If you like to keep things light and easy (and save your back in the process), having an amp on your pedalboard might just be the ticket.
Schlepping a heavy amp from home to practice to gig to home is not likely on any guitarist’s list of favorite things to do. So what to do? Technology today has allowed manufacturers to create amps that are light as a feather and small enough to actually fit on a pedalboard, like the 10 options highlighted here. Whether you’re just tired of schlepping, a fly gig warrior, or want a backup in case your big rig goes down, one of these little amps might belong on your ’board.
Stomp-Head 5
Designed with both fly rigs and everyday use in mind, this 40-/90-watt, 3-channel amp boasts a tube preamp, a Master Tube Design power section, noise gate, boost, and mode switch. The amp’s mix mode allows all three channels to run simultaneously.
Tone Block 200
This compact-yet-powerful solid-state amp delivers tube-like tone up to 200 watts and features gain, master, and contour controls, a proprietary direct out, and a universal power supply.
44 Magnum Power Amp
Able to fit in the palm of your hand, this box delivers 44 watts into 8 or 16 ohms, has a tone switch for toggling between neutral and a top-end boost, and can be driven to a natural, true-amplifier saturation.
Little Smasher
This 5-watt, full-fledged amp head has four, analog-modeled cascading gain stages with a range from chime-y clean to rock crunch. With its 4- to 16-ohm output impedance, this pedal-sized enclosure can drive up to a 4x12.
AMP1
This 100-watt amp features four channels (clean, vintage, classic, and modern), switchable and adjustable boost and reverb controls, three integrated footswitches, and a speaker simulation output for recording/headphones.
TGA-1-180D Mighty Minnie
Originally designed for Sonny Landreth, who needed a sized-for-pedalboard amp, the handbuilt TGA-1 can deliver 180 watts into 4 ohms and houses a full range of controls for gain, bass, midrange, treble, and master.
Mojo Diamond
This 5-watt, class-A/B amp was inspired by the sound of the Fender Tweed and manages to fit a 3-band EQ onboard its svelte enclosure. Other features include an effects loop, headphone out, and auxiliary in.
RG13
Features on this 3-channel, 1-watt floor amplifier include a switchable effects loop, volume-boost function, auxiliary in, headphone out, and a speaker-emulated XLR direct output with ground lift.
QuarterHorse Microamp
This 25-watt amp features a 2-channel design for delivering both clean and lead tones, and tape-delay and tremolo effects with full control. A micro-toggle selects the desired effects while the three integrated footswitches allow quick, one-touch channel selection.
Ethos Overdrive Amp
This compact, 30-watt (at 8 ohms) amp offers two independent channels with EQ and high-cut, tone-stack toggles for brite, modern/classic, and jazz/rock. Upgrades are available including a 3-band, post-overdrive EQ and/or an active effects-loop mod.
Empress Effects is proud to announce the release of the Bass ParaEq, a bass-specific parametric EQ pedal.
Building on the success of their acclaimed ParaEq MKII series, which has already gained popularity with bassists, the Bass ParaEq offers the same studio-grade precision but with features tailored for bass instruments.
Basses of all types – including electric and upright basses with active and passive electronics – can benefit from the Bass ParaEq’s tone-sculpting capabilities.
The new pedal follows the success of the Empress Bass Compressor and ParaEq MKII Deluxe, which have become some of the company’s best-reviewed and top-selling products. The Bass Compressor’s popularity confirmed what Empress had long suspected: bassists are eager for tools built with their needs in mind, not just adaptations of guitar gear.
The Bass ParaEq retains the line’s powerful 3-band parametric EQ and studio-style features while introducing a bass-optimized frequency layout, a selectable 10MΩ Hi-Z input for piezo-equipped instruments, a dynamically-adjusted low shelf, and automatic balanced output detection—perfect for live and studio use alike.
The Bass ParaEq also offers an output boost, adjustable by a dedicated top-mounted knob and activated by its own footswitch, capable of delivering up to 30dB of boost. It’s perfect for helping your bass punch through during key moments in live performance.
Whether dialing in clarity for a dense mix or compensating for an unfamiliar venue, the Bass ParaEq offers precise tonal control in a compact, road-ready form. With 27V of internal headroom to prevent clipping from even the hottest active pickups, the Bass ParaEq is the ultimate studio-style EQ designed to travel.
