Does the guitar’s design encourage sonic exploration more than sight reading?
A popular song between 1910 and 1920 would usually sell millions of copies of sheet music annually. The world population was roughly 25 percent of what it is today, so imagine those sales would be four or five times larger in an alternate-reality 2024. My father is 88, but even with his generation, friends and family would routinely gather around a piano and play and sing their way through a stack of songbooks. (This still happens at my dad’s house every time I’m there.)
Back in their day, recordings of music were a way to promote sheet music. Labels released recordings only after sheet-music sales slowed down on a particular song. That means that until recently, a large section of society not only knew how to read music well, but they did it often—not as often as we stare at our phones, but it was a primary part of home entertainment. By today’s standards, written music feels like a dead language. Music is probably the most common language on Earth, yet I bet it has the highest illiteracy rate.
As a lifelong professional musician, it’s surprising—and, frankly, a relief—how infrequently I read staff music. Though I read chord or Nashville number charts often, staff rarely comes up, usually only in sessions where a producer/writer/artist has a particular melody or gang riff. I feel a deep shame when I have to read music; I do it about as well as an out-of-shape guy with no training runs a marathon: slowly, painfully, maybe not making it to the finish line.
I learned everything I know about reading through junior high school orchestra, where I was a crappy violinist. So, you can chalk one up to the Montana public school system. Although at times I’m ashamed of my poor music-reading skills, it’s not that big of a deal. When I’m faced with a written staff full of sharps and flats and weird time, I just ask the keyboard player to play the tricky parts slowly. If there’s one player in the band that can read well, it’s usually keys; they mostly grew up with formal lessons. If I hear piano play the part while I read along, the dots and squiggles on the staff start to make sense.
“By today’s standards, written music feels like a dead language.”
I bet most guitar players feel conflicted about reading music. We all want to learn as much as we can about guitar, and obviously some of that information is going to escape us if we can’t read it, even with tabs and guitar-nerd videos just a few clicks away. But maybe our lack of formal training is the source of our superpower. I suspect that the reason guitar has been the driving force behind most popular music for the past 65 years is because the instrument invites exploration. The more you mess with it, the more you discover. That’s the addictive quality of guitar. That’s probably why most guitar players would rather make stuff up than read what somebody else wants them to play. When you have that many people experimenting and creating, art takes a big step forward.
By contrast, classical musicians are not about innovation or taking chances. They are more about interpretation, virtuosity, and a reverence for tradition. The majority of classical music played today was composed in 1600 to 1875. New, experimental classical music is a hard sell. People want to hear the classics, like Bach, Beethoven, and Mozart.
It’s a strange dichotomy: classical players tune by ear but almost never play by ear. Ask a seasoned orchestra player to improvise and most of them will get a little panicky.
Guitarist: Let’s jam in E.
Orchestra Nerd: What do you mean?
Guitarist: I’ll play something, you play with it. Just make up a melody.
Orchestra Nerd: What melody?
Guitarist: Just make one up?
Orchestra Nerd: What do you mean?
It goes on like that until they nervously decline.
Guitarists are, for the most part, fearless about exploration. Just look at the instrument itself. Most violins built anywhere in the world today look pretty much like the ones built in the 16th century in Italy. By contrast, guitar designs are as varied as car designs—maybe more so. Go into a big music store and you can play a gut-string, flattop, archtop, Les Paul, Tele, Strat, Jaguars, PRS, Flying V, Explorer … and that’s not even getting into the weird ones. Eddie Van Halen could not find a guitar that could produce the music in his head, so he built it. The point is, guitar is an instrument of improvisation—no rules in how you play it or how you build it.
Maybe this is just a way of justifying my shortcomings or making the most of my laziness or lack of brainpower, but I think there’s an upside to being musically illiterate. As the mighty EVH said: “You only have 12 notes, do what you want with them.”
Legendary guitarist Steve Cropper announces highly anticipated sophomore album Friendlytown, featuring guest appearances from Billy F Gibbons, Brian May, and Tim Montana.
Cropper has brought in the talents of Billy F Gibbons from ZZ Top to play on the record. The album also features guest appearances from Queen guitarist extraordinaire Brian May and country-rock singer-songwriter and guitarist Tim Montana, who has balanced a successful solo career with high-profile collaborations with Gibbons and Kid Rock.
Steve Cropper and The Midnight Hour (feat. Brian May) - "Too Much Stress"
“If your booty is not shaking in the first two bars of this album you’re already dead in a chair,” laughs Cropper. “I feel so good about this batch of songs. They’re packed with radio hooks, and we have Billy Gibbons, Brian May, and Tim Montana playing on the album—it’s like guitar heaven.”
In conjunction with the album announcement, Cropper has released the album's first single, “Too Much Stress feat. Brian May,” giving fans a tantalizing taste of the new music. This groovy mid-tempo number features gospel-style backing vocals and a trifecta of the baddest rock guitar players. Brian May sings the duet vocal together with Roger C. Reale and the backing vocals while May and Gibbons trade back-to-back solos. The Queen’s axeman’s trademark snarling tone and lyrical licks perfectly complement Gibbons’ searing blues-based style, with Cropper holding it all down with some signature slinky rhythm guitar work. “It was heaven playing with those two,” Cropper recalls.
