Gretsch pays tribute to an early pioneer with a spot-on recreation of his only guitar
During his all-too brief life and career, Eddie Cochran (1938-1960) only ever owned and played one main electric guitar, an orange Gretsch 6120 Chet Atkins hollow-body he bought brand-new in 1955 at age 16 from the Bell Gardens Music Center in his hometown, Bell Gardens, CA. The guitar bore the serial number 16942, and his parents helped him buy it. A sharp young guitarist who was particular about his sound and knowledgeable about guitar design and modification, Cochran hot-rodded his Gretsch with a warmer-sounding ādog earā neck pickup.
It was this guitar that accompanied Cochran on his rise to stardom. It was this guitar that Cochran played on hits such as āSummertime Blues,ā āTwenty Flight Rock,ā āCāmon Everybody,ā āSomethinā Elseā āNervous Breakdownā and āSittinā in the Balcony,ā which influenced generation of guitaristsāand guitar royaltyāto come. And it was this guitar that was in the trunk of the car on the April 1960 night that Cochran met his tragic and untimely fate on a winding rural road in Chippenham, England.
It is this famous guitar that has now been so painstakingly recreated by Gretsch, with the blessing of the Cochran family and with the reverence and sense of history that absolutely must be accorded in instrument of such import.
The delicate job was entrusted to Gretsch Custom Shop master luthier Stephen Stern, an acclaimed craftsman who is well aware of Cochranās place in music history and the historical significance of his guitar. Stern, along with Cochranās nephew, Ed Julson, traveled to Cleveland in January 2009 to examine the famous guitar at the Rock and Roll Hall of Fame and Museum.
It should be noted here that the Cochran family has been extremely protective of Eddie Cochranās legacy and identity in general and his personal belongings in particular, not the least of which is his Gretsch guitar.
The story goes that the first policeman to arrive on the scene of accident that claimed Cochranās life on Easter Sunday 1960 found the guitar in the trunk of the car and removed it to his own home for several days so that it wouldnāt be lost in the public melee surrounding the incident and the ensuing investigation. The instrument was safely returned to the Cochran family home shortly thereafter, and there it stayed for many years. It became an instrument frozen in time: the strings were never even so much as loosened; the other contents of the caseāguitar strap, polishing cloth, gig poster, etc., were left undisturbed. Eddie Cochran was inducted into the Rock and Roll Hall of Fame in 1987; his family subsequently allowed the guitar to be displayed there, where it has remained ever since the museum opened in 1995.
The January 2009 examination held several emotional moments for all involvedāespecially Julson, who was only 3 years old when his 16-year-old uncle Eddie bought the guitar in 1955.
āTo Eddie, it wasāalong with familyāhis first or second love,ā Julson said of the guitar. āFor me, itās a part of someone I very much loved. He took exceptional care with it. It went everywhere with himāit was in the car no matter where he was going.ā
Stern and Julson arrived at the Rock and Roll Hall of Fame to find the guitar in what Stern called āvery good conditionāvery little wear on the back; a little on the neck.ā
Gingerly handling the 54-year-old guitar with gloved hands and surgical focus, Stern proceeded to carefully spec out Cochranās guitar in meticulously exacting detail from headstock to tailpiece, leaving no measurement unrecorded, no matter how small.
That he was handling a genuine piece of music history was not lost on Stern.
āEddie was a legend, a guitar hero and an innovator,ā he said. āHe was at the birth of rock ānā roll and rockabilly. He was one of the founding pioneers.ā
āTo be able to have access to this guitar and to recreate it, especially being that this was his prime guitarāhis only guitarāthat he used throughout his career, to be able to hold and examine a part of rock ānā roll history is just very exciting. You never dream that something would happen like this. I never did.ā
The result of Sternās craftsmanship is a re-created Gretsch instrument that you could say is truly āsomething else.ā
Virtually indistinguishable from the original, the Gretsch Custom Shop G6120EC Eddie Cochran Tribute model is authentic in every detail, from the aluminum nut and bridge to the famous ādog earā neck pickup; from the distressed vintage orange nitrocellulose lacquer finish to the relic gold-plated hardware and BigsbyĀ® B6GPVF vibrato tailpiece.
Its features include a bound laminated maple body and arched top, a specially shaped three-piece maple/walnut/maple neck with a 22-fret 9ā-radius bound rosewood fingerboard, a Seymour DuncanĀ® āDog Earā single-coil neck pickup, a Seymour DuncanĀ® DynaSonicā¢ single-coil bridge pickup, three-way switching, rosewood bridge base, vintage-style gold GotohĀ® SE700-05M tuners, modified plexi pickguard, western block fingerboard inlays (depicting cactus, steer heads and fences), lower body bout āGā brand, and pearloid steer head/Gretsch logo inlay on the bound headstock.
The deluxe hardshell case also contains special commemorative materials, including a reprint of the concert poster found in Cochranās car after the accident, an Eddie Cochran Live at Town Hall Party DVD, a G6120EC Eddie Cochran Tribute model āmaking ofā DVD, a reproduction of Cochranās original guitar strap, a reproduction of the Gretsch polishing cloth found in Cochranās guitar case after the accident, and some other surprises.
