V847-A
A redesigned inductor brings this wah’s sound even closer to the ’60s original, while an added input buffer prevents impedance loading of your signal when in bypass mode.
Gary Clark Jr. Cry Baby
The voice of this brushed-copper-finished Cry Baby is tuned to a lower frequency for added warmth and smoothness, and a tighter sweep adds the percussive element GCJ is known for.
XW-1
A 2-band EQ and adjustable Q and bias controls optimize this wah’s voicing for different styles and gear, and internal DIP switches permit resonance and frequency range adjustments.
Cock Fight Plus
This rack-and-pinion wah features both a traditional wah-pedal filter and a format filter for vowel sounds, as well as a fuzz circuit that can be added before or after the filter section.
20/20 Bad Horsie
Pedalboard-sized and loaded with a built-in buffer, this wah features optical circuitry, switchless activation, glow-in-the-dark details, and two wah modes.
Bel Air Wah
Switch- and potentiometer-free, this dual-mode wah and volume/expression pedal features a low, ergonomic profile and silky smooth operation.
PW-3
This wah offers up a space-saving design, low-noise operation, and adjustable tension, as well as two wah flavors: “vintage,” for classic-wah sound, and “rich,” for more low-end fullness.
Wah
Vocal- and vintage-flavored, these handmade wahs are available with a variety of custom options, are built one at a time with high-end components, and voiced individually.
Rewah Pro
Thanks to a longer sweep and large inductor coil, this wah reports having extended range, impressive bass response, and little saturation, making it ideal for contemporary styles.
Hellbabe HB01
No mechanical pots or switches and total optical control means wear-and-tear-free operation, and the Q control offers precise filter shaping for vocal-esque effects—all at a guilt-free price.
Prevent Tone Suck The VM-Pro is a buffered pedal. A signal buffer is a common feature on pedal switchers, where lots of pedals and/or cabling are expected in the downstream effects chain. The longer your signal has to go to reach its destination, the more signal you risk lose along the way. This is often referred to as “tone suck,” and the most common result is a loss of high-frequency content, which can make your instrument sound dull and dark. The buffer on the VM-Pro is also an amplifier that boosts the output from the pedal to give it the momentum it needs to reach your amp intact. In fact, the VM-Pro includes two of these buffer/boosters.
Gotta Tune Up Why the need for a second amplifier when there’s only a single output jack? Actually, it’s a stereo output jack—when you plug in a TRS (stereo) Y-cable, one output can feed your amp while the other flows to your tuner. (This is another technique for avoiding signal loss, because not all tuners are designed with the health of your tone in mind.) Mission implemented this second output perfectly: Sweeping the expression pedal has no effect on the volume going to the tuner. The result is silent tuning directly from your volume pedal.
Ratings
Pros:
Compatible with active or passive pickups. Tuner output. Trimpot controls heel-down/minimum volume. Works with low-impedance vintage fuzz pedals.
Cons:
Extra features make it relatively expensive.
Playability/Ease of Use:
Build/Design:
Value:
Street:
$189
Mission Engineering
missionengineering.com
The Guts Are Nuts Opening the chassis provides access to three micro-switches, which allow you to configure the pedal to work optimally with different gear types. You set Switch 1 depending on whether your pickups are active or passive. Switch 2 is the “sparkle” switch—when engaged, it preserves high frequencies in the pedal’s lower range. (Like signal buffering, this is a way to maintain your tone, even during the quieter passages.) Switch 3 is an impedance switch. Many vintage and vintage-style fuzz pedals are built for input impedance equal to the direct output from passive pickups, which is why guitarists tend to put these vintage units first spot in their signal chains. But thanks to Switch 3, you can place the VM-Pro before your vintage pedals.
Minimum Volume Another cool control is an internal trimpot. During normal operation the VM-Pro works like other volume pedals, in that your signal goes silent when the rocker is in the heel-down position. But the VM-Pro’s internal trimpot lets you set a heel-down position that’s quieter than toe-down, but not completely silent. For example, you might play verse parts in the heel-down position, then give yourself a volume boost when you hit the solo. This can make for a more graceful exit from your solo, rolling the volume back rather than clicking off a booster pedal.
The Verdict Mission has created a fantastic volume pedal with the VM-Pro. Its internal configurability solves longstanding compatibility issues for players with active pickups or vintage fuzz units. Factor in that clever tuner output, and the Mission’s VM-Pro makes a great front-end to a well-planned pedalboard.