Quick Hit: Cort G290 FAT Review

A reasonably priced mix of timeless features and modern appointments.

Recorded using the Cort going into a Jackson Broken Arrow and a Line 6 HX Effects, and then a Fender Hot Rod Deluxe IV miked with a Royer R-121 feeding an Apogee Duet going into GarageBand with no EQ-ing, compression, or effects.
Clip 1 – Jackson Arrow on “Marshall” setting with a simple delay from the HX Effects.
Clip 2 – All delay and reverb is coming from the HX Effects.


Great balanced feel.

Pickups are a bit uneven with a rather shrill high end.


Cort G290 FAT





Finding the perfect “super strat” can seem like an eternal quest. It’s not that dissimilar to the hunt for a “transparent” overdrive, but I digress. Cort’s G290 FAT is a beautifully designed double-cutaway model that takes inspiration from not only the ’80s, but more modern examples of hot-rodded, humbucker-loaded rock machines. At $849, it’s natural not to expect some of the high-end features you might find on a Suhr or Ibanez, but I hand it to Cort for not totally skimping on what makes a workhorse guitar, you know, work.

The neck is smooth and fast and looks great thanks to the roasted maple treatment that’s usually found on guitars that are twice this price. I tested the G290 with a few different dirt pedals going into a Fender Hot Rod Deluxe IV. The VTH-77 pickups had plenty of output but needed some extra EQ treatment to deal with some unpleasant high-end frequencies. However, the lows and mids were clear and punchy without getting woofy. Although the G290 is wrapped up in modern features, the bones of a timeless design are there and definitely worth a look.

Test gear: Fender Hot Rod Deluxe IV, Jackson Broken Arrow, Electro-Harmonix Soul Food

Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

Read More Show less

Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

{u'media': u'[rebelmouse-document-pdf 13574 site_id=20368559 original_filename="7Shred-Jan22.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/13574/7Shred-Jan22.pdf', u'type': u'pdf', u'id': 13574, u'media_html': u'7Shred-Jan22.pdf'}
Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
Read More Show less