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High-Performance Bridge Standard (brass) upgrade

By using stainless steel and titanium in critical parts of the unit, FU-Tone has indeed taken the Floyd Rose concept in several new directions.

After building a better mousetrap, Adam Reiver of FU-Tone.com (formerly Floyd Upgrades) decided to build an even better mousetrap. Back in 2009, we reviewed the Big Block upgrade, a Floyd Rose tremolo replacement sustain block that is substantially larger and more massive than the standard Floyd Rose block. It represented a big improvement, but Reiver figured he could find more ways to improve on the existing Floyd Rose design. And by using stainless steel and titanium in critical parts of the unit, he has indeed taken the Floyd Rose concept in several new directions. Already such players as Warren DeMartini, Steve Stevens, Phil Collen, Slash, George Lynch, and Alex Lifeson have embraced the potential of these upgrades.

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Can an entry-level modeler hang with the big dogs?

Excellent interface. Very portable. Nice modulation tones.

Some subpar low-gain dirt sounds. Could be a little more rugged.

$399

HeadRush MX5
headrushfx.com

3.5
4
4
4.5

The allure of portability and sonic consistency has become too much to ignore for some guitarists, making smaller digital modelers more appealing than ever.

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Emily Wolfe lets loose, with an Epiphone Sheraton around her shoulders. Her signature Sheraton Stealth was released in 2021. "The guitar is the perfect frequency range for my soul," she says.

Photo by Brittany Durdin

The rising guitar star blends classic and stoner rock, Motown, and more influences with modern pop flourishes in songs replete with fat, fuzzy, fizzy tones from her new Epiphone Sheraton signature.

For so many artists, the return of live shows means the return of the thrill of performing, much-needed income, and, in a way, purpose. The third definitely goes for guitarist Emily Wolfe, who, when asked about her goals, immediately responds, "I just want to play arenas every night for the rest of my life. When I go up there, something could hit me at any point—an emotion that I felt 10 years ago could come out in a bend on the low E."

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