Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Guitar Picks of the Stars

Guitar Picks of the Stars

See a sampling of picks used by famous guitarists over the years.

Allman Brothers Band - Warren Haynes & Oteil Burbridge
Yngwie J Malmsteen
Mastodon's Bill Kelliher
Deftones' Stephen Carpenter
Eric Johnson
The Who's Roger Daltrey and Pete Townshend
Thin Lizzy's Vivian Campbell and Ricky Warwick
Slash
Queen's Brian May
Def Leppard's Phil Collen and Vivian Campbell
Grace Potter
Maroon 5's James Valentine
Fall Out Boy's Joe Trohman
Buddy Guy
Lynyrd Skynyrd's Gary Rossington
Dave Matthews
Brian Setzer
Trivium's Corey Beaulieu
Sting
Anthrax's Scott Ian
Rush's Alex Lifeson and Geddy Lee
Eddie Van Halen
Aerosmith's Joe Perry
Night Ranger's  Joel Hoekstra
Slipknot's Mick Thomson
Kenny Wayne Shepherd
Geezer Butler
Earl Slick (David Bowie)
Zakk Wylde
Ted Nugent
Sepultura
Greg Koch
AFI
Disturbed's Dan Donegan
Metallica's James Hetfield and Kirk Hammett
Slayer's Kerry King
John 5
Paul Gilbert
Velvet Revolver's Duff McKagan and Dave Kushner
Los Lonely Boys' Henry Garza
Megadeth's Dave Mustaine
The Black Keys' Dan Auerbach
Ritchie Blackmore (Blackmore's Night)
Megadeth's Dave Mustaine
The Cult's Billy Duffy
Kiss
Hoobastank
Exodus
ZZ Top's Billy Gibbons

Submit your own artist pick collections to rebecca@premierguitar.com for inclusion in a future gallery.

Ethnomusicologist Frances Densmore records the song of Mountain Chief, head of the Blackfeet Tribe, on a phonograph for the Bureau of American Ethnology in 1916.

Once used as a way to preserve American indigenous culture, field recording isn’t just for seasoned pros. Here, our columnist breaks down a few methods for you to try it yourself.

The picture associated with this month’s Dojo is one of my all-time favorites. Taken in 1916, it marks the collision of two diverging cultural epochs. Mountain Chief, the head of the Piegan Blackfeet Tribe, sings into a phonograph powered solely by spring-loaded tension outside the Smithsonian. Across from him sits whom I consider the patron saint of American ethnomusicologists—the great Frances Densmore.

Read MoreShow less

Need more firepower? Here’s a collection of high-powered stomps that pack plenty of torque.

There’s a visceral feeling that goes along with really cranking the gain. Whether you’re using a clean amp or an already dirty setup, adding more gain can inspire you to play in an entirely different way. Below are a handful of pedals that can take you from classic crunch to death metal doom—and beyond.

Read MoreShow less

Paul Reed Smith shows John Bohlinger how to detect the grain in a guitar-body blank, in a scene from PG’s PRS Factory Tour video.

Paul Reed Smith says being a guitar builder requires code-cracking, historical perspective, and an eclectic knowledge base. Mostly, it asks that we remain perpetual students and remain willing to become teachers.

I love to learn, and I don’t enjoy history kicking my ass. In other words, if my instrument-making predecessors—Ted McCarty, Leo Fender, Christian Martin, John Heiss, Antonio de Torres, G.B. Guadagnini, and Antonio Stradivari, to name a few—made an instrument that took my breath away when I played it, and it sounded better than what I had made, I wanted to know not just what they had done, but what they understood that I didn’t understand yet. And because it was clear to me that these masters understood some things that I didn’t, I would go down rabbit holes.

Read MoreShow less

Featuring the SansAmp section, Reverb/Delay/Roto effects, and OMG overdrive, with new additions like a switchable Pre/Post Boost and Effect Loop. Pre-configured for the RK Killer Wail wah, this pedal offers versatile tones and unmatched flexibility.

Read MoreShow less