
New for 2022, Fender releases the Prestige series made by Master Builders, plus a series of limited-edition guitars showcasing the latest in guitar innovation.
Greg Fessler: Prestige Ghost Town Tele, Relic, Artwork by Dave Newman
Greg Fessler found inspiration in Fellow Master Builder Dale Wilson, who travels the Southwest, including many Ghost Towns. Artist Dave Newman, who Fessler has worked with for years, is a Southwest native. Dave's work is stimulated by what he sees around the Southwest, creating an organic segway to the partnership. Innovative specs include Josefina Campos Hand-Wound pickups along with Merle Haggard electronics. Beneath Newman’s artwork lies pre-distressed ash, lending the guitar an authentic finish. This model is ideal for guitar enthusiasts or collectors with respect and affinity for Southwestern art. $17,500.00 USD.
CS 2022Showcase Fender CUSTOM GHOST TOWN TELE® R112802 9216095039
Dennis Galuszka: Prestige Moto Jazzmaster, Bronze Sunburst
Motivated by all things pearloid and with an eagerness to work with founding Fender Custom Shop Master Builder, Fred Stuart, the duo created the Prestige Moto Jazzmaster, Bronze Sunburst. Highlights include a 2-piece select ash body with Moto covering by Fred Stuart and a roasted quartersawn maple neck with '62 style Jazzmaster back-shape. Finish includes Jay Nelson paintwork. $15,000.00 USD.
CS 2022Showcase Fender CUSTOM MOTO JAZZMASTER® CZ556872 9216095043
Todd Krause: Prestige Jazzmaster, Olympic White
Influenced by a modern version of this classic model, Todd Krause’s Prestige Jazzmaster includes simple rear routed electronics and small pickguard and roasted neck - the most notable features giving the Prestige Jazzmaster a very unique appearance. Suitable for a collector or enthusiast craving an instrument that defies tradition and steps outside of predictable boundaries, this is a must-have guitar. $11,250.00 USD.
CS 2022Showcase Fender CUSTOM JAZZMASTER® CZ556894 9216095021
Kyle McMillin: Prestige Thinline Telecaster, Tobacco Sunburst
This Telecaster is inspired by a gorgeous abalone shell pickguard that Kyle McMillin has cherished for years. A deeper review of the shell presented McMillin the perfect combination of specs this guitar needed: a custom abalone veneered pickguard, complemented with abalone side dots and abalone Fender logo in the headstock, a satin tobacco burst finish and Tasmanian blackwood Thinline body with black top binding. The Prestige Thinline Telecaster is equipped with Josefina Campos Hand-Wound original blackguard (bridge) and twisted Tele (neck) pickups, possessing a traditional Fender sound with a unique and elegant look. $11,000.00 USD.
CS 2022Showcase Fender CUSTOM THINLINE TELECASTER® KM1054 9216095035
Yuriy Shishkov: Prestige Quilted '60s Stratocaster
Inspired by an exquisite deep purple finish, Yuriy Shishkov sought to create a High Garde Quilt Maple top for his prestige collection. The Prestige Quilted ‘60s Stratocaster includes: NOS urethane finish with gold hardware, select roasted ash body with 4A quilted maple top and Josefina Campos Hand-Wound '60s Strat pickups. The Prestige Quilted '60s Stratocaster is an ideal guitar for enthusiasts and collectors craving a one-of-a-kind Custom Shop creation. $9,500.00 USD.
CS 2022Showcase Fender CUSTOM QUILTED '60s STRATOCASTER® YS2948 9216095041
Jason Smith: Prestige Electric Sea Gems Esquire
Jason Smith, frontman for band Echovox, commissioned Minnesota based artist Laura Bennett to create his band’s album cover art, and from there the inspiration for the Electric Sea Gems was born. The Prestige Electric Sea Gems Esquire features include: a 2-piece select alder body, quartersawn maple neck with '60 style oval "C" back shape, and a flat-lam rosewood fingerboard with white pearloid block inlay. This single pickup Esquire includes heavily rolled edges on the neck, giving the guitar a comfortable, vintage feel. The Electric Sea Gems Esquire captivates art collectors and guitar enthusiasts alike. $13,000.00 USD.
