Nashville’s electronica alt-rock quartet explains how they cover guitar and bass needs with three instruments, one amp, and lots of pedals.

When it’s to thump on the low-end side, Mitchell-Cárdenas grabs this Frankenstein Fender that has a 1978 P-bass neck put onto a 1976 P-bass body. His best friend growing up gave him a 1978 P bass as a high school graduation present. He was having problems with the body so he ditched it and kept the ’78 neck for a rainy day. A few years ago he came across a ’76 fretless P bass that he couldn’t pass up and one day it struck him to combine the best parts of both basses. He’s since used it on the last three Mutemath albums—Armistice, Odd Soul, and Vitals.

Click here to enter to win 1 of 5 JHS Pedals—Colour Box, Mini foot Fuzz, Morning Glory (x2), and Panther Cub—courtesy of JHS and Mutemath.


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Why Fender + Fender (or other brands) = more than the sum of their own signature sounds.

This column is not for the faint of back, but the rewards of such potentially heavy lifting are great. In my previous columns "Like Peanut Butter and Chocolate: Classic Guitar & Fender-Amp Pairings" (May 2020) and "Finding Perfect Tones in Imperfect Amps" (January 2021), I've discussed classic Fender amp and guitar pairings and how to EQ and tweak amps to get ideal tones. Let's take it a step further and discuss how to combine multiple amps to achieve even more complex, richer tones.

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We've reviewed a ton of cool gear over the past 12 months, but these stood above the rest and won our coveted Premier Gear Award.

This year more than 40 guitars, basses, effects, and amps from a diverse group of gear makers earned the coveted Premier Gear Award from our discerning editors. Here is our gear of the year.

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