Positive Grid’s mighty mini amp has taken the world of practice—and stage—by storm. Here’s the lowdown on the original Spark amp, the Spark MINI, the Spark GO, the new Spark CAB, and the company’s flexible, tone-hopping controller. Most are sale-priced for the holidays.
The holiday season is upon us, and if you're on the quest to find the ultimate gift for the guitarist in your life, or perhaps you're treating yourself, look no further. We're about to take you on a journey through the world of Spark series amps – the gifts that sound right for any guitarist's wishlist. With numerous awards and an ever-growing community of over 500,000 players worldwide, these amps have certainly made their mark.
And the best part? Fantastic deals on Spark start now. There’s a Spark for every type of player (bassists included!) – so let’s find the one that fits you.
Spark - The Complete Jam Package
Let's kick things off with the Spark guitar amp and Bluetooth speaker – the trailblazer in the Spark series. This 40W practice amp doesn't just fill the room with incredible sound; it puts you in the driver's seat of your own tone. But what really makes Spark stand out is the incredibly powerful smart app that works seamlessly with the entire line of Spark series amps. Packed with all the gear and innovative smart features, it's your gateway to instant jamming fun. Looking for that perfect tone? You've got access to a whopping 50,000+ tones and custom presets created by guitarists worldwide to get you started. Plus, who needs bandmates when you've got Smart Jam? Just start playing, and the AI creates a real-time drum and bass track for you.
We're just scratching the surface here. It's no wonder why over half a million guitarists worldwide are playing more guitar than ever with Spark, now completely customizable to fit your unique style. And don't forget to check out the official Traveler Gig Bag – a must-have for any Spark owner on the move.Spark MINI - Portability Meets Power
For those who crave portability without compromising on power, meet the Spark MINI. Don’t let its size fool you. This 10W portable beast of an amp features a passive radiator that delivers unbelievable sound and punchy bass that’ll have you questioning why all amps aren’t this compact. And our favorite part – Spark MINI features a built-in rechargeable battery that provides up to 8 hours of jamming or music listening, perfect for impromptu jam sessions at the office, home, or anywhere that inspires you. Seriously, take it to the park or the beach; it's always ready to roll.
Spark MINI has even earned the praise of guitar legends like Zakk Wylde and Paul Gilbert, both of whom crafted their own limited-edition versions which, unfortunately for you, sold out. But don’t fret, they also created custom presets that can be downloaded for free in the Spark app and are available to all Spark users.
Spark GO - The Ultra-Portable Wonder
Ever wonder what it was like to have an amp on you…all the time? Spark GO is a 5W wonder so small it can slide right into your gig bag or suitcase without hogging precious space. In fact, you might even forget that you packed it in the first place! It’s the personal guitar amp that fits the unique style of every guitarist – regardless of skill level. Touring guitarists across the globe are falling head over heels for this tiny powerhouse, and for excellent reasons. They've discovered that not only does it deliver surprisingly big sound for an amp its size, but also the incredible convenience of Spark GO, turning hotel rooms and tour buses into impromptu jam spaces.
Just in time for the holidays, you can take home a Spark GO for under $100 USD. While you’re at it, pick up the new carrying case, to ensure your musical sidekick is well-protected from the rigors of the road.
Spark CAB - It's Time To Get Loud
Sometimes, you need that extra oomph in your sound, and that's where Spark CAB comes into play. It's not just about making your music louder; it's about making it shine. But make no mistake, this cab is LOUD! Designed for Spark amp owners hungry for more volume during live performances or jam sessions, Spark CAB is a 140W FRFR (Full Range, Flat Response) powered cabinet that perfectly complements any Spark series amp. Plus, it's great for cranking up the volume on other gear like keyboards, modelers, or even an extra amp with line level outs.