CS 2022Showcase Fender CUSTOM ELECTRIC SEA GEMS ESQUIRE® JS0605 9216090056
Ron Thorn: Prestige Hawaiian Dream Resonator, Natural
Koa, a wood revered for its beauty, tone and symbolism is only grown in one place on earth: Hawaii. Ron Thorn built this Koa resonator in celebration of Hawaii’s “rich musical heritage and love of slide and steel guitars.” The extra thick Koa hollow body allows for additional volume and projection from the hand-spun resonator cone. The Koa set-neck’s fretboard is adorned with various Hawaiian flower position marker inlays in a selection of pearl, abalone and semi-precious stone materials. Thornhand-engraved the bronze-plated brass top in a floral motif with bird of paradise sound holes, which are also found on the body’s curly Koa back. An active preamp allows blending of the neck pickup and the piezo biscuit bridge for endless electric/acoustic resonator tones when plugged in. $36,500.00 USD.
CS 2022Showcase Fender CUSTOM HAWAIIAN DREAM RESONATOR Hawaiian Dream 9216095042
Vincent Van Trigt Peacock Precision Bass
After creating the Flamingo Telecaster last year with Ian Ward, a prolific parrot breeder and aviary enthusiast, Vincent Van Trigt sought out the opportunity to work with Ward again, inspired by his illustrations of birds. Vincent Van Trigt notes, “historically peacocks are a symbol of transformation, restoration and rejuvenation, which is what music is. It’s transformative, it takes people on a journey and rejuvenates their souls.” The 1952 Peacock Precision Bass is adorned with Ward's artwork and inlays that match beautifully as well as Josefina Campos Hand-Wound special design pickups with custom mounting rings. The pickup ring with 2 ‘51 pickups is wired in series while the reversed headstock is a nod to Dusty Hill. The 1952 Peacock Precision Bass is perfect for a bass player looking for a classic Fender instrument with some modern twists and gorgeous artwork. $22,500.00 USD.
CS 2022Showcase Fender CUSTOM '52 PEACOCK PRECISION BASS® XN3467 9216095311
Paul Waller: Prestige Saint John's Skeleton Telecaster, Black Over Graffiti Yellow With Artwork By David Kassan
Paul Waller partnered with artist David Kassan, an oil/canvas painter, to create hand-painted art inspired by a skeleton of the Saint John the Divine Cathedral in New York City. The Prestige Saint John’s Skeleton Telecaster is painted on top of a relic finish with black over graffiti yellow, a different finish than Fender’s typical gloss finish on art guitars. While the artwork appears to be a picture at first glance, it becomes individual brushstrokes of oil colors. David Hassan notes of this artwork, “this has the profound potential to wake us up and breathe more life into our lives. A painting surface holds all of the thoughts of the artist that paints on it. In this case, the Telecaster is the ossuary for all of my decisions to create this work. It embodies/absorbed all of my success as well as my failures in painting it. $21,500.00 USD.
CS 2022Showcase Fender CUSTOM SAINT JOHN'S SKELETON TELECASTER® PW486 9216095036
Limited Edition Dual P90 Telecaster Relic
Available finishes include Pink Paisley, Black Paisley and Blue Floral. $5,450.00 USD.
Limited Edition Roasted '61 Strat Super Heavy Relic
Available finishes include Aged 3-color sunburst, Aged Natural, Aged Sherwood Green Over 3-Color Sunburst and Aged Black Over 3-Color Sunburst. $5,600.00 USD.
Limited Edition Fat '50s Strat Relic
Available finishes include India Ivory, Wide-Fade Chocolate 2-Color Sunburst and Super Faded Aged Seafoam Green. $4,750.00 USD.
