Watch John Bohlinger demo the Montreal Premiere Pro from Godin Guitars in Arctik Blue! A lively and versatile guitar for jazz, blues, and rock players alike.
Montreal Premiere Pro Arctik Blue
Introducing the Montreal Premiere Pro Arctik Blue—a feature-rich, lively, and versatile guitar for jazz, blues, and rock players alike! The Montreal Première features an innovative and uniquely sculpted center block, allowing the body to resonate like no other guitar in its class!
The Montreal Premiere Pro models boast pickups usually only found in custom shop guitars. The Arctik Blue version is equipped with a pair of made-in-the-USA Seymour Duncan pickups. At the neck, the Seymour Duncan Antiquity provides a rich, articulate, sweet treble attack with a warm, full sounding low-end, serving up the elusive tone of a vintage P.A.F. un-potted humbucker. At the bridge, the ever-popular Seymour Duncan JB delivers high gain for full low-end crunch and crisp, powerful vocal-like highs, sought after by guitarists of all genres for decades. Both are controlled by a 3-way switch and volume and tone knobs.
Made in Canada, the Montreal Première Pro Arctik Blue is perfectly complemented by a Tune-o-matic style bridge with a brass tailpiece for optimal sustain and precise tuning.
Shop the @sennheiser microphones we use: https://sweetwater.sjv.io/ZdP1A0
StewMac International House of Overdrive Pedal Kit, With Bare Enclosure
The IHOO is based on the Crowther Hot Cake, an overdrive that became available around 1976. It was one of the earliest hand-made boutique effects pedals available. The circuit was designed to be what is now referred to as a “transparent” overdrive. An effect that enhances the player's sound while keeping the original tone intact.
This circuit has undergone many changes since its inception, and we have further expanded on the design by returning to an earlier version most revered by players and removing the buffer, which resulted in a reworked circuit that is true bypass but still retains the charm of the design.
We also include the original LM741 IC chip found in the originals, as well as the TL071 that is found in later versions so you can experiment with which IC best suits your playing style.
“Skunk” Baxter has had an interesting career. The Washington, D.C.-born musician was one of Steely Dan’s founding members in the early 1970s, and played on some of their most iconic numbers, like Can’t Buy a Thrill’s’ “Reelin’ in the Years” and “Do It Again,” or Pretzel Logic’s “Rikki Don’t Lose That Number.” Then, he moved on to join the Doobie Brothers, from roughly 1974 to 1979, where he fatefully invited Michael McDonald into the band. After that stint, he became a go-to session player for artists like Rod Stewart, Joni Mitchell, Dolly Parton, and Donna Summer, and a touring performer for Elton John and Linda Ronstadt, among others.
That was just the beginning. Baxter’s interest and background in electronics, science, and recording technology gained him a position in the U.S. defense industry. Turns out, a lot of digital music gear shared similar principles with emergent defense tech. “Basically, a radar is just an electric guitar on steroids,” says Baxter, noting the same four fundamental forces at work over everything in our universe.
Wong and Baxter trades notes on how to navigate studio sessions (“Just shut the hell up,” offers Baxter), early conversions of pitch into digital signals, and how Baxter cut his solo on Donna Summer’s “Hot Stuff” on a $25 guitar. And can mediating between artists and producers feel like high-stakes hostage negotiations? Sometimes. Tune in.
Wong Notes is presented by DistroKid.
Use this link for 30% off your first year.
RAB Audio ProRak SRS1 Guitar Studio Racking System