Frankly, the Gretsch Custom Shop G6120EC Eddie Cochran Tribute model is long overdue. Cochranās direct influence on guitarists such as Pete Townshend, George Harrison, Jimmy Page, Bryan Setzer and many others, and his pioneering contributions to rock ānā roll and rockabilly, simply cannot be overestimated. Cochran was a bona fide guitar hero in the era before guitar heroes, and one can only speculate on the musical heights he might have reached had he lived beyond the age of 21.
His youthful spirit infuses that guitar to this day, and Gretsch is very proud indeed to introduce an instrument bearing his name.
āWeāre very honored to be able to recreate this instrument and have this history to carry on,ā Stern said. āItās going to carry on Eddieās legacy.ā
For more information:
Gretsch
An amp-in-the-box pedal designed to deliver tones reminiscent of 1950s Fender Tweed amps.
Designed as an all-in-one DI amp-in-a-box solution, the ZAMP eliminates the need to lug around a traditional amplifier. Youāll get the sounds of rock legends ā everything from sweet cleans to exploding overdrive ā for the same cost as a set of tubes.
The ZAMPās versatility makes it an ideal tool for a variety of usesā¦
- As your main amp: Plug directly into a PA or DAW for full-bodied sound with Jensen speaker emulation.
- In front of your existing amp: Use it as an overdrive/distortion pedal to impart tweed grit and grind.
- Straight into your recording setup: Achieve studio-quality sound with easeāno need to mic an amp.
- 12dB clean boost: Enhance your tone with a powerful clean boost.
- Versatile instrument compatibility: Works beautifully with harmonica, violin, mandolin, keyboards, and even vocals.
- Tube preamp for recording: Use it as an insert or on your bus for added warmth.
- Clean DI box functionality: Can be used as a reliable direct input box for live or recording applications.
See the ZAMP demo video here: https://www.youtube.com/watch?v=xJp0jE6zzS8
Key ZAMP features include:
- True analog circuitry: Faithfully emulates two 12AX7 preamp tubes, one 12AX7 driver tube, and two 6V6 output tubes.
- Simple gain and output controls make it easy to dial in the perfect tone.
- At home, on stage, or in the studio, the ZAMP delivers cranked tube amp tones at any volume.
- No need to mic your cab: Just plug in and play into a PA or your DAW.
- Operates on a standard external 9-volt power supply or up to 40 hours with a single 9-volt battery.
The ZAMP pedal is available for a street price of $199 USD and can be purchased at zashabuti.com.
Mooer's Ocean Machine II is designed to bring superior delay and reverb algorithms, nine distinct delay types, nine hi-fidelity reverb types, tap tempo functionality, a new and improved looper, customizable effect chains, MIDI connectivity, expression pedal support, and durable construction.
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be āfrozen,ā creating static ambient drones, an effect that sounds particularly impressive considering the pedalās DSP upgrades.
While the original Ocean Machineās looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with OceanMachine IIās other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the deviceās āPlay Mode.ā Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.
Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter āPatch Mode,ā in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to threepresets, resulting in a total of 24 save slots.
The pedalās versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsendās tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.
In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.
Considering the experimental nature of Devin Townsendās performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.
Overall, Ocean Machine II brings higher-quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsendās original device. As per MOOERās typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.
Key Features
- Improved DSP algorithms for superior delay and reverb quality
- Nine distinct delay types that support up to 2 seconds of delay time: digital, analog, tape, echo,liquid, rainbow, crystal, low-bit, and fuzzy delays
- Nine hi-fidelity reverb types: room, hall, plate, distorted reverb, flanger reverb, filter reverb,reverse, spring, and modulated reverb
- Freeze feedback feature, supported for both delay and reverb effects
- Tap tempo footswitch functionality
- New and improved looper supporting up to 120 seconds of recording time, along withoverdubbing capabilities, half-speed, and reverse effects.
- Customizable order of effects in parallel or series chains
- Flexible bypass options supporting both true bypass and DSP bypass
- Large LCD screen, controllable through twelve easy-to-use physical knobs for real-time parameter adjustments.
- Adjustable Global EQ Settings
- Full stereo inputs and outputs
- Synchronizable and mappable MIDI In and Thru support
- USB-C port for firmware updates
- External expression pedal support via TRS cable
- Support for the MOOER F4 wireless footswitch (sold separately)
- Designed for durability and reliability in both studio and live environments.
The Ocean Machine will be available from official MOOER dealers and distributors worldwide on September 10, 2024.
For more information, please visit mooeraudio.com.
MOOER Ocean Machine II Official Demo Video - YouTube
An '80s-era cult favorite is back.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Victory Figured Top Iguana BurstThe SDE-3 fuses the vintage digital character of the legendary Roland SDE-3000 rackmount delay into a pedalboard-friendly stompbox with a host of modern features.
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmarkāincluding delay time, feedback, and independent rate and depth knobs for the modulationāplus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ā80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.