Limited Edition '50s Twisted Tele Custom Journeyman Relic
Available finishes include Chocolate 3-Color Sunburst, Aged Ocean Turquoise, and Aged Tahitian Coral. $4,800.00 USD.
Limited Edition Custom Jazz Bass Heavy Relic
Available finishes include Aged Natural, Aged Black and Faded Aged 3-Color Sunburst. $5,450.00 USD.
Limited Edition Cunife Tele Custom Journeyman Relic
Available finishes include Chocolate 3-Color Sunburst, Aged Ocean Turquoise and Aged Tahitian Coral. $4,800.00 USD.
Limited Edition '55 Bone Tone Strat Relic
Available finishes include Aged Honey Blonde, Aged Hle Gold, Wide Fade 2-Color Sunburst. $5,300.00 USD.
Limited Edition Caballo Tono Ligero Relic
Available finishes include Aged Black, Aged Gold Sparkle and Aged Magenta Sparkle. $5,400.00 - $5,900.00 USD.
Limited Edition Red Hot Strat Super Heavy Relic
Available finishes include Faded Aged Chocolate 3-Color Sunburst, Aged Dirty White Blonde and Super Faded Aged Lake Placid Blue. $5,950.00 USD.
Limited Edition HS Telecaster Custom Relic
Available finishes include Aged Charcoal Frost Metallic and 3-Color Sunburst. $5,950.00 USD.
Limited Edition P Bass Special Journeyman Relic
Available finishes include 3-Color Sunburst, Aged Dakota Red and Aged Sherwood Green Metallic. $5,250.00 USD.
Limited Edition Tomatillo Tele Journeyman Relic
Available finishes include Natural Blonde, Tomatillo Green and Super Faded Aged Tahitian Coral. $4,650.00 USD.
- Fender Custom Shop Telecaster - Premier Guitar ›
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A sample page from the author’s analog log.
Seasonal changes are tough on your acoustic. Here’s how you can take better care of your prized instrument.
As you read this, spring is in bloom in most of the US, or maybe it has been for some time. I’m timing this column specifically to ask acoustic guitarists, in this season of increasing humidity and comfortable conditions, to prepare for what’s coming. It’s never too soon, and time flies. Before you know it, we’ll be back to the maintenance phase and you might be blowing up the phones of your local guitar shops, luthiers, and techs. I’m here to encourage a decidedly old-school approach to preventative guitar maintenance, and yes, it starts now.
Why, you ask? Well, as the lead luthier at Acoustic Music Works, I can tell you that in my nearly 15 years in this position, this was the worst winter ever for preventable repairs on acoustic guitars. Fret sprout, bridge lifts, top sink, soundboard cracks, back cracks, loose binding, general malaise… These hit us very hard in the winter that spanned 2024 and 2025. Am I complaining? On the one hand, no. This is part of how we make our money. On the other hand, yes! Repair schedules related to dryness and humidity issues can stretch into weeks and even months, and nobody wants to be without their favorite instruments for that amount of time. With a little thoughtfulness, however, you might get through next winter (and every one thereafter) without hefty repair bills or time apart from your musical companion.
Our preparation is going to start with an unlikely but very important guitar accessory: the humble notebook. Plain, lined, grid, day planner… it doesn’t matter. We all need to actively participate in our instrument maintenance, and in my experience, fancy apps that track humidity via Bluetooth breed a kind of laziness, a feeling of safety that might prevent us from actually physically looking in on conditions. Better we keep an analog, well, log, so that we know where things stand, and I suggest checking in daily.
“This was the worst winter ever for preventable repairs on acoustic guitars.”
Track your relative humidity, both in the case and in the room where your instruments mostly reside, but also take notes on your action height, top deflection (StewMac has some great tips for measuring this) and anything related to playability that you believe you can observe empirically.
