Video Premiere: Exclusive Clip from New Guitar Film 'Turn It Up!'
In this movie teaser, Slash recalls how he bought Joe Perry’s ’59 tobacco ’burst Les Paul from an anonymous stranger and gave it back to Perry for his birthday.
You might’ve heard the lore about Slash’s early obsession with Joe Perry’s ’59 tobacco sunburst Les Paul. Slash first saw it in the foldout of the 1978 Aerosmith album, Live! Bootleg. It was the coolest guitar he’d ever seen.
Watch Slash tell the twisting tale of how he ended up owning the guitar in this exclusive clip from Turn It Up!, a film that explores the magic and mystery behind the instrument we all love. As the story goes, after hours of examining pictures of the guitar and its recognizable scratches, Slash bought Perry’s former axe from its current owner for $8,000. Slash recorded a song with this Les Paul—which he says also once belonged to Duane Allman—and it made a cameo in a video, but for the most part, the Guns N’ Roses legend kept his coveted prize tucked away. Slash says it was too valuable and had too much history to sit around collecting dust, so eventually he gave it back to Joe Perry as a special birthday present.
“It’s a good guitar, but it didn’t sound like anything you’d necessarily want to write home about,” Slash says in the film, with Jerry Cantrell listening at his side. “There’s an example of a guitar that’s got some history and made some amazing sounds, but didn’t speak to me in the way my own guitar did.”
This is just one vignette from Turn It Up!, which will be released January 22 on Amazon via DVD, Blu-Ray, and digital download. Directed by Robert Radler and narrated by Kevin Bacon, Turn It Up! is a documentary exploration of the electric guitar through interviews with 6-string royalty, including Les Paul, B.B. King (in one of his final interviews), Paul Stanley, Steve Lukather, Nancy Wilson, Steve Howe, and John 5. In addition to the full-film footage, the DVD and Blu-Ray sets include a bonus disc with outtakes from luminaries such as Jeff “Skunk” Baxter, Seymour Duncan, and Robby Krieger.
A behind-the-scenes look at the low-end legend's career and the making of his latest solo album.
Movie
Nathan East: For the RecordYamaha Entertainment Group
The story of bassist Nathan East is in some ways similar to that of Sound City Studios. When you consider the sheer amount of successful music that has passed through these institutions, it’s hard to believe that any other bassist (or studio) had enough work to stay afloat.
Nathan East: For the Record documents East’s profound career while providing a behind-the-scenes look at the making of his recent self-titled solo album. Between sound bites from Eric Clapton, Lionel Richie, Vince Gill, and others, East tells his story in his own words, from his early days playing with his brothers in church to helping craft classic hits with Phil Collins and his breakthrough performance at Live Aid with Kenny Loggins. One particularly poignant scene captures Nathan’s son Noah playing an arrangement of the Beatles’ “Blackbird” while his dad accompanies him on upright. Each song has a story, artfully told by Nathan and his collaborators. From showing a Nashville string section recording session to capturing one of the last performances of the late drummer Ricky Lawson, For the Record is one of the better music documentaries of the year, and a long-overdue look at one of the great musicians of our time.
A surprisingly honest depiction of the blues legend's rise to glory, including his troubled years and his journey back from the edge.
MOVIE
Johnny Winter: Down and DirtySecret Weapon Films
Johnny Winter has lived pretty much all of the stereotypical elements of a hard-living elder statesman of the blues—including bouts with drugs, bad management, and sometimes surprisingly subpar performances. However, Winter, now 70, still has undeniable spirit. Even if he’d hung up his Firebird decades ago, his career would be hall of fame-worthy. And in Down and Dirty, Winter’s story gets its due through his own words and those who helped him through his darkest times.
Director Greg Olliver follows Winter and his crew from the swamps of Florida to the concert halls of Hong Kong in a quest to document his origins, where he is now, and the most important steps in between. The movie isn’t a strict chronological journey of Winter’s history, but nearly every era of his life is touched upon—the good and the bad.
The ’90s were an especially bad decade for Winter, and here Olliver pulls no punches. Guitarist Warren Haynes tells us of a rehearsal for a 1990 John Lee Hooker tribute where Winter was so “out of it” that he knew something was wrong. And archival footage from a 1998 SXSW performance shows Winter wobbling back and forth, barely holding things together as he goes through the motions. Winter admits his embarrassment about this period, speaking openly and candidly about it.
According to the film, Winter’s condition during this period was due to his then-manager encouraging him to rely on antidepressants that adversely affected his creativity. Down and Dirty contends that once Paul Nelson, guitarist in Winter’s band, took over management duties, the legend began his trek back from the chemically induced haze.
When the topic of Muddy Waters comes up, Winter is visibly touched by the memory of his mentor. “I finally felt I was doing what I really wanted to do,” says Winter about the time he spent playing with and producing the Chicago blues legend. Though Waters passed away over 30 years ago, the pain is still on the surface for Winter. “He called me his son. We were very close.”
But it’s not all tragedy—not by a long shot. The film captures everything from Winter’s soulful rendition of Ray Charles’ “Georgia on My Mind” in a sushi/karaoke bar to the quiet moments before he goes on stage. We see how today Winter struggles with OCD, but still manages to function quite well for a man of his age and history.
One of the most poignant moments comes when Winter puts his Robert Johnson King of the Delta Blues Singers LP on his turntable, listens to “Crossroads,” and describes how much he learned from it—and how Cream's version “wasn’t near as good.” Yes, Winter is as outspoken as ever. Though his fretboard pyrotechnics have faded a bit, the fire still burns bright.
Watch the trailer: