"I don’t like any type of art that has to be explained."

Photo by Scott Friedlander

The profoundly prolific guitarist leads his band of tricksters through a surrealist sonic exploration of deep, esoteric rhythms and intricate interplay on Thisness.

On his new album Thisness, Miles Okazaki is credited as playing guitar, voice, and robots. If you imagine that the reference to robots is some sort of artsy kitsch—like trapping a Roomba Robot Vacuum into a tight space to sample its struggles as it percussively barrels into the four walls—you’re very far off the mark. Okazaki—who has an elite academic pedigree with degrees from Harvard, Manhattan School of Music, and Julliard, and currently holds a faculty position at Princeton University (after leaving a post at the University of Michigan, to which he commuted weekly from his home in Brooklyn for eight years)—wasn’t kidding.

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Can a bona fide funk guru help design a better Klone?

Wide range of gain. Very useful EQ.

Doesn’t do the Klon clean boost as well as original.

$349

Jackson Audio The Optimist
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Jackson Audio’s pedal collaboration with modern funk hero Cory Wong could have taken a few different paths. Considering Wong’s style, a compressor would have been an obvious choice. Instead, the Optimist is a dual overdrive that builds on a Klon-inspired baseline, adds a second overdrive, and has a clever EQ to create a super-flexible overdrive. Named after Wong’s second album, The Optimist suits Wong’s exuberant and fun-loving personality. But it also describes the way you might approach a gig with this pedal in hand. Together, the two separate overdrives and active EQ give you enough tones to cover almost any gig this side of Slayer cover band.

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Misfits guitarist Doyle Wolfgang Von Frankenstein unveils a new line of strings, collaborating with Josh Vittek of Sheptone.

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