Dryness is the root cause of most guitar issues that manifest in the fall and winter months. Symptoms of dryness include sharp fret ends, falling action and dead frets, sunken top around the sound hole, and cracks and bridge lifts. With your trusty notebook, you’ll get a feel for the sensitivity level of your instrument, and that knowledge is power!
A few other basic implements will not only assist you in your observations, but may also satisfy your need to buy guitar-related things (at least for a minute). Getting quick and comfortable with a fret rocker is a great skill to have, and is invaluable in diagnosing buzzes due to high frets or frets that have come unseated due to dryness. A well-calibrated relief gauge might seem luxurious, but it can prevent you from making unnecessary or extreme truss rod adjustments. A string action gauge, or even a simple machinist’s rule or set of feeler gauges, will help you keep track of your action. Get a three-pack of hygrometers so you can average their readings, rather than depending on one.
Lest we forget: A guitar can not only be too dry, it can also be too wet. By beginning your maintenance diligence in the spring/summer, you’ll also be able to tell if your instrument is the victim of a too-humid environment. The signs of over-humidification are subtle: Your action may rise from a puffed-up top, and in extreme cases, glue joints could begin to fail. In my experience, an over-humidified guitar will suffer from dulled tone, almost like a sock in the sound hole. If you’re sensing a lack of clarity in your guitar all of a sudden, start with new strings. If it persists, it might be due to over-humidification, and you may want to introduce a desiccant to the case for a time. The more lightly built your guitar is, the more sensitive it will be to seasonal changes.
By getting into these habits early, you’ll be empowered by knowing your instrument more intimately. You’ll understand when and why changes in tone and playability might have occurred, and you’ll hopefully save on repair bills year-round. Feel free to reach out with any questions. Who knows? I might just send you a notebook with an AMW sticker on the cover!
This wonky Zim-Gar was one of many guitars sold by importer Gar-Zim Musical Instruments, operated by Larry Zimmerman and his wife.
The 1960s were strange days indeed for import guitars, like this cleaver-friendly Zim-Gar electric.
Recently I started sharing my work office with a true gem of a guy … one of the nicest fellas I’ve ever come across. If you’ve been following my column here, you might remember my other work mate Dylan, who is always telling me about new, fad-type things (like hot Honey guitars) and trying to convince me to use AI more. (What can I say, he’s a millennial.) But Steve, on the other hand, is about 10 years my senior and is a native New Yorker—Brooklyn actually, from the Canarsie neighborhood. Steve is a retired teacher and spent many years teaching in the Brownsville area of Brooklyn, and man, he has some amazing stories.
Mostly we talk about music and sports (he’s exiled here among us Philadelphia sports fans) and he’s just endlessly interesting to me. He has a huge appetite and can eat a whole pizza. When he talks, he sounds like one of the Ramones and he still has an apartment in Rockaway Beach. We both love Seinfeld and, like George Costanza, Steve knows where all the great bathrooms are across New York City. Since he’s been added to my circle (and is such a mensch), I decided I should work him into a column.
So here’s the connection: Back in the day there were many American importers, dealers, and wholesalers. A lot of them were based in New York, Chicago, and Los Angeles, but I only know of one guitar importer located in Brooklyn: Gar-Zim Musical Instruments. The company was run by Larry Zimmerman and his wife, and the couple had some success importing and selling Japanese guitars and drums. I used to see early Teisco imports with the Zim-Gar badge, which was the brand name of Gar-Zim. I’ve also seen Kawai guitars with the Zim-Gar label, but the Zimmerman’s seemed to sell cheaper and cheaper gear as the ’60s wore on, including the piece you see here.
“This build reminds me of the cutting boards I used to make in wood shop back in my high school days.”
