An amp designed for both acoustic and electric basses that features a subsonic filter.
A microphone or piezo pickup can be use to amplify the instrument. Each source can be connected to independent channel and at the same time both of them can be mixed. Two different instruments can also be connected to the amp's channels at the same time and used simultaneously. Each channel is designed with a separate tone correction and GAIN control, which gives flexibility in setting of expected tone of the instrument. The tone correction is transparent/neutral, without any "underlines" so that exact sound of the instrument can be reproduced.
Features
- Power output: 350W RMS / 4ohms, 200W RMS / 8 ohms
- XLR inputs: 100 kohms (balanced) suitable for microphone or instrument with balanced output.
- JACK inputs: 1Mohm (unbalanced) - universal, suitable for instruments with active and passive pick-ups.
- PHANTOM - 48V condenser microphones power supply
- 2 channels: A and B with separate tone and dynamics adjustment.
- Subsonic filter - cuts the signal band below 40Hz on the preamp's inputs
- Effect loops: SEND / RETURN serial loop
- LINE-OUT - line output with cabinet simulation.
- GROUND LIFT - circuit switch on the linear output
- Power amplifier overload LED indicator
- Power amplifier clipping LED indicator
- Power selector 230V / 50Hz - 115V / 60Hz
- PROTECTION: thermal, short-circuit and overload protection
- Overall dimensions: 83 x 225 x 180 mm
- Weight: 2.0 kg
Olo Walicki & Taurus QUBE 350Acoustic.
More info: https://www.taurusamps.pl/qube-350a.
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The shift to 3D printing allows for intricate detailing and tighter tolerances, ensuring each nut meets exact specifications.
The process begins with powdered metal, which is precisely 3D printed into the desired shape using advanced metal printing technology. After printing, the parts are depowdered and cleaned before undergoing a sintering process—an advanced heat treatment—during which the parts achieve full density and hardness. Lastly, the nuts are CNC “kiss-cut” to exacting specifications for consistency and control of the fit before receiving a premium electroplating finish.
“Floyd Rose has always been synonymous with innovation, and by embracing this incredible new technology we are able to continue that legacy,” said Andrew Papiccio, president of AP International Music Supply of which Floyd Rose is a division. “The accuracy and flexibility of the new 3D printing method will allow us to make a more consistent piece while also giving us full control of the manufacturing right here in the USA.”
Initially, the 3D-printed locking nuts will be available in ten classic sizes with a 10” radius, with plans to expand the range to accommodate various fretboard radii in Spring 2025. This augmentation will offer players more options for customizing their setups to match a wide variety of fretboard curvatures.
To get a sneak peek at the new Floyd Rose USA Series, come visit us at NAMM in booth 5734 in Hall D.
