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Future Rock Sep. '15 Ex. 4

Photo by Brett Jordan on Unsplash

Expand your playing by limiting your options.



  • Learn how to "trick" yourself into creativity.
  • Understand how to focus on a single rhythmic motif through a progression.
  • Develop a better sense of articulation, time, and phrasing.
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Improvisation is one of the great joys in music that celebrates spontaneity and self-expression. It gives us a chance to explore our instrument and what we naturally hear and feel in an open format. Limitations help challenge us to improvise inside specific parameters and, as a result, can break us out of our typical musical vocabulary.

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A clever triple-delay offers infinite avenues to echo bliss.

Mysterious, hazy, and uncommon echo colors. A cool break from the same-old-delay blues. Streamlined design.

Clock noise could turn off some users. Limited numbers available—so far.


Death By Audio Exploding Head


If you don’t follow the many-splendored musical world of noisy psychedelia, you might be surprised to know that Oliver Ackermann, co-founder of the sometimes psychotic but often thrilling stompbox concern Death By Audio, also helms the equally psychotic and thrilling band A Place to Bury Strangers. If you’ve seen APTBS live, you’ll understand much about what makes Death By Audio pedals unconventional. APTBS is generally a sensory overload experience. They are loud, sonically confrontational, and capable of oscillating between chaos and dark beauty. Last year marked the 13th anniversary of the band’s breakthrough LP, Exploding Head, and,in typically perverse fashion, Ackermann elected to celebrate that most unlucky of anniversaries with a triple delay named in the LP’s honor.

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While Lindley had absolute command over a wide variety of instruments, steel is where he made his best-known contributions to many hit recordings.

Photo by Ken Settle

The great multi-instrumentalist, world music pioneer, and larger-than-life personality is warmly remembered by his friend, veteran music journalist and musician Dan Forte.

People often ask me, “Who was the best musician you ever met?” or, “Who was your favorite interviewee?” I always say David Lindley and David Lindley. Across 47 years and some 1,000-plus interviews, with such fascinating subjects as Frank Zappa and George Harrison and master musicians the caliber of Stéphane Grappelli and James Jamerson, Lindley takes the cake.

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