The model name and factory origin of this guitar is a mystery to me, but this build reminds me of the cutting boards I used to make in wood shop back in my high school days. The guitar is just flat across the top and back, with absolutely no contouring or shaping. Its offset body is plywood with a thin veneer on the top and back. From a distance this guitar actually looks kind of nice, but up close you can see a rather crude and clunky instrument that offers little flexibility and playability. The non-adjustable bridge is off center, as is the tremolo. It was really hard to get this guitar playing well, but in the end it was worth it, because the pickups were the saving grace. Another example of gold-foils, these units sound strong and raw. The electronics consist of an on/off switch for each pickup and a volume and tone knob. The tuners are okay, and the headstock design is reminiscent of the Kay “dragon snout” shape of the mid to late ’60s, which is where I would place the birthdate of this one, probably circa 1966. Everything is just so goofy about this build—even the upper strap button is located on the back of the neck. It reminds me of that era when simple wood factories that were making furniture were tasked with building electric guitars, and they simply didn’t know what they were doing. So, you get oddities like this one.
Gar-Zim continued to sell guitars and other musical instruments through the 1970s and possibly into the ’80s. I once even saw a guitar with the label Lim-Gar, which is totally puzzling. I think there should’ve been a Stee-Gar designation for my new buddy Steve-o! Yes, good readers, with guitars and me, there are always just a few degrees of separation.
Dive into the ART Tube MP/C with PG contributor Tom Butwin. Experience how this classic tube-driven preamp and compressor can add warmth and clarity to your sound. From studio recordings to re-amping and live stage applications, this time-tested design packs a ton of features for an affordable price.
Art Tube Mp Project Series Tube Microphone/Instrument Preamp
Designed in Rochester NY and originally released in 1995, the Tube MP is celebrating its 30th anniversary in 2025.
The Tube MP/C is the most fully-featured member of the Tube MP family, designed for recording guitarists and bassists. It is a tube mic preamp and instrument DI with advanced features including an optical compressor/limiter and switchable line/instrument output levels for use as a re-amping device.
In line with the MOOER’s recent expansion on the MSC range, the company is excited to announce the new MSC50 Pro, an Alder-bodied electric guitar with gloss finish, available in the new Magic Crystal color.
Featuring a roasted maple neck with a satin finish, a rosewood fingerboard for playing comfort, 22 frets, and a standard C shape, the guitar has been designed with classic guitarists in mind. This is beautifully emphasized with its beautifully resonant tonewoods, all while still being balanced perfectly with style and comfort of use.
The MSC50 Pro features all of the industry-standard features you might expect from such an impressively affordable guitar, such as bolt-on construction, a bone nut, and a dual-action steel truss rod. However, other features make the electric guitar stand out among others at a similar price point, such as its MTN-3LC locking tuning pegs, beautiful Abalone dot inlay, and, of course, its previously mentioned tonewood selection.
In order to capture the MSC50 Pro's balanced tonal profile, MOOER's luthiers have built it with three perfectly balanced pickups: the MSC-II N single coil neck pickup, the similar MSC-II M single coil middle pickup, and, best of all, the MHB-II B bridge humbucker. When these carefully chosen pickups are combined with the guitar's MPW 2-point chrome bridge, guitarists can make the most out of its tonal versatility, all while maximizing tuning stability.
To ensure that the guitar is suitable for a wide range of genres, both softer and higher-gain examples, the MSC50 Pro has a convenient coil split switch built into it, giving users better resonance control. Of course, this is also combined with a classic tone dial, a standard 5-way tone switch, and a volume control dial.
Overall, the MSC50 Pro reminds users of MOOER guitars that the company has never forgotten about its roots in classic-style guitars. Yes, the company is continuing to develop innovative guitar technology in other areas, but this electric guitar also represents a grounded approach, keeping things classic, sleek, and tonally versatile–all at a reasonable price point.
