
Built upon UAFX dual-engine processing and UA’s analog modeling, the new Del-Verb Ambience Companion, Galaxy ‘74 Tape Echo & Reverb, and Max Dual Preamp & Compressor pedals are designed to deliver expressive tones in vintage-inspired stompboxes.
"We are excited to unveil the newest additions to our UAFX pedal lineup,” said Bill Putnam Jr., CEO of Universal Audio. “These pedals not only sound incredible but weave seamlessly into the fabric of UA’s legacy — delivering on our dedication to craftsmanship and creating gear that will inspire generations.”
Del-Verb Ambience Companion – $349
Del-Verb Ambience Companion packs ready-to-wear emulations of classic reverb and delay effects in a pedal designed for immediate inspiration.
- The most authentic vintage reverb and delay effects ever captured in a single effects pedal
- "Golden unit" spring reverb tank, pulled from classic '60s American guitar amp
- Vintage German studio plate reverb sourced from The Plant in Sausalito, CA
- Bit-for-bit vintage studio digital reverb algorithms from the late 1970s
- Definitive emulation of iconic tape echo unit and legendary preamp
- Classic bucket-brigade analog delay effects with the color, texture, and tone of the original hardware
- Pristine, studio-grade digital delays with dynamic and inspiring modulation textures
- Download custom effect voicings, add tap tempo, and more with the UAFX Control app
- Includes silent switching, buffered bypass, analog dry through, optional spillover/trails, and stereo operation
Galaxy '74 Tape Echo & Reverb – $349
Galaxy '74 Tape Echo & Reverb is designed to capture the warm, warped, relentlessly analog effects of the iconic mid-'70s Roland Space Echo hardware.*
- The most authentic emulation of the classic mid-'70s Roland Space Echo* hardware
- Full modeling of the classic multi-head tape delay mechanism
- Exacting emulation of original hardware's spring reverb
- Definitive capture of iconic analog preamp section
- Doubled delay times for effects that go beyond the original hardware
- Tweak footswitch settings to add tap tempo, adjust real-time effects, and customize unique oscillation sounds with UAFX Control app
- Includes silent switching, buffered bypass, analog dry-through, spillover/trails, and stereo operation
Max Preamp & Dual Compressor – $349
Max Preamp & Dual Compressor puts the colorful sound of three legendary limiters and an iconic tube preamp, right at your feet.
- The most authentic emulations of the classic UA 1176, Teletronix LA-2A, and Dyna Comp*compressors, in a single pedal
- Warm tube compression with the most authentic emulation of the Teletronix LA-2A
- Full modeling of the iconic UA 1176 gives guitarists the same FET compressor used on decades of legendary studio guitar sounds
- Lo-fi compression and funky overdrive with an unparalleled model of the classic DynaComp stompbox
- Full emulation of UA's legendary 610 tube preamp and EQ for added grit and grind
- Stack compressors in any combination for even more tones and textures
- Tweak preamp EQ settings, serial/parallel operation, add a sidechain bass filter, and more with UAFX Control App
- Universal Audio UAFX Ruby ’63 Top Boost Amplifier Review ›
- Universal Audio Starlight Echo Station Review ›
- Universal Audio OX Review ›
Featuring a newly-voiced circuit with more compression and versatility, these pedals are hand-crafted in Los Angeles for durability.
Messiah Guitars custom shop has launched a pair of new pedals: The Eddie Boostdrive Session Edition and Lil’ Ed Session Drive.
The two pedals are full-size and mini-sized versions of a newly-voiced circuit based on Messiah’s successful Eddie Boostdrive. The two new “Session” pedals feature more compression and versatility in the overall tone, and showcase Messiah’s ongoing collaboration with Nashville session guitarist Eddie Haddad.
The new Session Boostdrive schematic includes a fine-tuned EQ section (eliminating the need for the Tight switch on the earlier Boostdrive) and two independently operated circuits: a single-knob booster, and a dual-mode drive featuring a 3-band EQ. The booster consists of a single-stage MOSFET transistor providing boost ranging from -3dB to 28dB. At low settings, the boost adds sparkle to the tone, while a fully cranked setting will send your amp to a fuzzy territory. Thebooster engagement is indicated by a purple illuminated foot switch.
The overdrive contains a soft-clipped op-amp stage, inspired by a screamer-style circuit. The pedal includes a classic Silicon clipping mode (when activated, the pedal’s indicator light is blue)and an LED mode for a more open, amp-like break up (indicator light is red).
The active 3-band EQ is highly interactive and capable of emulating many popular drive sounds. Although both effects can be used separately, engaging them simultaneously produces juicy tones that will easily cut through the mix. Both new pedals accept a standard 9V pedal power supply with negative center pin.
“I love my original Boostdrive,” says Haddad, “but I wanted to explore the circuit and see if we could give it more focused features. This would make it more straightforward for guitarists who prefer simplicity in their drive pedals. The boost is super clean and loud in all the right ways…it can instantly sweeten up an amp and add more heft and sparkle to the drive section.”
Like their custom guitars and amplifiers, Messiah’s pedals are hand-crafted in Los Angeles for durability and guaranteed quality.
