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NY Amp Show '10-Audio Kitchen Amps,Probett Guitars

PG's Shawn Hammond is On Location at the 2010 NY Amp Show where he visits a room shared by Audio Kitchen and Probett Guitars. In this segment, we get to hear and see the Probett Rapide and Audio Kitchen Big Chopper in action. The first in a line of Audio Kitchen's amplifiers, the Little Chopper was created on a need to record with a small amp that still produced AC30-type tones at a sensible volume. It comes with ECC81 and ECC83 preamp tubes and an EL84 power tube. The head can be housed by an exposed wood enclosure or with standard tolex. The controls include Gain, Bottom, Middle, Top, Stack, and Power. Also, it has Brite and Hi switches. Audio Kitchen's two-channel Big Chopper is the bigger, bulkier brother to the Little Chopper. The first channel controls are Gain, Bottom, Middle, Top, Stack, and the second channel controls are Gain, Bottom, and Top. It has a Power control for both channels. The Power when turned full clockwise it behaves like a standard non-master volume amp, but as the continuously variable control is wound counterclockwise, it decreases the headroom of the power amp, introducing harmonic distortion in the power amp and reducing the volume. This particular model is currently in the studio with Kings of Leon lead guitarist Matt Followill. Look closely and you can see a few switches with Matt's name on them as they are his preferred tones/settings. Damian of Probett Guitars describes his models his twisted take on a few of the classics. All of Probett's guitars are named after vintage European motorcycles. The first is the 25.5" scale International H, with a single-chamber body, under-wound Lollar '50s P-90s and Hipshot trem. The other two models are variations on the Rapide 5.9. The one in the center has a solid carved Honduran mahogany body, Lollar P-90s, a Les Paul-style neck joint and scale length. The other Rapide 5.9 has a Honduran mahogany body, but with a carved maple top, and Häussel humbuckers.



PG's Shawn Hammond is On Location at the 2010 NY Amp Show where he visits a room shared by Audio Kitchen and Probett Guitars. In this segment, we get to hear and see the Probett Rapide and Audio Kitchen Big Chopper in action.

The first in a line of Audio Kitchen's amplifiers, the Little Chopper was created on a need to record with a small amp that still produced AC30-type tones at a sensible volume. It comes with ECC81 and ECC83 preamp tubes and an EL84 power tube. The head can be housed by an exposed wood enclosure or with standard tolex. The controls include Gain, Bottom, Middle, Top, Stack, and Power. Also, it has Brite and Hi switches.

Audio Kitchen's two-channel Big Chopper is the bigger, bulkier brother to the Little Chopper. The first channel controls are Gain, Bottom, Middle, Top, Stack, and the second channel controls are Gain, Bottom, and Top. It has a Power control for both channels. The Power when turned full clockwise it behaves like a standard non-master volume amp, but as the continuously variable control is wound counterclockwise, it decreases the headroom of the power amp, introducing harmonic distortion in the power amp and reducing the volume. This particular model is currently in the studio with Kings of Leon lead guitarist Matt Followill. Look closely and you can see a few switches with Matt's name on them as they are his preferred tones/settings.

Damian of Probett Guitars describes his models his twisted take on a few of the classics. All of Probett's guitars are named after vintage European motorcycles. The first is the 25.5" scale International H, with a single-chamber body, under-wound Lollar '50s P-90s and Hipshot trem. The other two models are variations on the Rapide 5.9. The one in the center has a solid carved Honduran mahogany body, Lollar P-90s, a Les Paul-style neck joint and scale length. The other Rapide 5.9 has a Honduran mahogany body, but with a carved maple top, and Häussel humbuckers.
Full Slash Interview
Full Slash Interview on New Blues Album, S.E.R.P.E.N.T. Festival, Guitar Gear, Pedal Steel & More

The guitar icon shares what went into making his chart-topping blues album and what gear fans can expect to see at the S.E.R.P.E.N.T. Blues Festival tour.

This 1968 Epiphone Al Caiola Standard came stocked with P-90s and a 5-switch Tone Expressor system.

Photo courtesy of Guitar Point (guitarpoint.de)

Photo courtesy of Guitar Point (guitarpoint.de)

The session ace’s signature model offers a wide range of tones at the flip of a switch … or five.

Hello and welcome back to Mod Garage. Not long ago, I came home late from a band rehearsal, still overly excited about the new songs we played. I got myself a coffee (I know, it's a crazy procedure to calm down) and turned on the TV. I ended up with an old Bonanza episode from the ’60s, the mother of all Western TV series. Hearing the theme after a long time instantly reminded me of the great Al Caiola, who is the prolific session guitarist who plays on the song. With him in mind, I looked up the ’60s Epiphone “Al Caiola” model and decided I want to talk about the Epiphone/Gibson Tone Expressor system that was used in this guitar.

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Slinky playability, snappy sounds, and elegant, comfortable proportions distinguish an affordable 0-bodied flattop.

Satisfying, slinky playability. Nice string-to-string balance. Beautiful, comfortable proportions.

Cocobolo-patterned HPL back looks plasticky.

$699

Martin 0-X2E
martinguitar.com

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4
4.5
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Embracing the idea of an acoustic flattop made with anything other than wood can, understandably, be tricky stuff. There’s a lot of precedent for excellent-sounding acoustics built with alternative materials, though. Carbon-fiber flattops can sound amazing and I’ve been hooked by the sound and playability of Ovation and Adamas instruments many times.

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The GibsonES Supreme Collection (L-R) in Seafoam Green, Bourbon Burst, and Blueberry Burst.

The new Gibson ES Supreme offers AAA-grade figured maple tops, Super Split Block inlays, push/pull volume controls, and Burstbucker pickups.

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