Germanium overdrive and fearsome fuzz meet in a super-flexible dirt machine.
RatingsPros:Dymanic germanium overdrive. Searing fuzz. Gigantic tones when circuits are combined. Cons: Might be pricey for some tastes. Single-coils tend to induce feedback at extreme gain levels. Street: $229 Haunted Labs Carolina Reaper hauntedlabs.com | Tones: Ease of Use: Build/Design: Value: |
Haunted Labs is a North Carolina-based outfit with a penchant for monster gain and artwork straight out of an H.P. Lovecraft nightmare. The Carolina Reaper is the newest fuzzy spellcaster in the company’s coven and the first to be coproduced with Cusack Music. If a dual-footswitch germanium overdrive and fuzz sounds like your cup of witch’s brew, read on.
Double Doom at the Door
The Reaper’s two effects can be summoned independently with their respective footswitches, or engaged simultaneously with powerful results. The footswitch and three controls to the right of center (including the knob that serves as the Reaper’s right eye) govern the overdrive and are comprised of gain, volume, and tone. The fuzz side has its own volume, fuzz, and bias controls on the pedal’s left half. There’s also an internal bias pot for fine-tuning the fuzz section’s snarl. The Carolina Reaper can only be powered with a 9V barrel adapter.
A Visit from Beyond
Straight from the jump you’ll notice the Reaper’s overdrive offers almost staggering power. While playing the pedal through my Fender Champ, I feared turning the volume much higher than noon would blow the speaker through the grille cloth. At the right volume and gain levels, though, the germanium overdrive excels with small amps, and it’s easy to get pungent, crusty Angus Young-style gain that would sound amazing in a studio.
The germanium drive also works superbly as a near-clean boost at the lowest gain levels. It’s super sensitive to picking dynamics, too, baring teeth when you dig deep and cleaning up as you ease your attack or lower guitar volume. Factor in this dynamism with the range of in-your-face tones you can get from the Reaper and a small amp turned up loud, and you have a lot shades of gain with a very simple setup.
The silicon-fuzz side of the Reaper has suprising range, too. You can approximate overdrive that’s respectably responsive to guitar-volume adjustments at the lowest gain levels, but the real fun with a fuzz pedal is, well, fuzz. And the Reaper is nasty, full-bodied, and sizzling in the high end. By itself, the fuzz rips. But combining the two circuits unleashes a beast. Chords take on monolithic stature, possessing low-end rumble and plenty of definition and presence. Single-coils can induce feedback at the most aggressive settings, but with a big amp’s higher headroom you can make that feedback work for you—while still having the ability to ease back into tamer (but still huge sounding) fuzz/overdrive sounds.
The Verdict
Fuzzes typically love a touch of overdrive to add focus, and Haunted Labs’ Carolina Reaper is an example of this dictum at work in particularly satisfying action. The responsive germanium overdrive is excellent by itself, and the silicon fuzz, while not quite as dynamic, is hot, lively, and a blast to use wide-open and blazing. Single-coil users might find the two effects together a handful at extreme gain settings, but depending on your tastes, that’s about the only real limitation in an otherwise very versatile drive machine.
MayFly’s Le Habanero Boost and Fuzz pedal, designed with input from Trevor May and Lucas Haneman, offers a wide range of tonal options from clean to scream. Responsive to player touch and guitar volume, stack the Boost and Fuzz for endless sustain and harmonics. Perfect for exploring your inner David Gilmour.
MayFly’s Trevor May and LH Express’ Lucas Haneman have been cooking upsomething real good. Le Habanero is a dual boost and fuzz pedal specifically designed to be very responsive tothe player’s picking hand and the guitar’s volume control. With Lucas’ input, the pedal was specifically tweakedto give a ton of tonal options, from clean to scream, by just using your fingers. It heats up your tone with a tastyboost, scorching lead tones with the fuzz, tantalizing tastes of extreme heat when boost and fuzz are combined.
The boost side is designed to ride the edge between clean and grit. Keep the drive below 12 o’clock for cleanboost but with active treble and bass controls, or push the gain for clear/clean sustain with great note definition.
The fuzz side is tuned to match the tonality of the boost side and offers a load of sustain and harmonics. The fuzz features a unique two-pole filter circuit and deep switch to help match it with single coils or humbuckers.
Stacking the Boost and Fuzz gives you even more. Want to explore your inner David Gilmour? Switch both onand turn up the volume! Want to switch to Little Wing? Turn the volume back down.
- Combination Boost and Fuzz pedal, designed to work well together.
- Very responsive to guitar volume and player’s touch.
- Use Boost and Fuzz independently, or stack them.
