Pieces of rock history owned by Jimi Hendrix, John Entwistle, Dave Mustaine, Ted Nugent, Steve Vai, Scotty Moore, and more.
Marshall Lytle's '40s Epiphone B-5
there's one thing we have in abundance around here, it's reverence for the tools of rock 'n' roll. Guitars, drums, basses; we think all that stuff is great. Every once in a while, though, we come across an instrument that's so historic, so iconic, and so badass, that it truly blows us away. This is one of those pieces. It's a late '40s Epiphone B-5 upright bass that belonged to Marshall Lytle. Marshall was the bass player for Bill Haley and His Comets during their 1950s heyday, and he used this bass to record such classics as "Rock Around the Clock", "Shake", "Rattle and Roll", and "Rock the Joint". Think about that for a second. Those three songs were the beginning of a cultural earthquake whose aftershocks are still rumbling in the 21st century. The lexicon of early rock bass playing was written by Marshall on this very instrument. It's currently on display at the Hard Rock Cafe in Orlando, Florida.
Add a boost with serious attitude! Win the Rock n Roll Relics Stinger Boost in the I Love Pedals giveaway.
Rock N’Roll Relics Stinger Boost
Definitely not your typical boost. This single-transistor midrange booster lets you switch between a punchy silicon transistor and a warm, vintage NOS Germanium transistor. Whether placed before or after other drives, it delivers that signature midrange growl that defines classic rock ‘n’ roll. Each Stinger boost is hardwired, just like they did back in the day! Aged, we can’t forget each pedal is aged to perfection. It looks and feels like you have gigged with it for 40 years!
PG Contributor Tom Butwin dives into three standout baritone guitars, each with its own approach to low-end power and playability. From PRS, Reverend, and Airline, these guitars offer different scale lengths, pickup configurations, and unique tonal options. Which one fits your style best? Watch and find out!
Reverend Descent W Baritone Electric Guitar - Transparent White
Descent W Trans WhiteFeaturing authentic tape behavior controls and full MIDI implementation, the EC-1 is a premium addition to any guitarist's setup.
Strymon Engineering, the Los Angeles-based company behind premium products for the guitar, plugin, and Eurorack markets, announced a new single-head tape echo pedal in their newer small format today, called the EC-1. Initially based around the award-winning dTape algorithm that helped to make the El Capistan pedal an industry titan, development took a different turn when Strymon acquired an immaculate and heavily modified tube Echoplex® EP-2. The new true stereo pedal features two models of the EP-2’s tube preamp with variable gain, as well as a three-position Record Level switch that allows for additional gain control. Glitchless tap tempo allows tapping in new tempos without tape artifacts, and the Tape Age and Mechanics controls modify a large number of parameters under the hood to deliver authentic tape behavior at any setting. Other features include TRS stereo Ins and Outs, full MIDI implementation, TRS MIDI, arear-panel audio routing switch, USB-C and 300 presets. Being true stereo, the EC-1 processes the left and right inputs independently, allowing it to be placed anywhere in the signal chain.
“We decided to start the project by investigating the preamps from tube echo units, so I bought an original Echoplex® EP-2 to begin the process”, said Gregg Stock, Strymon CEO and analog circuit guru. “It showed up in pristine condition and sounded amazing, and we found out later that it had been heavily modified by storied guitar tech Cesar Diaz. His mods created a single unit with the best attributes of both tube and solid-state Echoplexes, so we spent a bunch of time figuring out how to recreate its behavior.” Pete Celi, Strymon co-founder, and DSP maven said “It was so clean and mechanically stable that other nuances stood out more prominently -chief among them being some capstan-induced variations that help to widen the spectrum of the repeats. With the Mechanics control at around 1 pm, you get a hyper-authentic representation of that golden EP-2 unit, with a high-speed flutter that adds dimension to the echoes.”
EC-1 is available now directly from Strymon and from dealers worldwide for $279 US.
For more information, please visit strymon.net.
Brickhouse Toneworks BH-90 pickups offer the legendary tone of a classic P-90 in a humbucker-sized package, with zero hum.
Brickhouse Toneworks, a new manufacturer of high-quality and innovative guitar pickups, has announced the release of the BH-90 pickup. This hum-canceling design offers the legendary tone and responsiveness of a classic P-90 in a humbucker-sized package -- with absolutely zero hum.
The BH-90 captures the true personality of the beloved single coil P-90 tone – its grit, sparkle, and touch sensitivity to playing dynamics – while eliminating the notorious hum that often limits their use.
Available individually or as matched sets, these pickups effortlessly respond to your playing touch, delivering delicate cleans to aggressive distortion. You’ll get P-90 soul in a humbucker size: the BH-90 seamlessly replaces existing humbuckers with no modifications required. They drop right in where your existing humbuckers live.
Key Features of the BH-90
- Cast Alnico 5 Magnets; 500k Pots & .022uf Cap recommended.
- Ultra quiet: Hum-canceling design, and lightly potted to minimize squeal.
- Classic design: vintage external braided lead wire, with output comparable to vintage '50s P-90
- Bridge: 19.5k (Average), Neck 17.5k (Average). Note: the BH-90’s DCR reading is much higher than normal single coil P-90s due to the nature of their hum-canceling design. This is a case where DCR should not be considered as a measurement of output because these are equivalent in output to a vintage P-90 that ranged in DCR readings between 7-9k.
- Made in the USA with premium quality materials.
The BH-90 street price starts at $170 each and starts at $340 per set.
For more information, please visit brickhousetone.com.