Belgian luthier duo Serge Michiels and John Joveniaux push the boundaries of guitar design but keep form and function at the core.
What do you get when you combine inspiration from the classics, futuristic minimalism, über-precise craftsmanship, and ultra-high-end materials and components? This is Premier Guitar, so we’re not talking about an upscale furniture design house in Denmark. We’re talking about TAO Guitars and their out-of-this-world instruments that would be just as at home in the MoMA as they are in the hands of players like Billy Gibbons.
Belgian luthiers Serge Michiels and John Joveniaux met about nine years ago in Brussels, when Joveniaux, fresh out of luthier school in France, joined Michiels in the workshop of another builder. It wasn’t long before the two realized they had a lot in common insofar as musical tastes and design matters, and decided to strike out on their own by setting up a workshop out of Joveniaux’s apartment. A good omen for their future, TAO’s very first client was Belgium’s most well-known jazz guitarist, Philip Catherine.
One look at any of the duo’s instruments and it’s immediately apparent that a driving force for them is to push boundaries in design while searching out the perfect blend of form and function. It’s no surprise that Michiels cites Ulrich Teuffel as the builder that’s had the biggest impact on his work, citing “Teuffel’s willingness to create something different and stand for it, not to mention the fact that he’s one of the nicest guys around.” Joveniaux calls out Teuffel a great inspiration for his work as well, but also mentioned his respect for Claudio Pagelli’s “endless great ideas on designs.”
As sleek and modern looking as TAO’s offerings are, the luthiers take a decidedly traditional approach. “We try to keep the job the old way—just routers, rasps, scrapers, a little bit of sanding, and a lot of elbow oil,” says Michiels. “We like to have this special relationship with every instrument we make, so everything is crafted by hand by the two of us—even some of the metal parts.” Early on, they modified existing parts because they often couldn’t find what they needed on the market. They shopped around for someone to craft proprietary parts, but according to Michiels, they couldn’t find anyone that could do the job how they wanted, so they and had no choice but to craft certain hardware parts themselves. “We’re so picky and demanding when it comes to guitar building that it would be a real nightmare for someone else to try and integrate into our duo,” says Michiels.
When it comes to electronics, TAO prefers the elegant simplicity of vintage-style pickups and controls. Most of TAO guitars are outfitted with 3-position selectors, CTS pots, and Russian new-old-stock paper-in-oil capacitors. Custom-wound Bare Knuckle or David Barfuss pickups are standard, but Vintage Lab pickups from Stephens Design are an available upgrade. “Dave Stephens just appears to have that same sick pickiness that we have,” muses Michiels. “He just nailed that magic, vintage-harmonic richness, so we propose his pickups as the top-end option for each of our various models.”
While design is important to Michiels and Joveniaux, the “main thing” is the sound. “We have worked a great deal around tone, playability, and comfort, and all the choices we make concerning crafting methods, woods, parts, and pickups are made in order to put what we call our ‘Sonic DNA’ into our guitars,” says Michiels. “What our customers love about our instruments is their unique voice. And this voice is the result of the love and care we put into every one we make.”
Pricing and Availability
TAO Guitars works closely with customers to perfectly outfit guitars to their individual players, even when an instrument is ordered through Custom Guitar Boutique, TAO’s North American dealer. Since just the two luthiers handcraft everything, they are currently limited to a few instruments a year and not more than 10. The wait time is subject to what’s on the workbench, taking as little as three months for a T-Bucket and up to three times longer for a Phaeton. Pricing is variable according to options, but base prices range from $4,300 for the T-Bucket to $7,000 for the Disco Volante, and all the way up to $24,000 for the Phaeton.
Lutefish, the real-time music collaboration device and platform, is excited to announce a suite of new features designed to simplify setup, streamline collaboration, and offer more flexible subscription options for Lutefish Stream users. These latest updates, Audio Presets, Automatic Session Recall, Improved Scheduling with Contact Visibility, and a new Yearly Subscription Plan, are all about making it easier than ever for musicians to jam together, no matter where they’re based.
Save Time and Stay in the Flow with Audio Presets & Session Recall
Musicians can now save and reuse their exact audio settings, reducing setup time and ensuring every session sounds exactly as they want.
- Automatic Session Recall: When users leave a session, their current audio levels are automatically saved and restored when they rejoin.
- User-Defined Audio Presets: Each user can create and name up to five custom presets, like “Band Practice,” “Studio Mic Setup,” or “Quick Jam,” making it effortless to jump back in with the perfect sound.
“These tools are all about saving time and hassle,” said Patrick Finn, Business Manager at Lutefish. “Musicians want to make music, not spend time rebalancing levels every session. With presets and recall, we’re giving them time back and helping them sound their best, every time.”
Smarter Scheduling and Contact Visibility
The latest update to Lutefish also made it easier to find collaborators and book sessions. Users can now:- View all their contacts at a glance when scheduling a session.
- Instantly identify which contacts own a Lutefish Stream device—so they will always know who’s ready to jam.
Go Yearly and Save 20%
Lutefish now offers a Yearly Subscription Plan, providing users with the same great access as the monthly plan at a 20% discount.
This option is now available within the Lutefish app and web platform, and current monthly users are eligible for a discount with an upgrade to a yearly subscription.