- Boost features Treble, Bass, Volume, and Drive controls.
- Fuzz features a two pole Tone filter, Deep switch, Fuzz and Volume controls.
- Stack them to create endless sustain and plenty of harmonics.
- Wide form factor for better footswitch control live.
- Full bypass using relays, with Mayfly’s Failsafe circuitry.
- Suggested Pairing: add a dash of Le Habanaro to spice up a MayFly Sunrise guitar amp simulator!
MAP price: $185
For more information, please visit mayflyaudio.com.
Introducing: the Mayfly Le Habanero!! - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Darkglass introduces the Luminal Booster Ultra for bass guitar, combining the Harmonic Booster with adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and 7 custom Impulse Responses. With versatile controls, including a +/- 20dB BOOST and CHARACTER selection, this pedal offers precision and unmatched tonal control for bass players.
Darkglass introduces the Luminal Booster Ultra for bass guitar. The Luminal Booster Ultra combines the rich tone of Darkglass’ Harmonic Booster with the unmatched control of an adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and the choice to load seven custom Impulse Responses via USB.
The layout of the pedal is straight forward. Across the top, from left to right, is an adjustable lowpass FILTER knob for the compressed signal, a COMP knob to adjust the amount of compression applied, a BLEND knob to blend between the clean and compressed signal, and LEVEL knob to adjust the level of the compressor after the blend control. Added controls include a +/- 20dB BOOST, a CHARACTER control to allow selection between seven Impulse Responses, a MID GAIN +/- 20dB, and MID FREQUENCY from 250Hz to 2.5kHz.
The 6-band EQ uses faders for precision control. The bass Low shelf is +/- 13dB at 80Hz, the mid bands are +/- 13dB at 250Hz, 500Hz, 1.5kHz, and 3kHz. The treble is a high shelf of +/- 13dB at 5 kHz. The EQ is flanked by a MASTER fader of +/- 12dB to set the overall volume of the unit.
Input and outputs provide a player with maximum versatility. Traditional ¼” input and outputs are complimented by and 3.5mm AUX IN for practicing with backing tracks via a smartphone or laptop, a stereo headphone out, a balanced XLR direct out, USB C to connect to PC/Mac to utilizing the desktop version of the Darkglass Suite of available Impulses Responses or custom / third party impulses, and a 9V DC adapter input. A ground lift and Cab Sim round out the feature of the unit.
"This marks our entry into new sonic territories, in our search to connect with jazz and clean-tone bass players on a deeper level,” says Marcos Barilatti, Managing Director of Darkglass Electronics. “With the Luminal Booster Ultra, we've created the ultimate tool for bass players across all genres, delivering precision, versatility, and unmatched tonal control.”
Street Price is $499
For more information, please visit darkglass.com.
Focusrite announces the expansion of the Scarlett audio interface range with the 4th Gen 16i16, 18i16, and 18i20 models.
Scarlett’s fourth generation introduced several major advances that build on Focusrite’s legacy in professional audio: best-in-class audio specifications, enhanced creative capability, powerful workflow tools, and more. The three new interfaces add more analogue inputs and outputs, front-panel monitor switching and mute control, S/PDIF and ADAT connectivity, additional headphone outputs, and a built-in talkback mic on Scarlett 18i20.
Focusrite Scarlett 4th Gen 16i16, 18i16, and 18i20 now feature:
- Huge 122dB dynamic range, using the flagship RedNet range converters – found in the world’s best studios.
- All-new, remote-controlled preamps with 69dB of gain for studio sound from any mic.
- Pair Focusrite Control 2 for desktop with Focusrite’s new mobile app; enjoy full wireless control over inputs and monitoring mixes, allowing the adjustment of settings without being tethered by cables.
- Re-engineered Air mode with Presence, and all-new Harmonic Drive, adding rich harmonics to recordings by emulating the characteristics of vintage preamps.
- New Auto Gain and Clip Safe modes can handle up to eight microphones at a time, making session setup simple, and ensuring every take is a keeper.
- Brand-new Custom-designed headphone amps for the best playback ever heard from Scarlett.
- Redesigned Dynamic Gain Halos now with output as well as input metering.
- Professional studio features included: A/B speaker switching, built-in talkback mic on 18i20, and more.
- MIDI in /out plus S/PDIF, and ADAT in/out.
- Refreshed Easy Start tool, making it easier than ever to get set up and recording in minutes.
- Includes Ableton Live Lite, Pro Tools Artist 3 months, and FL Studio Producer Edition 6 months.
- Huge bundle of plug-in instruments and effects; including Antares Auto-Tune, Marshall Amp Modelling, synths, keys, drums, EQ, compression, reverb, and more.
