Originally called the Zepher Emperor Regent, this model name changed to Emperor Electric in 1954.

Front: A 1962 Epiphone Emperor. This stunning electric archtop was designed to compete with Gibson’s Super 400. Back: The Emperor’s body is 18" wide across the lower bout.

Today Epiphone and Gibson are thought of as two divisions within the same company, but at one time they were competitors. In the 1920s and ’30s, this rivalry sparked the creation of the finest archtop guitars ever made. Epiphone traced its origins back to Greece, where the Stathopoulo family began making musical instruments in the late 1800s. The family immigrated to America in 1903 and continued building instruments in New York City. By the late 1920s the “House of Stathopoulo” became the Epiphone Banjo Company, named after the head of the family—president and general manager, Epi Stathopoulo. Under Epi’s leadership, the company maintained neck-and-neck sales with Gibson until Epi’s untimely death in 1943.

Below: Three mini-humbuckers offer a large palette of amplified tones. Above: The 4-piece maple neck is divided by three mahogany strips. Note the art-deco Grover Imperial tuners with their “stair-step” buttons.

Epi’s brothers continued on after his demise, but without Epi’s vision, the company’s influence declined. By the mid ’50s, Epiphone experienced financial problems leading to its eventual sale to Gibson in 1957. By 1958, production of new Epiphones began in Kalamazoo (existing Epiphone necks and pickups were used for a few years). The Gibson Epiphone line was made up of new and different models, accompanied by some familiar names, such as the Emperor.

Debuting in 1935 as Epiphone’s top-of- the-line acoustic archtop, the Emperor was originally the company’s answer to Gibson’s 18"-wide Super 400. By the 1950s, Epiphone was making a triple-pickup electric version. Originally called the Zepher Emperor Regent, this model name changed to Emperor Electric in 1954. Gibson continued to make an 18"- wide, triple-pickup Emperor Electric, but incorporated the new thinline body style used on Byrdlands and ES-335s.

The 1962 Emperor pictured here has typical features for that year, including a 4-piece maple neck divided by three strips of mahogany, a rosewood fretboard with V-block inlays, a “tree of life” pattern adorning the headstock, and three gold-plated mini-humbucker pickups.

The 1963 Epiphone price list reveals the Emperor cost $825, plus $60 for a hardshell case. The current value is $10,000.

You’ll find detailed information on Epiphone guitars and the fascinating story of the brand in Epiphone: The Complete History by Walter Carter, as well as Epiphone: The House of Stathopoulo by Jim Fisch and L.B. Fred.

Original price: $825 in 1963, plus $60 for hardshell case.
Current estimated market value: $10,000.

Dave ’s Guitar Shop
Dave Rogers’ collection is tended by Laun Braithwaite and Tim Mullally and is on display at:
Dave’s Guitar Shop
1227 Third Street South
La Crosse, WI 54601
Photos by Mullally and text by Braithwaite.
Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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