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GALLERY: Early Days of Orange

A look into the history of Orange Amps, Orange Records, and Orange Studios and the landmark products along the way.

The cramped interior of the Orange Shop added to the shop's vibe.

To read more from The Book of Orange, check out our exclusive excerpt!

Growing up in Australia, guitarist Jedd Hughes tells us he dreamed of playing in Vince Gill’s band as far back as elementary school. Now, he lives in Nashville and stands next to the man himself on stage night after night. We’ve invited Jedd to join us on this episode of 100 Guitarists to talk about just what makes Vince’s playing so special.

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Do you overuse vibrato? Could you survive without it?

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An ode, and historical snapshot, to the tone-bar played, many-stringed thing in the room, and its place in the national musical firmament.

Blues, jazz, rock, country, bluegrass, rap.… When it comes to inventing musical genres, the U.S. totally nailed it. But how about inventing instruments?

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By refining an already amazing homage to low-wattage 1960s Fenders, Carr flirts with perfection—and adds a Hiwatt-flavored twist.

Killer low end for a low-wattage amp. Mid and presence controls extend range beyond Princeton or tweed tone templates. Hiwatt-styled voice expands vocabulary. Built like heirloom furniture.

Two-hundred-eighty-two bucks per watt.

$3,390

Carr Skylark Special
carramps.com

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Steve Carr could probably build fantastic Fender amp clones while cooking up a crĆØme brulee. But the beauty of Carr Amps is that they are never simply a copy of something else. Carr has a knack for taking Fender tone and circuit design elements—and, to a lesser extent, highlights from the Vox and Marshall playbook—and reimagining them as something new.

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