Three new Scarlett interfaces
Scarlett 18i20 4th Gen, an update to the flagship 3rd Gen model, is a rack-mountable USB audio interface featuring 18 inputs, including eight advanced fourth-generation Scarlett preamps, and 20 outputs. 18i20 not only has an impressive amount of analogue and digital I/O, but also features additional workflow enhancements that make it a perfect fit for even the most complex project studios: a built-in talkback mic; A/B speaker switching for instant referencing on different monitors; and eight channels of LED bar metering, assignable to inputs or outputs as well as master output metering.
Scarlett 18i16 is a desktop-format USB audio interface with 18 inputs, including four 4th Gen Scarlett preamps and 16 outputs. Ideal for multitrack recording and designed for producers, 18i16 is the industry-leading interface for project studios. It makes an ideal hub to integrate hardware with a DAW, providing enough analogue and digital I/O to connect a huge number of external instruments, processors, and effects. Plus, manage complex routing with ease via the included Focusrite Control 2 software for desktop and mobile devices.
Scarlett 16i16 is a desktop-format USB audio interface which shares the same feature set as 18i16 but is slightly more compact, with 16
Scarlett 4th Gen
A giant leap for the world’s most popular audio interface range, Scarlett’s fourth generation debuted in 2023 with the Solo, 2i2, 4i4, Solo Studio, and 2i2 Studio.
All Scarlett 4th Gen interfaces feature re-engineered audio circuitry and professional-grade converters (taken directly from Focusrite's flagship RedNet interfaces), which deliver up to 122dB dynamic range. With up to 69dB of mic preamp gain on tap, they are designed to get the very best sound from any microphone. Custom-designed headphone amps with independent volume controls drive high-impedance headphones louder and with more clarity than any previous Scarlett.
Scarlett’s 4th Gen mic preamps feature a re-engineered Air mode, based on the sound of legendary Focusrite consoles. Each one now includes a selectable all-analogue Presence mode, and a new DSP-based Harmonic Drive mode for added richness.
The range also introduced two new features designed to ensure artists and producers never miss a perfect take: Auto Gain analyses ten seconds of incoming audio before setting set the perfect level, while Clip Safe automatically readjusts it to prevent clipping. These tools help artists record themselves easily and let experienced engineers quickly set multiple gains in high-pressure environments.
The included Focusrite Control 2 software takes care of setting up routing, levels, monitoring mixes, independent outputs, and routing options. In addition to the desktop application, the iOS and Android Focusrite Control 2 apps enables engineers and performers to adjust monitor mixes and mic preamp gains while away from the computer.
To help users get up and running with Scarlett in record time, Focusrite has developed an Easy Start tool that quickly guides from initial connection to their first recordings.
All Scarletts come with Ableton Live Lite, three months of Pro Tools Artist recording software, and six months of FL Studio Producer Edition. Also included is a curated selection of essential production software from Focusrite, Softube, Native Instruments, Antares, and many more. In addition, there are five free masters from Landr that can be used at any time, plus a two-month subscription to Landr Studio, offering unlimited music distribution on streaming platforms such as Spotify, Apple Music, YouTube Music and TikTok.
These interfaces will be available beginning mid-October 2024 with U.S. pricing as follows:
USD (excluding tax)
Scarlett 18i20: $649.99
Scarlett 18i16: $499.99
Scarlett 16i16: $369.99
For more information, please visit us.focusrite.com.
Focusrite Scarlett 18i16 Fourth Generation USB Audio Interface
Scarlett 18i16 4th GenIn this episode, Nick Millevoi and Jason Shadrick dig deep into the work of Jazzmaster-master Nels Cline—best known for his brain-melting work with Wilco. They get into what makes Cline’s sound so unmistakable, from his obsession with the Jazzmaster to his pedalboard that could double as a small spaceship, as well as his ability to draw from an extremely wide range of influences.
But Nels Cline isn’t just Wilco’s lead guitarist (a chair he’s held for two decades)—he’s created his own musical universe. The hosts take you on a whirlwind tour of his wild discography, including the Nels Cline Singers’ Instrumentals as well as his never-ending list of collaborations (we’re starting to suspect he’s cloned himself to pull it all off). And then there’s “Impossible Germany”—one of the greatest rock guitar solos on this century.
Nick and Jason can’t stop raving about how Cline’s magic really shines when he’s playing with others, making him not just a guitar hero but the ultimate team player. One minute, he’s shredding like a beast, next he’s creating sonic explosions, and then he’s pulling on your heartstrings. You’ll be leaving this episode with some homework!