Features:
- Alder Body with a Gloss Finish
- Available in the Magic Crystal color
- Standard C-shaped roasted maple neck with a Satin finish
- Bolt-on construction
- 22-fret rosewood fingerboard
- Abalon dot inlay
- MTN-3LC locking tuners
- Bone nut
- Dual-Action Steel Truss Rod
- 12" radius
- 09-46 strings
- 25.2" scale
- MSC-II N Single Coil neck pickup, an MSC-II M Single Poil middle pickup, and an MHB-II B Humbucker Bridge Pickup
- Chrome guitar strap pin
- Coil Split Switch
- 5-Way Tone Switch
- Volume and tone dials
- MPW 2-Point chrome bridge
The MSC50 Pro will be available from the official distributors and retailers worldwide on 13th May 2025 at an expected retail price of USD419/Euro399/GBP339.
MOOER Expands Its Popular MSC Guitar Line with the MSC30 Pro and MSC31 Pro
MOOER has never shied away from innovation when it comes to its guitars. However, with the recently announced release of the MSC30 Pro and MSC31, the company reminds us that, sometimes, true innovation lies in mastering and enhancing a proven classic. With this philosophy, MOOER introduces two new exciting additions to their beloved MSC series of electric guitars.
Both the MSC30 Pro and MSC31 Pro continue MOOER’s philosophy of creating affordable guitars, but without sacrificing quality or performance, thanks to the poplar bodies and flame maple tops. Some guitarists will be drawn to the bright tones of the MSC30 Pro’s maple fingerboard, whereas others will prefer the warmer resonance of the MSC31 Pro’s rosewood alternative.
Each guitar features sturdy bolt-on neck construction, dual-action steel truss rods, bone nuts, and MTN-1 chrome tuning pegs (with the BK upgrade being reserved for the MSC31 Pro), ensuring tuning stability and comfort at all times.At the heart of both models are MOOER’s versatile MSC pickups, comprising the MSC-1N single-coil neck pickup, the MSC-1M single-coil middle pickup, and the powerful MHB-1B dual-coil humbucker at the bridge. Further complemented by a versatile 5-way pickup selector and exclusive coil split switch, players can effortlessly switch between a wide palette of tones, such as pristine cleans ideal for jazz or blues, or high-gain tones for heavier genres.
Tremolo support is also provided through both the guitar's bridges, with the MSC30 Pro featuring an MTB-1 2 Point Tremolo bridge, and the MSC31 Pro boasting an exclusive black MTB-1 BK 2 Point Tremolo bridge. Both bridges guarantee guitarists the ability to use tremolo bars in their guitar performances, without compromising the integrity of tuning stability.
Both guitars come with a selection of vivid new colors, complementing the guitar’s hardware with undeniable visual appeal. The MSC30 Pro is available in the classic finishes of Sunset Red, Lake Blue, Lemon Green, and Rose Purple. Meanwhile, the MSC31 Pro boasts its own selection of glossy finishes: Grey Burst, Blue Burst, Green Burst, and Purple Burst.
Overall, the MSC30 Pro and MSC31 Pro solidify MOOER’s commitment to combining quality craftsmanship, affordability, and versatility, giving guitarists of all levels the chance to own instruments that genuinely inspire.
Features
MSC30 Pro:
- Classic S-style design
- Poplar body with flame maple top
- Maple fingerboard
- Maple neck with satin finish
- Bolt-on neck construction
- 22 nickel silver frets, Abalone dotted inlay
- Coil split switch and versatile 5-way pickup selector
- MSC-1N/M single-coil pickups and MHB-1B humbucker
- 25.5" scale
- MTN-1 Chrome tuning pegs
- Available in gloss-finished Sunset Red, Lake Blue, Lemon Green, and Rose Purple
- Volume and tone dial
- Chrome strap pin
MSC31 Pro:
- Classic S-style design
- Poplar body with flame maple top
- Rosewood fingerboard
- Maple neck with satin finish
- Bolt-on neck construction
- 22 nickel silver frets, White Shell dotted inlay
- Coil split switch and versatile 5-way pickup selector
- MSC-1N/M single-coil pickups and MHB-1B humbucker
- 25.5" scale
- MTN-1 BK tuning pegs
- Available in gloss-finished Grey Burst, Blue Burst, Green Burst, and Purple Burst
- Volume and tone dial
- Chrome strap pin
The MSC30 Pro and MSC31 Pro will both be available from the official distributors and retailers worldwide on 2nd April 2025.
