No one’s really toured for a year, but that hasn’t stopped us from catching up with guitarists of all stripes to find out what board candy has got them excited. Pandemic be damned! Here are some of the coolest stomp stations from the last year of PG Rig Rundowns.
Caspian's Phil Jamieson
Post-rock instrumentalist Phil Jamieson’s most recent live board features four main food groups—dirts, loopers, delays, and reverbs—plus Electro-Harmonix Voice Box and MEL9 pedals for a snack. A Boss GE-7 graphic EQ—used for a clean boost with low-mid punch—is always on, while a Strymon Sunset and an Empress Heavy provide three layers of beef.
Next is an Ernie Ball VP Jr. volume pedal, then a TC Electronic Ditto X4, which Jamieson favors for its hold and tape-stop modes. Four more Strymons follow—a TimeLine, an El Capistan (“The pedal I can’t live without”), a blueSky Reverberator, and a Flint. At the end of the signal chain are a Boss RC-3 Loop Station loaded with samples for use as interludes, a mini black box for dramatic signal cuts, and a TC Electronic PolyTune Mini.
Nick Perri — Photo by Justin Higuchi
The Underground Thieves frontman (and former hired gun with Shinedown and Perry Farrell) has a fairly modest and old-school board.
His guitar signal first hits a vintage Dallas-Arbiter Fuzz Face, then proceeds to a Texadelphia Germanium Booster, a Sir Henry Uni-Vibe clone, a Metropoulos Supa-Boost, a Peterson StroboStomp HD, a Maxon AD999 Analog Delay, and a Hamstead Soundworks Signature Analogue Tremolo.
The retro rocker opens up about retrofitting reissues, returning to the JTM45s, and finding the piece of gear that changed his life.
Facing a mandatory shelter-in-place ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the 17th video in that format, and we stand behind the final product.
Nick Perri has always appeared out of place. He first flew against modern trends and embraced loud-and-proud ’70s rock—even looking the part—with the creation of his band Silvertide. The band sprang to life in the early 2000s, and when most teens his age were listening to Limp Bizkit or Eminem, Perri was bowing to the guitar heroes of his parents’ generation—Page, Hendrix, Gilmour. While the Philly-based teens of Silvertide only released an EP (2002’s American Excess) and one LP (2004’s Show and Tell), they earned major rock-radio airtime with “Blue Jeans” and were handpicked to open for legends Aerosmith, Van Halen, Velvet Revolver, and Mötley Crüe.
Continuing to carry the arena-rock-filling, full-stack-screaming, guitar-hero torch in the face of the garage-rock revolution of the mid 2000s, Perri found work backing Perry Farrell, Matt Sorum (drummer for Guns N’ Roses and Velvet Revolver), collaborating with his pop-star sister Christina Perri, and filling in as lead guitarist for Shinedown. Additional pursuits included producing a Transformers compilation, putting music to TV commercials, and writing the score for Gibson’s The Process series. No matter the project or musical context, he was always loyal to the guitar. And now, with his solo debut 20 years in the making, Nick Perri is being loyal to himself.
Nick Perri & the Underground Thieves reconnects the lead guitarist/vocalist with Silvertide bassist Brian Weaver. Other Philly friends in the group include singers/songwriters Anthony and Michael Montesano, keyboardist Justin DiFebbo, and drummer Zil Fessler. The group’s debut LP, Sun Via, has some obvious nods to Are You Experienced and Zeppelin II, but some surprising stunners include the sparse, psychedelic spaghetti western “Let You Know,” and the somber, synthy swirl of “Fall.” All 10 tracks honor Nick’s growth as a musician, vision as an artist, and the instrument that still inspires him today.
Before releasing the brand-new album, Sun Via (out now), Perri virtually welcomed PG’s Chris Kies into his Philly-based jam space. The positive retro rocker explains overhauling holy-grail reissues, returning to the altar of Jim Marshall and the JTM45, and reducing his pedalboard to expand his creativity.
Special thanks to Derek Brad for additional video footage.
The company's first pedal is a high-voltage boost pedal that sports up to 20dB of gain.
Holly, MI (May 15, 2019) -- Adding to the company’s line of plexi-centric tones, George Metropoulos took the boost circuit from the MetroPlex, expanded on the tube emulation, and added the tweaked plexi tone stack (treble, middle and bass). A custom-designed power supply coverts a standard 9v tip negative (Boss style) power supply to high voltage to power the FETs. The pedal Requires only 200mA.
The Supa-Boost is a clean boost pedal. It does not distort the signal. Instead, it becomes like an extra gain stage in your amp, pushing it to do more of what the amp inherently does. It adds up to 20db of gain and frequency shaping to your signal before it hits the amp. You’ll hear even order harmonics stack up even without adding signal gain. You’ll also find that your amp retains more clarity when rolling back the guitar volume. It offers a true bypass operation. The Supa-Boost will wake up dull, lifeless sounding amps. Or it will pummel great amps into new sonic territory. It is like the best tube screamer ever for tightening up your tone and pushing it forward.
Features:
- Wakes up dull lifeless guitar amps
- High voltage from a standard Boss supply
- Emulates tune gain stages
- Tweaked plexi tone stack
- Adds harmonics without clipping
$229 MSRP
Watch the company's video demo:
For more information:
Metropoulos Amplification