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Rig Rundown: Rise Against

A time-tested formula fuels the hardcore band’s sound.

Zach Blair is a PETA-supporting, straight-edge vegetarian who, when he’s not on tour, does his best to help keep Austin weird. The humorous, mild-mannered hardcore vet recently took time during Rise Against’s 2015 arena tour with Linkin Park to meet with Premier Guitar and share in-depth details on his gear.

Guitars

Blair is a longtime Gibson Les Paul player who isn’t afraid to mod his axes. He brings a trio of LPs on the road, and each one has some unique features. His main guitar is a black Classic Custom with an EverTune bridge and Seymour Duncan Distortion pickups. All of Blair’s electrics are strung with Ernie Ball Cobalt Slinkys gauged .010–.052.
A natural-finished Classic Custom pairs an EverTune bridge with Lace humbuckers.
And a black Les Paul Custom also loaded with Duncan Distortions rounds out the trio.
For acoustic numbers, Blair reaches for a Gibson J-160. His favorite picks are Dunlop 1.5 mm Primetones.

Amps

Blair’s main amp is a ’70s Marshall JMP head modded by Johnny Meyer.
His backup is a Marshall JCM900. His preferred cabs are two Marshall 4x12s loaded with Celestion Vintage 30 speakers.

Effects

Blair runs his guitars into a Shure UR4D wireless, which sends his signal to a Radial JX44 Air Control. The Air Control not only sends his signal to each of the Marshall heads, but also has an effects loop that sends his signal to an RJM Rack Gizmo.
The Gizmo allows Blair to use an RJM Mastermind GT/16 MIDI Foot Controller to switch between various combinations of his pedals
His current crop of stomps includes a Boss NS-2 Noise Suppressor, an Ibanez TS9 Tube Screamer, an Eventide H9, and four MXR pedals—a GT-OD, a Phase 90, an Analog Chorus, and a Carbon Copy.

SWShopTheRigButton

The original Roland Space Echo RE-201 is comparable in size to an amp head.

The majestic Roland Space Echo is having a bit of a resurgence. Here’s a breakdown on what makes it tick, and whether or not it’s right for you.

In this article, we delve into one of the most cherished gadgets in my guitar collection, the Roland Space Echo RE-201. This iconic piece of equipment has been used by legendary musicians like Jonny Greenwood, Brian Setzer, and Wata from Boris, which only heightened my desire to own one. A few years ago, I was fortunate to acquire a vintage RE-201 in good condition and at a reasonable price.

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In collaboration with Cory Wong, the Wong Press is a 4-in-1 Press pedal features Cory’s personal specs: blue & white color combination, customized volume control curve, fine-tuned wah Q range, and a dual-color STATUS LED strip indicating current mode/pedal position simultaneously.

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Big time processing power in a reverb that you can explore for a lifetime.

An astoundingly lush and versatile reverb of incredible depth and flexibility. New and older BigSky algorithms included. More elegant control layout and better screen.

It’s pricey and getting the full use out of it takes some time and effort.

$679

Strymon BigSky MX
strymon.net

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Strymon calls the BigSky MX pedal “one reverb to rule them all.” Yep, that’s a riff on something we’ve heard before, but in this case it might be hard to argue. In updating what was already one of the market’s most comprehensive and versatile reverbs, Strymon has created a reverb pedal that will take some players a lifetime to fully explore. That process is likely to be tons of fun, too.

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Fender Player II Stratocaster HSS & Jaguar Demos
- YouTube
Refined necks and delectable sounds elevate the jamming experience in this evolution of the accessibly priced Player Series.
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