MOOER Gives Bassists What They Want with the New MBJ410 and MBJ420 Electric Bass Guitar Models
For 15 years, MOOER has built a critically acclaimed name for itself thanks to its cutting-edge electric guitars, pedals, and accessories. While the company is no stranger to building electric bass guitars, this has not been its focus for some time, hence why so many bassists are excitedly anticipating the release of the MBJ410 and MBJ420 electric bass guitars.
Both the bass guitars sport glossy Poplar bodies, keeping the price point affordable but without limiting their tonal resonance and versatility, whereas the MBJ420 holds the additional bonus of being built with a Poplar Burl top. Complete with roasted maple C-shaped necks (also accented with a gloss finish) as well as Roasted Maple fingerboards and White Shell dot inlays, the necks are designed to offer as much comfort as possible–a high priority for bass guitarists.
A 34" fret scale further enhances practicality for bassists, as does the neck's 12" radius. Strings are available in .045, .065, .080, and .100 gauges, providing something for any type of bass style - whether slapping, plucking, or picking techniques are preferred.Thanks to the industry-standard components of a dual-action steel truss rod and bone nut, the tuning and resonant stability of both the MBJ410 and MBJ420 models are also of a high standard. However, this is accentuated further by the guitars' strong and reliable BTN-1 tuning pegs, essential for heavier-gauge bass strings.
The tonewoods and structural integrity of the MBJ-series electric bass guitars wouldn't be complete without the accompaniment of the guitar’s two single-coil JB-style pickups. Combined with the MOOER BSC-2 bridge, both bass guitars have been carefully designed to amplify bass resonances excellently, complemented even further by their simple but effective tone dials. Two volume controls are also built in, ensuring that bassists can customize their sonic output to have the perfect tonal blend.
In terms of standout features, the main difference between the two bass guitars is the MBJ420's added poplar burl top, but most notably, the color selections. For the MBJ410, the bass guitar is available in Gunmetal Gray, Metal Green, and Metal Blue, perfectly suiting the stages of higher-gain performances. In contrast, the aesthetics of the MBJ420 are more classic, purchasable in Red Burst, Blue Burst, and Tobacco Burst. Finally, both guitars are topped with a chrome strap pin, enabling stylish and energetic live performances.
Overall, bassists will no doubt be excited to see MOOER return to electric bass guitars with the MBJ410 and 420 models. Of course, electric guitars will remain the focus for the company, but the release of these two new products is a reminder of just how accommodating MOOER is for its wide audience of musicians.
Features
- Electric bass guitar built with gloss-finished Poplar body (MBJ420 also features a Poplar Burl Top)
- Roasted maple C-shaped neck with a gloss finish
- Roasted maple fingerboard
- White Shell dot inlay
- 12” neck radius
- MOOER BSC-2 bridge
- VBJ-1 and VBJ-2 Single Coil pickups
- MOOER BTN-1 tuning pegs
- Bolt-on construction
- Bone nut
- Dual-action steel truss rod
- Pre-installed strings available in .045, .065, .080, and .100 gauges
- 21 frets
- 34"fret scale
- Colors available in Gunmetal Gray, Metal Green, and Metal Blue (MBJ410), and Red Burst, Blue Burst, and Tobacco Burst (MBJ420)
- Chrome strap pin
- 2 x volume control dials
- 1 x Tone dial
The MBJ410 and MBJ420 will both be available from the official distributors and retailers worldwide on 29th April 2025 at an expected retail price of USD319/Euro299/GBP249(MBJ410), USD399/Euro379/GBP319(MBJ420).