The Lil’ Ed Session Drive pedal includes:
- 5-knob controls, a 2-way mode side switch
- Durable, space-saving cast aluminum alloy 1590A enclosure with fun artwork
- True bypass foot switch
- Standard 9V/100mA pedal power input
The Eddie Session Edition pedal features:
- 6-knob controls, a 2-way mode switch; space-saving top-side jacks
- Durable, cast aluminum alloy 125B enclosure with fun artwork
- Easy to see, illuminated optical true bypass foot switches
- Standard 9V/100mA pedal power input
The Eddie Boostdrive Session Edition retails for $249.00, and the Lil’ Ed Session Drive for$179.
For more information, please visit messiahguitars.com.
Eddie BoostDrive and Lil' Ed pedal review with Eddie & Jax - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.With 700 watts of power, built-in overdrive, versatile EQ options, and multiple output choices, this bass head is designed to deliver unparalleled clarity and performance in a lightweight, rugged package.
PowerStage 700 Bass is compact and durable for easy transport yet powerful enough to fill any venue. This world-class bass head can also serve as the ideal clean power platform to amplify your preamp or modeler. Streamline your rig without compromising your sound and focus on what truly matters—your music.
Designed by Seymour Duncan’s legendary engineer Kevin Beller, a lifelong bass player, this 700-watt bass head delivers unparalleled clarity and performance in a lightweight, rugged package. Whether plugging in on stage or in the studio, PowerStage 700Bass provides tight low-end and rich harmonics, with a footswitchable built-in overdrive for an extra layer of sonic versatility.
A robust, bass-optimized EQ (treble, low mid, high mid, bass and presence) tailors your sound to any room. Need to switch between active and passive basses? You’re covered - PowerStage700 Bass includes a convenient -10db pad control. Multiple output options (¼”, Speakon, XLRDI, and headphone) work for any setup, whether powering cabinets, going direct to a PA, or recording straight into your audio interface.
- 700 Watts of Power at 4 ohms• Preamp voiced for a wide range of vintage & amp; modern bass sounds
- Built-in Overdrive that can go from a light vintage saturation to full-throttle bone-grinding distortion (with optional foot-switchable control)
- Effects loop allows for post-preamp processing and easy integration with modelers and preamp pedals
- 4 band EQ, Sweepable mid controls, and presence button offer dynamic tone shaping possibilities
- Aux input
- Super lightweight and durable chassis for easy transport with our optional gig bag or rack ears.
For more information, please visit seymourduncan.com.
Tone, Power, Portability: PowerStage 700 Bass | Seymour Duncan's New Bass Amp Head - YouTube
With both feet squarely in the rodent realm, the Bat spreads its wings to range outward to fuzz, lo-fi, and creamy OD zones.
A thousand shades of RAT, spanning lo-fi, fuzz, and creamy OD. Gets along with every kind of amp and guitar—as long as you like things a bit filthy and mysterious.
Not many, really. Maybe a little extra bass range is asking too much?
$199
Supercool Barstow Bat
supercoolpedals.com
One of the most visceral, thrilling sound baths I ever experienced came courtesy of a Turbo RAT. This roar was an amalgam of trashy punk spittle, string detail, Black Sabbath mass, and an imploding Fender tweed. I might have been even happier if the Supercool Barstow Bat was onstage that night instead.
The Bat, resplendent in Ralph Steadman-style acid-nightmare graphics, is unmistakably a RAT at its core. But with the inclusion of a “Turbo” button and a low/mid/high EQ stack in place of a RAT’s filter control, the Bat enables you to explore very specific tone spectra the original could only hint at. And when you factor in the Bat’s ability to work with virtually any guitar tone-and-volume combo, you’re sorta looking at a pedal that’s as different as a real rat is from real bat.
Okay, maybe the difference isn’t that extreme. As I said, RAT genetics are easy to hear here. But the very effective tone controls mean you can transform the RAT vocabulary—which spans low-gain overdrive and lacerating distortion—into 1960s buzz-fuzz realms, exploding lo-fi student-amp zones, and other extremes ranging from fat and blurry to laser-beam trebly. You’ll have to know this pedal well to cover all this ground on a stage—a path well worth pursuing. (It’s just five knobs for cryin’ out loud). And because it finds copious goodness as easily in a 6L6 Fender as an EL84 Vox, it’s the kind of pedal that you should try with any amp, in any musical situation—but especially in the studio, where its unique, rangeful RAT-related voice could be the best kind of chameleon.
Angus is plugged in and ready to go, so we get to hear some of the moves in action—including how loose, light gauge strings create the signature Sabbath sound, how it encouraged some parts of Iommi’s lead moves.
Angus Clark is an expert of all things Tony Iommi, and he has the gear to prove it! The Trans-Siberian Orchestra and Rock of Ages guitarist shows us a couple sweet Iommi tribute SGs as he walks us through Black Sabbath’s discography, breaking down Iommi’s vocabulary, sound, and gear, and how Iommi created some of the most identifiable riffs in all of rock. Angus is plugged in and ready to go, so we get to hear some of the moves in action—including how loose, light gauge strings create the signature Sabbath sound, how it encouraged some parts of Iommi’s lead moves.