Spark Control - Elevate Your Spark Experience
Now that you’ve decided which Spark series amp works best for you (or the lucky person you’re gifting it to), it’s time to pair it up with the ultimate Spark accessory – Spark Control. It allows you to effortlessly (and wirelessly!) switch between presets, fine-tune settings, control music, and more, and it’s compatible with every Spark series amp. Besides, a good pedal is something every guitarist needs. Say goodbye to fiddling with controls and knobs when you need to switch tones. Set up your favorite preset, assign them to Spark Control, and you can seamlessly switch them on the fly without ever missing a beat.
With the holidays racing towards us faster than one of Paul Gilbert's legendary solos, let this list guide you in your quest for the perfect gift. So, this holiday season, let's celebrate the joy of giving with the best gift of all: music. And remember to treat yourself; you've earned it.
Looking for more gift ideas? Visit our Holiday Gift Guide to snag the best deals of the year.- Positive Grid Launches the OMNYSS ›
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Gibson originally launched the EB-6 model with the intention of serving consumers looking for a “tic-tac” bass sound.
The Gibson EB-6 was announced in 1959 and came into the world in 1960, not with a dual-horn body but with that of an elegant ES-335. They looked stately, with a thin, semi-hollow body, f-holes, and a sunburst finish. Our pick for this Vintage Vault column is one such first-year model, in about as original condition as you’re able to find today. “Why?” you may be asking. Well, read on....
When the EB-6 was introduced, the Bass VI was still a glimmer in Leo Fender’s eye. The real competition were the Danelectro 6-string basses that seemed to have popped up out of nowhere and were suddenly being used on lots of hit records by the likes of Elvis, Patsy Cline, and other household names. Danos like the UB-2 (introduced in ’56), the Longhorn 4623 (’58), and the Shorthorn 3612 (’58) were the earliest attempts any company made at a 6-string bass in this style: not quite a standard electric bass, not quite a guitar, nor, for that matter, quite like a baritone guitar.
The only change this vintage EB-6 features is a replacement set of Kluson tuners.
Photo by Ken Lapworth
Gibson, Fender, and others during this era would in fact call these basses “baritone guitars,” to add to our confusion today. But these vintage “baritones” were all tuned one octave below a standard guitar, with scale lengths around 30", while most modern baritones are tuned B-to-B or A-to-A and have scale lengths between 26" and 30".)
At the time, those Danelectros were instrumental to what was called the “tic-tac” bass sound of Nashville records produced by Chet Atkins, or the “click-bass” tones made out west by producer Lee Hazlewood. Gibson wanted something for this market, and the EB-6 was born.
“When the EB-6 was introduced, the Bass VI was still a glimmer in Leo Fender’s eye.”
The 30.5" scale 1960 EB-6 has a single humbucking pickup, a volume knob, a tone knob, and a small, push-button “Tone Selector Switch” that engages a treble circuit for an instant tic-tac sound. (Without engaging that switch, you get a bass-heavy tone so deep that cowboy chords will sound like a muddy mess.)
The EB-6, for better or for worse, did not unseat the Danelectros, and a November 1959 price list from Gibson hints at why: The EB-6 retailed for $340, compared to Dano price tags that ranged from $85 to $150. Only a few dozen EB-6 basses were shipped in 1960, and only 67 total are known to have been built before Gibson changed the shape to the SG style in 1962.
Most players who come across an EB-6 today think it was a response to the Fender Bass VI, but the former actually beat the latter to the market by a full year.
Photo by Ken Lapworth
It’s sad that so few were built. Sure, it was a high-end model made to achieve the novelty tic-tac sound of cheaper instruments, but in its full-voiced glory, the EB-6 has a huge potential of tones. It would sound great in our contemporary guitar era where more players are exploring baritone ranges, and where so many people got back into the Bass VI after seeing the Beatles play one in the 2021 documentary, Get Back.
It’s sadder, still, how many original-era EB-6s have been parted out in the decades since. Remember earlier when I wrote that our Vintage Vaultpick was about as original as you could find? That’s because the model’s single humbucker is a PAF, its Kluson tuners are double-line, and its knobs are identical to those on Les Paul ’Bursts. So as people repaired broken ’Bursts, converted other LPs to ’Bursts, or otherwise sought to give other Gibsons a “Golden Era” sound and look ... they often stripped these forgotten EB-6 basses for parts.