Lutefish’s mission has always been to empower musicians to connect and collaborate without boundaries. With these new updates, Lutefish Stream continues to break down barriers—whether you’re jamming with a friend across town or collaborating with a bandmate 500 miles away.
For more information and to start jamming today, visitlutefish.com.
Few musical acts did more to put their fame and fortune to good use than punk rock icon Wayne Kramer. Known for his enduring commitment to activism, especially in justice reform, his life story embodies the defiant, DIY ethos of punk, directly inspiring generations of bands and musicians who followed. Now, fans and fellow musicians alike can attempt to emulate Kramer’s incendiary sound with the new, limited-edition pedal.
Designed before his death in February 2024, Wayne Kramer—together with friend Jimi Dunlop (Dunlop CEO) and Daredevil Pedals owner Johnny Wator —the pedal features artwork from artist and activist Shepard Fairey (Obey Clothing founder). A majority of profits from the sale of the pedal goes directly to Kramer’s charity supporting the rehabilitation of incarcerated people of all ages, genders, and backgrounds.
In honor of his close friend, Tom Morello—the innovative guitarist behind Rage Against the Machine, Audioslave, the Nightwatchman, and more—demoed the pedal, showcasing its sound and shining light on Wayne Kramer’s incredible legacy.
Tom Morello Introduces MC5 Wayne Kramer-Inspired Pedal For Charity: MXR Jail Guitar Doors Drive
"What they've tried to bake into the MXR® Jail Guitar Doors Drive distortion pedal is not just Wayne's sound but Wayne's attitude, and the grit and the rawness of Detroit and of the MC5," said Morello, one of Kramer’s best friends, during his demo of the pedal. "This is the guitar pedal that was used on the song 'Heavy Lifting' that I recorded with Wayne for the last MC5 record.
"Named after the late rocker's charity—which provides instruments and art workshops to incarcerated individuals as rehabilitation tools—the MXR® Jail Guitar Doors Drive pedal aims to capture all of the high-voltage energy of Wayne Kramer's sound. It features two uniquely voiced gain circuits cascaded together with a singular pot controlling both the output level of each circuit and the overall saturation level of the distortion.
Music makers looking to capture Kramer’s raw, fiery sound can pick up the new MXR® Jail Guitar Doors Drive pedal, exclusively on Reverb via The Official MXR Jail Guitar Doors Drive Reverb Shop for $199, here: https://reverb.com/shop/the-official-mxr-jail-guitar-doors-reverb-shop.
Kiesel Guitars has introduced their newest solid body electric guitar: the Kyber.
With its modern performance specs and competitive pricing, the Kyber is Kiesel's most forward-thinking design yet, engineered for comfort, quick playing, and precision with every note.
Introducing the Kiesel Kyber Guitar
- Engineered with a lightweight body to reduce fatigue during long performances without sacrificing tone. Six-string Kybers, configured with the standard woods and a fixed bridge, weigh in at 6 pounds or under on average
- Unique shape made for ergonomic comfort in any playing position and enhanced classical position
- The Kyber features Kiesel's most extreme arm contour and a uniquely shaped body that enhances classical position support while still excelling in standard position.
- The new minimalist yet aggressive headstock pairs perfectly with the body's sleek lines, giving the Kyber a balanced, modern silhouette.
- Hidden strap buttons mounted on rear for excellent balance while giving a clean, ultra-modern look to the front
- Lower horn cutaway design for maximum access to the upper frets
- Sculpted neck heel for seamless playing
- Available in 6 or 7 strings, fixed or tremolo in both standard and multiscale configurations Choose between fixed bridges, tremolos, or multiscale configurations for your perfect setup.
Pricing for the Kyber starts at $1599 and will vary depending on options and features. Learn more about Kiesel’s new Kyber model at kieselguitars.com
The Sunset is a fully analog, zero latency bass amplifier simulator. It features a ¼” input, XLR and ¼” outputs, gain and volume controls and extensive equalization. It’s intended to replace your bass amp both live and in the studio.
If you need a full sounding amp simulator with a lot of EQ, the Sunset is for you. It features a five band equalizer with Treble, Bass, Parametric Midrange (with frequency and level controls), Resonance (for ultra lows), and Presence (for ultra highs). All are carefully tuned for bass guitar. But don’t let that hold you back if you’re a keyboard player. Pianos and synthesizers sound great with the Sunset!
The Sunset includes Gain and master Volume controls which allow you to add compression and classic tube amp growl. It has both ¼” phone and balanced XLR outputs - which lets you use it as a high quality active direct box. Finally, the Sunset features zero latency all analog circuitry – important for the instrument most responsible for the band’s groove.
Introducing the Sunset Bass Amp Simulator
- Zero Latency bass amp simulator.
- Go direct into the PA or DAW.
- Five Band EQ:
- Treble and Bass controls.
- Parametric midrange with level and frequency controls.
- Presence control for extreme highs.
- Resonance control for extreme lows.
- Gain control to add compression and harmonics.
- Master Volume.
- XLR and 1/4" outputs.
- Full bypass.
- 9VDC, 200mA.
Artwork by Aaron Cheney
MAP price: $210 USD ($299 CAD).