Key features of the Bass ParaEq include:
- Adjustable frequency bands tailored for bass instruments
- Selectable 10MΩ Hi-Z input for upright basses and piezo pickups
- Auto-detecting balanced output for long cable runs and direct recording
- Three sweepable parametric bands with variable Q
- High-pass, low-pass, low shelf, and high shelf filters
- Transparent analog signal path with 27V of internal headroom
- Buffered bypass switching
- Powered by standard 9V external supply, 300mA (no battery compartment)
The Bass ParaEq is now shipping worldwide. It can be purchased from the Empress Effects website for $374 USD and through authorized Empress dealers globally.
Kiesel Guitars has introduced their newest solid body electric guitar: the Kyber.
With its modern performance specs and competitive pricing, the Kyber is Kiesel's most forward-thinking design yet, engineered for comfort, quick playing, and precision with every note.
Introducing the Kiesel Kyber Guitar
- Engineered with a lightweight body to reduce fatigue during long performances without sacrificing tone. Six-string Kybers, configured with the standard woods and a fixed bridge, weigh in at 6 pounds or under on average
- Unique shape made for ergonomic comfort in any playing position and enhanced classical position
- The Kyber features Kiesel's most extreme arm contour and a uniquely shaped body that enhances classical position support while still excelling in standard position.
- The new minimalist yet aggressive headstock pairs perfectly with the body's sleek lines, giving the Kyber a balanced, modern silhouette.
- Hidden strap buttons mounted on rear for excellent balance while giving a clean, ultra-modern look to the front
- Lower horn cutaway design for maximum access to the upper frets
- Sculpted neck heel for seamless playing
- Available in 6 or 7 strings, fixed or tremolo in both standard and multiscale configurations Choose between fixed bridges, tremolos, or multiscale configurations for your perfect setup.
Pricing for the Kyber starts at $1599 and will vary depending on options and features. Learn more about Kiesel’s new Kyber model at kieselguitars.com
The Sunset is a fully analog, zero latency bass amplifier simulator. It features a ¼” input, XLR and ¼” outputs, gain and volume controls and extensive equalization. It’s intended to replace your bass amp both live and in the studio.
If you need a full sounding amp simulator with a lot of EQ, the Sunset is for you. It features a five band equalizer with Treble, Bass, Parametric Midrange (with frequency and level controls), Resonance (for ultra lows), and Presence (for ultra highs). All are carefully tuned for bass guitar. But don’t let that hold you back if you’re a keyboard player. Pianos and synthesizers sound great with the Sunset!
The Sunset includes Gain and master Volume controls which allow you to add compression and classic tube amp growl. It has both ¼” phone and balanced XLR outputs - which lets you use it as a high quality active direct box. Finally, the Sunset features zero latency all analog circuitry – important for the instrument most responsible for the band’s groove.
Introducing the Sunset Bass Amp Simulator
- Zero Latency bass amp simulator.
- Go direct into the PA or DAW.
- Five Band EQ:
- Treble and Bass controls.
- Parametric midrange with level and frequency controls.
- Presence control for extreme highs.
- Resonance control for extreme lows.
- Gain control to add compression and harmonics.
- Master Volume.
- XLR and 1/4" outputs.
- Full bypass.
- 9VDC, 200mA.
Artwork by Aaron Cheney
MAP price: $210 USD ($299 CAD).
PG contributor Tom Butwin reveals his favorite songwriting secret weapon: the partial capo. Watch how the Shubb C7 and C8 can simulate alternate tunings without retuning your guitar—and spark fresh creative ideas instantly.
Shubb C8b Partial Capo for Drop-D Tuning - Brass
The C8 covers five of the six strings, leaving either the low E or high E string open, depending on how it's positioned.
- Standard setup: Placed on the 2nd fret while leaving the low E string open, it simulates Drop D-style sounds—except you're still in standard tuning (key of E). You get that big, droning bass feel without retuning.
- Reverse setup: Flipping the capo allows the high E string to ring, giving you shimmering drones and new melodic options across familiar chord shapes.
- A flexible tool that lets you simulate alternate tunings and create rich sonic textures—all while keeping your guitar in standard tuning.
Shubb C7b Partial Capo for DADGAD Tuning - Brass
The C7 covers three of the six strings—either D, G, and B or A, D, and G—depending on how it's flipped.
- Typical setup (D, G, B): Creates an open A chord shape at the 2nd fret without needing your fingers. This frees you up for new voicings and droning notes in the key of A.
- Reversed setup (A, D, G): Gets you close to a DADGAD-style tuning vibe, but still keeps you in standard tuning—great for modal, spacious textures often found in folk or cinematic guitar parts.
Use it alone or stack it with the C8 for wild, layered effects and truly out-of-the-box inspiration.