessee Theatre
2 – Greenville, SC - Peace Concert Hall
4 – Washington, DC – Warner Theatre
5 - Red Bank, NJ - Count Basie Center for the Arts
More info: TREY.COM.