This original EB-6 is up for sale now from Reverb seller Emerald City Guitars for a $16,950 asking price at the time of writing. The only thing that isn’t original about it is a replacement set of Kluson tuners, not because its originals were stolen but just to help preserve them. (They will be included in the case.)
With so few surviving 335-style EB-6 basses, Reverb doesn’t have a ton of sales data to compare prices to. Ten years ago, a lucky buyer found a nearly original 1960 EB-6 for about $7,000. But Emerald City’s $16,950 asking price is closer to more recent examples and asking prices.
Sources: Prices on Gibson Instruments, November 1, 1959, Tony Bacon’s “Danelectro’s UB-2 and the Early Days of 6-String Basses” Reverb News article, Gruhn’s Guide to Vintage Guitars, Tom Wheeler’s American Guitars: An Illustrated History, Reverb listings and Price Guide sales data.
Originally released in the 1980s, the Victory has long been a cult favorite among guitarists for its distinctive double cutaway design and excellent upper-fret access. These new models feature flexible electronics, enhanced body contours, improved weight and balance, and an Explorer headstock shape.
A Cult Classic Made Modern
The new Victory features refined body contours, improved weight and balance, and an updated headstock shape based on the popular Gibson Explorer.
Effortless Playing
With a fast-playing SlimTaper neck profile and ebony fretboard with a compound radius, the Victory delivers low action without fret buzz everywhere on the fretboard.
Flexible Electronics
The two 80s Tribute humbucker pickups are wired to push/pull master volume and tone controls for coil splitting and inner/outer coil selection when the coils are split.
For more information, please visit gibson.com.
Gibson Victory Figured Top Electric Guitar - Iguana Burst
Released in 1983, the Roland SDE-3000 rackmount delay was a staple for pro players of the era and remains revered for its rich analog/digital hybrid sound and distinctive modulation. BOSS reimagined this retro classic in 2023 with the acclaimed SDE-3000D and SDE-3000EVH, two wide-format pedals with stereo sound, advanced features, and expanded connectivity. The SDE-3 brings the authentic SDE-3000 vibe to a streamlined BOSS compact, enhanced with innovative creative tools for every musical style. The SDE-3 delivers evocative delay sounds that drip with warmth and musicality. The efficient panel provides the primary controls of its vintage benchmark—including delay time, feedback, and independent rate and depth knobs for the modulation—plus additional knobs for expanded sonic potential.
A wide range of tones are available, from basic mono delays and ’80s-style mod/delay combos to moody textures for ambient, chill, and lo-fi music. Along with reproducing the SDE-3000's original mono sound, the SDE-3 includes a powerful Offset knob to create interesting tones with two simultaneous delays. With one simple control, the user can instantly add a second delay to the primary delay. This provides a wealth of mono and stereo colors not available with other delay pedals, including unique doubled sounds and timed dual delays with tap tempo control. The versatile SDE-3 provides output configurations to suit any stage or studio scenario.
Two stereo modes include discrete left/right delays and a panning option for ultra-wide sounds that move across the stereo field. Dry and effect-only signals can be sent to two amps for wet/dry setups, and the direct sound can be muted for studio mixing and parallel effect rigs. The SDE-3 offers numerous control options to enhance live and studio performances. Tap tempo mode is available with a press and hold of the pedal switch, while the TRS MIDI input can be used to sync the delay time with clock signals from DAWs, pedals, and drum machines. Optional external footswitches provide on-demand access to tap tempo and a hold function for on-the-fly looping. Alternately, an expression pedal can be used to control the Level, Feedback, and Time knobs for delay mix adjustment, wild pitch effects, and dramatic self-oscillation.
The new BOSS SDE-3 Dual Delay Pedal will be available for purchase at authorized U.S. BOSS retailers in October for $219.99. To learn more, visit www.boss.info.