Cropper produced Friendlytown with producer, bassist, multi-instrumentalist, and longtime friend Jon Tiven (Wilson Pickett, Don Covay, and Frank Black). Steve Cropper & The Midnight Hour is rounded out by lead vocalist Roger C. Reale, Nashville first-call drummer and percussionist Nioshi Jackson, and, of course, the Reverend Billy Gibbons. Producer, artist developer, and studio co-owner Eddie Gore (Aaron Goodvin, Keb Mo, Jonathan Singleton) engineered the album and contributed organ.
For more information, please visit playitsteve.com.
Positive Grid’s mighty mini amp has taken the world of practice—and stage—by storm. Here’s the lowdown on the original Spark amp, the Spark MINI, the Spark GO, the new Spark CAB, and the company’s flexible, tone-hopping controller. Most are sale-priced for the holidays.
The holiday season is upon us, and if you're on the quest to find the ultimate gift for the guitarist in your life, or perhaps you're treating yourself, look no further. We're about to take you on a journey through the world of Spark series amps – the gifts that sound right for any guitarist's wishlist. With numerous awards and an ever-growing community of over 500,000 players worldwide, these amps have certainly made their mark.
And the best part? Fantastic deals on Spark start now. There’s a Spark for every type of player (bassists included!) – so let’s find the one that fits you.
Spark - The Complete Jam Package
Let's kick things off with the Spark guitar amp and Bluetooth speaker – the trailblazer in the Spark series. This 40W practice amp doesn't just fill the room with incredible sound; it puts you in the driver's seat of your own tone. But what really makes Spark stand out is the incredibly powerful smart app that works seamlessly with the entire line of Spark series amps. Packed with all the gear and innovative smart features, it's your gateway to instant jamming fun. Looking for that perfect tone? You've got access to a whopping 50,000+ tones and custom presets created by guitarists worldwide to get you started. Plus, who needs bandmates when you've got Smart Jam? Just start playing, and the AI creates a real-time drum and bass track for you.
We're just scratching the surface here. It's no wonder why over half a million guitarists worldwide are playing more guitar than ever with Spark, now completely customizable to fit your unique style. And don't forget to check out the official Traveler Gig Bag – a must-have for any Spark owner on the move.Spark MINI - Portability Meets Power
For those who crave portability without compromising on power, meet the Spark MINI. Don’t let its size fool you. This 10W portable beast of an amp features a passive radiator that delivers unbelievable sound and punchy bass that’ll have you questioning why all amps aren’t this compact. And our favorite part – Spark MINI features a built-in rechargeable battery that provides up to 8 hours of jamming or music listening, perfect for impromptu jam sessions at the office, home, or anywhere that inspires you. Seriously, take it to the park or the beach; it's always ready to roll.
Spark MINI has even earned the praise of guitar legends like Zakk Wylde and Paul Gilbert, both of whom crafted their own limited-edition versions which, unfortunately for you, sold out. But don’t fret, they also created custom presets that can be downloaded for free in the Spark app and are available to all Spark users.
Spark GO - The Ultra-Portable Wonder
Ever wonder what it was like to have an amp on you…all the time? Spark GO is a 5W wonder so small it can slide right into your gig bag or suitcase without hogging precious space. In fact, you might even forget that you packed it in the first place! It’s the personal guitar amp that fits the unique style of every guitarist – regardless of skill level. Touring guitarists across the globe are falling head over heels for this tiny powerhouse, and for excellent reasons. They've discovered that not only does it deliver surprisingly big sound for an amp its size, but also the incredible convenience of Spark GO, turning hotel rooms and tour buses into impromptu jam spaces.
Just in time for the holidays, you can take home a Spark GO for under $100 USD. While you’re at it, pick up the new carrying case, to ensure your musical sidekick is well-protected from the rigors of the road.
Spark CAB - It's Time To Get Loud
Sometimes, you need that extra oomph in your sound, and that's where Spark CAB comes into play. It's not just about making your music louder; it's about making it shine. But make no mistake, this cab is LOUD! Designed for Spark amp owners hungry for more volume during live performances or jam sessions, Spark CAB is a 140W FRFR (Full Range, Flat Response) powered cabinet that perfectly complements any Spark series amp. Plus, it's great for cranking up the volume on other gear like keyboards, modelers, or even an extra amp with line level outs.
Spark Control - Elevate Your Spark Experience
Now that you’ve decided which Spark series amp works best for you (or the lucky person you’re gifting it to), it’s time to pair it up with the ultimate Spark accessory – Spark Control. It allows you to effortlessly (and wirelessly!) switch between presets, fine-tune settings, control music, and more, and it’s compatible with every Spark series amp. Besides, a good pedal is something every guitarist needs. Say goodbye to fiddling with controls and knobs when you need to switch tones. Set up your favorite preset, assign them to Spark Control, and you can seamlessly switch them on the fly without ever missing a beat.
With the holidays racing towards us faster than one of Paul Gilbert's legendary solos, let this list guide you in your quest for the perfect gift. So, this holiday season, let's celebrate the joy of giving with the best gift of all: music. And remember to treat yourself; you've earned it.
Looking for more gift ideas? Visit our Holiday Gift Guide to snag the best deals of the year.