A vintage-flavored pickup powered by alnico 5 magnets.
Sweden (December 16, 2020) -- After many years of success with the P.A.F Heaven 57, M series and Black Heaven Lundgren now release Grey Monterey- singlecoil for strat.
The Swedish company founded in 1990 builds handmade premium quality pickups used by Guitar brands as SCHECTER, IBANEZ, Hagstrom, .strandberg* and artists Like Grammy winners Ghost, Meshuggah, Scott Gorham, Tosin Abasi and others. They have put more than three years of research and development in this new model. Owner and maker Johan Lundgren says Grey Monterey meticulously captures the 67-69 tone. Combining superior clarity, tight bottom and a wooden character in the mids.
However the future is still unwritten- feel free to break new ground with the experience of Grey Monterey.
- Hand built in Sweden, Scandinavia.
- Late ‘60s sound- tonally and visually time-true
- AlNiCo 5 rod magnets with D and G raised at equal height.
- Plain enamel coated wire will deliver exceptional string separation.
- The vintage push back cloth wire is colored time typically correct- Yellow and Blue.
- Each pickup is lacquered and dated with serial number on the GREY bottom.
- Calibrated sets with NON-reverse middle pickup.
- DC Resistance Bridge 5,9k / Middle 5,8k / Neck 5,7k.
- Cover, screws and rubber springs included.
- Optonal- Add our Lundgren inductance base plate
Grey Monterey sets are $299. Also Available Each for $110. Can be bought from Axe palace, www.axepalace.com, Pitbull audio, www.pitbullaudio.com or directly from www.lundgrenpickups.com
Watch the company's video demo:
For more information:
Lundgren Pickups
The death-metal nomad welcomes us into his converted-cargo-trailer home/studio to detail his extended-range rumblers and mobile recording setup.
Facing a mandatory shelter-in-place ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the 20th video in that format, and we stand behind the final product.
On the heels of releasing Enterprise Earth’s Foundation of Bones EP, Mangold virtually welcomed PG’s Chris Kies into his converted cargo trailer where he lives and records. (During the filming he was parked at the foothills of Rio Grande Gorge near the Sangre de Cristo Foothills in Taos, NM.) The vagabond guitarist opens up about creating pulverizing rhythms on 7- and 8-string beasts and using 21st century tech to create anywhere and everywhere he and his dog Jiro may roam.
Almost a decade ago, Gabe was surfing eBay and his inner ’80s shredder came out when he stumbled across a loud neon purple 1991 Ibanez RG550. He bought the radical guitar and it soon became a staple of his arsenal. The band he was in was filming a music video and he wanted to celebrate the guitar’s awesomeness by spinning it around his head via the strap. Unbeknownst to him, the strap lock wasn’t on the same page and the guitar went sailing. The body split in half and the guitar was shelved until he bought a 1987 RG550 body off eBay. To make the mashup more his own, he attempted to give it a Steve Vai-inspired “Multi Swirl” paint job seen on the icon’s JEMs. The original pickups have been swapped out for Bare Knuckles—Nailbomb humbuckers and a Trilogy Suite single-coil in the middle position. Because Enterprise Earth tunes down so low this 6-string doesn’t see much action in that group (aside from some recorded solos), but it does come out to play in his other bands, Delusions of Grandeur and The Harvest of Colour. He’s been using a droney C minor tuning a lot (C–G–C–G–C–Eb).
His other main 6-string is this early 2010s Suhr Modern that also sees studio time for soloing with Enterprise Earth and his less-aggressive bands Delusions of Grandeur and The Harvest of Colour. A big reason he continues to bond with this instrument is because “its tone is clear, crisp, and slices right through a mix.”
Here is one of his extended-range monsters—a custom made Dalbello Undici Modern 8-string that features a swamp ash body, Lundgren M8 humbuckers, and a multi-scale neck that goes from 26.75" to 28.25". It takes D’Addario NYXL (.009–.046) guitar set with an additional .066 and .094 strings. He often tunes in double drop-D (D–A–D–G–C–F–A–D).
Above you see a custom Strictly 7 String Cobra that has a 7-piece maple-walnut neck, ash body capped with a flame maple top, and an ebony fretboard. This is his backup 7-string for the road and typically is tuned to drop B.
This is nearly identical recipe to the red-and-black Strictly 7 Cobra in the previous slide, but it was built earlier in 2012 and is an example of their killer work that Mangold refers to “that’s when they were making the best extended-range instruments.” He really appreciates the craftsmanship and overall comfortability thanks to its teardrop D-profile neck that’s ergonomic and fast. It has a set of Bare Knuckle ’buckers—Nailbomb in the bridge and Aftermath in the neck.
While his converted cargo trailer allows him to record anywhere, anytime, there are times where Mangold truly goes off the grid and jams in the wilderness. To perform those solo endeavors (and for acoustic moods while recording), he trusts nothing but this Martin DCPA4. (Check out his Instagram account to see what majestic backdrop he plays in front of next.)
Whether it’s writing, recording, or even onstage performing, Gabe relies on a Kemper Profiler for his tone.
For Enterprise Earth’s brand-new EP, Foundation of Bones, Mangold used this setup to track all of the guitar tones.
Here’s Mangold’s world … all fit into this 16'x9' renovated cargo trailer.
And we’d be remised if we didn’t share this wonderful shot of all Gabe’s guitars and his travel companion Jiro.
Reward yourself and your Jazz or J-style bass by conjuring up a new (or old) voice through a set of replacement pickups.
From Jaco to John Paul Jones, from Geddy Lee to Flea, and from Marcus Miller to Larry Graham, the J-bass formula is omnipresent in music history. Sometimes, however, that formula needs tweaking to get you where you want to be tonally. Swapping in a new set of J-style pickups like the 10 we’ve gathered here could very well be your ticket.
JC 4 AL
This single-coil replacement set balances the woody low-mid growl and warm midrange of ’60s J pickups with the funky twang of ’70s J pickups.
JB71
Reminiscent of ’70s J-bass sounds from Marcus Miller, these pickups are reported to offer a tone that’s lighter and airier than ’60s examples.
Area J
For those after a vintage-J sound, without the usual-suspect hum, this set was designed for a focused attack with clear and clean lows, and open-sounding and smooth highs.
Weather Report
Inspired by the pickups Seymour Duncan created for Jaco, this alnico-5 set promises pronounced harmonic overtones without giving up treble response.
AG 4J-60
Modeled after a set of mid-’60s Jazz pickups, this alnico 5 pair uses period-correct parts and a proprietary winding pattern meant to provide impressive string-to-string consistency.
J-Style Bass
Designed to maintain authentic Jazz-bass tone and character without fear of single-coil hum, these double-blade pickups will fit traditional J-style basses without the need to mod.
NJ4SV Vintage Hum-Cancelling
These alnico 5 pickups have laser-cut bobbins, are wax potted to contain unruly frequencies, and were designed to provide a full bottom end to complement their growl.
’60 PE J-Bass
Handwound with 42AWG plain enamel wire, which is accurate to late-’60s J-bass coils, this set boasts a defined bottom end, punchy mids, and clear highs.
Jazz Bass Vintage
Designed to deliver classic, warm bass sound, these pickups feature hand-beveled and treated magnets, and bobbins made of vulcanized rubber.