An amp designed for both acoustic and electric basses that features a subsonic filter.
A microphone or piezo pickup can be use to amplify the instrument. Each source can be connected to independent channel and at the same time both of them can be mixed. Two different instruments can also be connected to the amp's channels at the same time and used simultaneously. Each channel is designed with a separate tone correction and GAIN control, which gives flexibility in setting of expected tone of the instrument. The tone correction is transparent/neutral, without any "underlines" so that exact sound of the instrument can be reproduced.
Features
- Power output: 350W RMS / 4ohms, 200W RMS / 8 ohms
- XLR inputs: 100 kohms (balanced) suitable for microphone or instrument with balanced output.
- JACK inputs: 1Mohm (unbalanced) - universal, suitable for instruments with active and passive pick-ups.
- PHANTOM - 48V condenser microphones power supply
- 2 channels: A and B with separate tone and dynamics adjustment.
- Subsonic filter - cuts the signal band below 40Hz on the preamp's inputs
- Effect loops: SEND / RETURN serial loop
- LINE-OUT - line output with cabinet simulation.
- GROUND LIFT - circuit switch on the linear output
- Power amplifier overload LED indicator
- Power amplifier clipping LED indicator
- Power selector 230V / 50Hz - 115V / 60Hz
- PROTECTION: thermal, short-circuit and overload protection
- Overall dimensions: 83 x 225 x 180 mm
- Weight: 2.0 kg
Olo Walicki & Taurus QUBE 350Acoustic.
More info: https://www.taurusamps.pl/qube-350a.
A fully analog amplifier that is based on the company's MTD technology.
Poland (November 5, 2020) -- The new Stomp-Head 6.CE is dedicated for live performance as well as studio work.
The design assumption in the project of these amplifiers was to achieve parameters such as those provided by traditional tube amplifiers and to make them as compact as possible preserving analog tube technology.
The SH6 is a fully analog amplifier based on our patented MTD (Master Tube Design) technology which shapes sound and defines its compression, giving deep saturated sounds.
The amp is equipped with four adjustable output power stages in the range of 90W, 40W, 20W and 12W. It means that depending on the needs, cabinets with different wattage and size can be connected to the amp. The maximum range of the power stage is much higher then 90W and amounts to 200W, therefore provides the right headroom of sound dynamics without any distortion of the power amp.
The SH6’s compact dimension allows it to be installed in pedalboard and make the amplifier very easy to manipulate, more importantly to carry it.
Four features - amplifier, preamp, foot controller and speaker simulator integrated into one casing make the Stomp-Head a complete guitar rig.containing the all the needs in a guitarist’s workshop.
An analog speaker simulation circuit designed on the basis of the characteristics obtained from the impulse response of the most popular Celestion Vintage 30 and Creamback guitar speakers allows you to play guitar with the sound of a chosen cabinet through the amp's LINE OUT plugged straight to a PA, computer or mixer, with or without a speaker cabinet connected.
What are the benefits having this amplifier in your pedalboard?
- Eliminates the need of large amounts of long and heavy cable runs to connect effect loops or amplifier switchers. Our entire amplifier weighs less and takes much less space then a bundle of wires required to serve the traditional amplifier set on speaker cabinet or rack mounted. As a result, when you eliminate all external wiring of the amp controller and FX Loop, your whole guitar sound system is extremely compact and much lighter.
- There is no need for additional foot-switches to control the Stomp-Head’s functions, because they are all integrated into our compact amplifier. However if needed our amp is also equipped in option of controlling all its features via an external controller.
- Connections between the amplifier and the effects are easy to make and shorter than old style conventional set-ups.
- Reduces problems related to loss of the signal quality due to long cables runs between the amplifier and effects.
- Set up is extremely easy and takes just seconds. All you need to do is connect the speaker cabinet, plug the power cable into the pedalboard, and hook up your guitar. Three external wires - that’s all.
- Much less humming and interference noises due to very short connections.
- All the controllers to adjust the sound are set in one place, on your pedalboard.
- The sound of your guitar can be precisely set at the exact spot on stage where you play.
- Stomp-Head 3 offers a whole range of on-board sounds as a CLEAN, CRUNCH, DRIVE and BOOST function. This eliminates the need for these extra effects on your pedalboard, and creates more space for your other stompboxes.
Watch the company's video demo:
For more information:
Taurus Amps
The 60+ guitars, amps, pedals, basses, and accessories that stood out from the crowd and earned our coveted Premier Gear Award this year.
Carr Telstar
This handwired 17-watt, 1x12 combo employs two familiar power tubes—a 6L6 and an EL84—to produce the presence and immediacy of a great Fender tweed, the thrilling sparkle of Vox overdrive, and a tighter, tougher bass response than you’d expect from a strictly vintage midsized combo. Telstar’s suave spring reverb, strong note fundamentals, articulate attack, and extraordinary touch response caused Joe Gore to exclaim, “I love this frickin’ amp.”Read the review
$2,450 street, carramps.com
Watch the First Look:
Plus! December Premier Gear Award Winners!
Read the full reviews on the pages indicated below!
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2. Chase Bliss Dark World — $349 street, chaseblissaudio.com
3. Comins CGS-16 — $2,399 street, cominsguitars.com
4. Ernie Ball Music Man Short-Scale StingRay — $1,999 street, music-man.com
5. EBS MicroBass 3 — $349 street, ebssweden.com