Quick Hit: Korg Pitchclip 2+ Review

Clip on, tune up, play guitar.



Stealthy and simple. Legible display for its size.

No metronome function.


Korg Pitchclip 2+

Ease of Use:



So, what can be said about a tuner as long as it, well, tunes? Plenty, because tuners come in all shapes and sizes, varying options, varying speeds, and, most importantly, different levels of accuracy. If you’re content with a $6 tuner and it’s working for you, excellent! Otherwise, there’s a pretty cool, new, upgraded clip-on in town.

Korg’s Pitchclip 2+ is a super light, small-yet-highly-readable headstock tuner. I love tech, but my eyesight sucks, so as much as I appreciate super-small clip-on tuners, I prefer to not have to squint or adjust my body to get my eyes closer to the headstock. The Korg Pitchclip 2+. has more than double the LEDs of its predecessor, and while small and stealthy, its readout is easy to decipher, even without my glasses. The clamping mechanism is robust, and there is plenty of play in the display’s maneuverability to get a good viewing angle. Southpaws will dig the tuner’s reversible readout—a must for clip-on tuners these days.

As for speed, the calibration-adjustable Pitchclip 2+ is faster than my brain, and isn’t glitchy or temperamental (unlike my brain, on occasion), so there were no issues with lag. The strobe mode offers the tuner’s highest level of accuracy at +/- 1 cent, and worked equally well on a ukulele, guitar, and bass. Korg reports detection enhancement for lower frequencies, and while I don’t typically play 5- or 6-string basses, dropping to C on my go-to Precision didn’t faze the Pitchclip 2+ at all. Three words: great stocking stuffer!

Test gear: Fender Precision, Les Stansell tenor uke, Dell’Arte Dark Eyes, Larrivée P-01

Rig Rundown: Adam Shoenfeld

Whether in the studio or on solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

Read More Show less

Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

{u'media': u'[rebelmouse-document-pdf 13574 site_id=20368559 original_filename="7Shred-Jan22.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/13574/7Shred-Jan22.pdf', u'type': u'pdf', u'id': 13574, u'media_html': u'7Shred-Jan22.pdf'}
Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
Read More Show less