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MayFly Le Habanero Review

Great versatility in combined EQ controls. Tasty low-gain boost voice. Muscular Fuzz Face-like fuzz voice.

Can be noisy without a lot of treble attenuation. Boost and fuzz order can only be reversed with the internal DIP switch.

$171

May Fly Le Habanero

mayflyaudio.com

4
4
4
4

A fuzz/boost combo that’s as hot as the name suggests, but which offers plenty of smoky, subdued gain shades, too.

Generally speaking, I avoid combo effects. If I fall out of love with one thing, I don’t want to have to ditch another that’s working fine. But recent fixations with spatial economy find me rethinking that relationship. MayFly’s Le Habanero (yes, the Franco/Spanish article/noun mash-up is deliberate) consolidates boost and fuzz in a single pedal. That’s far from an original concept. But the characteristics of both effects make it a particularly effective one here, and the relative flexibility and utility of each gives this combination a lot more potential staying power for the fickle.

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Improved tracking and richness in tones. Stereo panning potential. 100 presets.

Can be hard to use intuitively. Expensive!

$645

Electro-Harmonic POG III

ehx.com

4.5
4
3.5
3.5
EHX’s most powerful polyphonic octave generator yet offers guitarists, sound designers, and experimental musicians an endless maze of pitch-shifted effects to explore.

It’s been a very rainy, moody couple of weeks, which is to say, perfect weather for getting lost in the labyrinthine depths of the new Electro-Harmonix POG III polyphonic octave generator. The POG III is yet another evolution (mutation?) within EHX’s now rather expansive stable of octave effects. But to those who know the POG through its original incarnation, or one of several simpler subsequent variants, the POG III represents a pretty dramatic leap forward.

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Two channels. Six gain circuits. Endless combinations. Enter for your chance to win Brothers AM—the analog boost, overdrive, and fuzz machine built for stacking, blending, and sonic exploration.

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