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Gallery: Riot Fest 2019

Chicago’s three-day, punk-rock carnival was host to Slayer, Jawbreaker, Raconteurs, Patti Smith, Rise Against, Bob Mould, Rancid, Bikini Kill, Lucero, the Struts, and more. Here are our favorite guitar-related moments from the 15th annual gathering.

Anthrax

Anthrax’s Scott Ian

Anthrax’s main man Scott Ian pulled double duty on Saturday during Riot Fest where he played an afternoon set with his side band, the Damned Things (featuring members of Alkaline Trio, Every Time I Die, and Fall Out Boy), and then later played a dusk set with his thrash partners in Anthrax. The bearded maniac is seen here hammering away on one of his Jackson Custom Shop King Vs. On his hard-hitting ways, Ian had to say this to PG in 2016: “Back in the ’80s, in interviews for guitar magazines, I said my style was “fascist guitar playing”—because there’s no room for improvisation, there’s no room for anything. When you’re playing at speeds like that, it is what it is. It’s mathematical. There’s X amount of notes that you can fit into a measure and you’ve got to hit all those notes perfectly, and that’s it. There’s no room for anything else. Granted, the songwriting style has changed over the years. We’re not playing exactly how we used to play in 1987. But still, on the new record I’m playing exactly the same—especially on the thrashy stuff like “Zero Tolerance,” “Evil Twin,” or “For All Kings.”

Watch the Rig Rundown:

In collaboration with Cory Wong, the Wong Press is a 4-in-1 Press pedal features Cory’s personal specs: blue & white color combination, customized volume control curve, fine-tuned wah Q range, and a dual-color STATUS LED strip indicating current mode/pedal position simultaneously.

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Big time processing power in a reverb that you can explore for a lifetime.

An astoundingly lush and versatile reverb of incredible depth and flexibility. New and older BigSky algorithms included. More elegant control layout and better screen.

It’s pricey and getting the full use out of it takes some time and effort.

$679

Strymon BigSky MX
strymon.net

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Strymon calls the BigSky MX pedal “one reverb to rule them all.” Yep, that’s a riff on something we’ve heard before, but in this case it might be hard to argue. In updating what was already one of the market’s most comprehensive and versatile reverbs, Strymon has created a reverb pedal that will take some players a lifetime to fully explore. That process is likely to be tons of fun, too.

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The 2018 CCL Deco Custom, in all its Pelham blue glory.

This reader solicited the help of his friend, luthier Dale Nielsen, to design the perfect guitar as a 40th-birthday gift to himself.

This is really about a guy in northern Minnesota named Dale Nielsen, who I met when I moved up there in 2008 and needed somebody to reglue the bridge on my beloved first guitar (a 1992 Charvel 625c, plywood special). Dale is a luthier in his spare time—a Fender certified, maker of jazz boxes.

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It’s this easy!

This convenient, easy-to-use controller can open up an entire world of sonic shape-shifting. Here are some tips to either inspire you to try one or expand how you’re currently using this flexible, creative device.

If you’re not yet using expression pedals, you should consider them. They have the power to expand and control your sonic universe. For the uninitiated, expression pedals are controllers that typically look like volume or wah pedals. Of course, traditional volume and wah pedals are expression pedals, too, but they are dedicated to controlling only those two effects.

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