The latest addition to the Blackstar's Debut series: the Debut 50R.
The Debut 50R is designed to be a simple, all-analogue alternative to entry level digital modelling amplifiers. Ideal for pedal players, the Debut 50R focuses more on tone and usability rather than unwanted “bells and whistles."
The features have been carefully selected to cover all an aspiring guitarist’s practise and gigging needs: two footswitchable channels, our patented ISF (Infinite Shape Feature) tone control, power reduction down to 5 Watts, series effects loop and custom-voiced digital reverb with Plate and Hall options. This amp is available in two vintage designs; cream covering with oxblood fret, or black and ‘biscuit’ basketweave.
To deliver the natural sounding response of a valve amp, Blackstar’s UK based design team have chosen to implement a discrete MOSFET (Metal Oxide Semiconductor Field Effect Transistor) preamp. The overdrive characteristics of MOSFETs are similar to those of valves. Our R&D team have gone beyond other manufacturer’s MOSFET implementations to deliver a preamp design that is virtually indistinguishable from the chosen valve references.
Features
- 50 Watt combo
- 2 Channels – Clean + Overdrive
- MOSFET preamp
- Clean / Bright voicing for the clean channel Patented ISF tone control
- 50W - 5W power reduction
- ‘Plate’ and ‘Hall’ reverb options
- Line In for jamming along or listening to music
- Speaker emulated Line Out for ‘silent’ practice or recording
- 1x12" custom-designed speaker, producing true Blackstar tones
- Series effects loop
- Stereo playback of Line In sources through headphones
- Dual footswitch control for channel switching and enabling/disabling Reverb
- Compatible with any 2-button latching footswitch (available separately)
- Vintage styling in cream and black options
Debut 50R | Demo | Blackstar
Slayer guitarists Kerry King and Jeff Hanneman formed the original searing 6-string front line of the most brutal band in the land. Together, they created an aggressive mood of malcontent with high-velocity thrash riffs and screeching solos that’ll slice your speaker cones. The only way to create a band more brutal than Slayer would be to animate them, and that’s exactly what Metalocalypse (and Home Movies) creator Brendon Small did.
From his first listen, Small has been a lifetime devotee and thrash-metal expert, so we invited him to help us break down what makes Slayer so great. Together, we dissect King and Hanneman’s guitar styles and list their angriest, most brutal songs, as well as those that create a mood of general horribleness.
This episode is sponsored by EMG Pickups.
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At 26, Blu DeTiger is the youngest musician ever to have a signature Fender bass guitar. The Fender Limited Player Plus x Blu DeTiger Jazz Bass, announced in September, pays tribute to the bassist and singer’s far-reaching impact and cultural sway. She’s played with Caroline Polachek, Bleachers, FLETCHER, Olivia Rodrigo, and more, and released her own LP in March 2024. In 2023, Forbes feature her on their top 30 Under 30 list of musicians. So how did DeTiger work her way to the top?
DeTiger opens up on this episode of Wong Notes about her career so far, which started at a School of Rock camp at age seven. That’s where she started performing and learning to gig with others—she played at CBGB’s before she turned 10. DeTiger took workshops with Victor Wooten at Berklee followed and studied under Steven Wolf, but years of DJing around New York City, which hammered in the hottest basslines in funk and disco, also imprinted on her style. (Larry Graham is DeTiger’s slap-bass hero.)
DeTiger and Wong dish on the ups and downs of touring and session life, collaborating with pop artists to make “timeless” pop songs, and how to get gigs. DeTiger’s advice? “You gotta be a good hang.”
