The limited-edition collection of seven Silverburst Les Paul Custom art pieces, which feature the artwork of five visual artists curated by Adam Jones of Tool.
The first model to debut in the Adam Jones Les Paul Custom Art Collection is Mark Ryden’s “The Veil of Bees.” This guitar displays acclaimed artist Mark Ryden’s piece “The Veil of Bees” on the back of the guitar, in addition artwork on the rear headstock is designed by world-renowned artist Korin Faught. Blending themes of pop culture with the techniques of the old masters, Mark Ryden blurs the traditional boundaries between high and low art in a new genre of “Pop Surrealism.” Ryden’s “The Veil of Bees” originally premiered at Art Basel - Hong Kong in 2018. Explore the artwork of Mark Ryden, HERE.
The Epiphone Adam Jones Les Paul Custom Art Collection has a bound mahogany body with a maple cap, a three-piece bound maple neck with an Adam Jones Custom profile, and an ebony fretboard. It is equipped with a reverse-mounted Epiphone ProBucker Custom humbucker in the neck position and a Seymour Duncan Distortion in the bridge; both are wired to CTS potentiometers and Orange Drop capacitors. A Marquee Back Plate with the Mark Ryden’s name and the title of the artwork, “The Veil of Bees” is also included. The guitar is finished in Antique Silverburst as an homage to Adam’s beloved original Silverbust 1979 Gibson Les Paul Custom, a Protector hardshell case is also included.
The Epiphone Adam Jones Art Collection consists of seven, Silverburst Les Paul Custom models, each featuring reproductions of different works of fine art on the back. Adam curated all of the featured artwork, and selected five distinguished artists Mark Ryden, Frank Frazetta, Julie Heffernan, Korin Faught, and Ernst Fuchsfor the collection; additional artwork designed by artist Korin Faught, adorns the back of the headstock of each model. Only 800 guitars of each model from this extremely limited edition run will be produced.
Adam Jones Les Paul Custom Art Collection: Mark Ryden’s “The Veil of Bees"
Boogie downsizes a demonic amp that is just as capable of delicious clean tones.
Mesa/Boogie’s Badlander Series of amplifiers draw inspiration from MESA’s legendary Dual Rectifiers, paying homage to rock and heavy sounds in their own distinctive and percussive way, with a focus on today’s musical genres. Its tight low end, refined top end, and defined mids combine with MESA gain for huge tones that will appeal to rock leaning guitarists who like a bit of Brit influence with their American-voiced gain. The new Badlander 25 1x12 Combo uses the same straightforward channel format as its 50 and 100 Watt siblings, with 2 identical, footswitchable channels each containing Clean, Crunch, and Crush modes that feed an EL84 power section to deliver an unprecedented fierceness and harmonic complexity. The Badlander 25 Combo combines these ingredients in a small package and power range that adds a raw character all its own, offering the essential voice, performance, and features of the Badlander 100 and 50 in a fiery-sounding, ultra-portable low-power format that’ll gratify those not seeking big horsepower.
Badlander 25s employ a pair of EL84 power tubes operating in MESA’s proprietary Dyna-Watt Class A/B Pentode for maximum power, punch, and clarity, producing 25 Watts or switched to its 10 Watt Class A/B Triode setting for lush harmonics and a sweet, liquid feel at lower volumes.
A UK-made Celestion Creamback 65 Watt speaker is MESA’s driver of choice for this 1x12 Combo amp. G12M-65 Creamback is ideally suited for the Badlander 25 as its power handling permits added low-end grunt complementing the warm and vocal mids, crunchy upper-mids and sweet, refined highs.
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