The PlexiTone, AC-Tone, TOD, and Bass Drive

Clifton, NJ (May 11, 2012) – PlexiTone, Single Channel version:
The new Carl Martin single channel version of popular PlexiTone in a small, board-friendly housing, it features three knobs and one switch, apart from a small modification with a bit more tight low-end and softer high-end to make it highly adaptive for a wide assortment of amps, similar to the high gain channel on the normal PlexiTone, This modification is made in association with artist Pete Thorn.
MSRP $269.00

AC-Tone, Single Channel version:
The new Carl Martin single channel AC-Tone is a smaller single channel version of the Pro Series AC-Tone in a small, board-friendly housing, it features three knobs and one switch, Though it has a bit more gain on tap is the tone exactly the same is the original big sister.
MSRP $269.00

Both the single PlexiTone and the AC-Tone incorporate the newly developed DC-DC converter circuitry. Instead of the normal main power cable/plug, it use a normal regulated 9V power supply. However, with the new CM converter the electronics, it still operates on the same +-12V as the usual PlexiTone so the tone and headroom unique to the Carl Martin Pro-Series is the same.

The new Carl Martin classic series high gain overdrive TOD (tube overdrive), was originally designed as a limited edition pedal Dizzy Drive, in celebration of the re-union tour of the Danish top act Dizzy Mizz Lizzy. The Dizzy Drive was originally sold as a limited run of 500 pieces in Denmark and Japan. Demand was so high we are pleased to re-introduce it as a new product.
MSRP $205.00

Bass Drive
The new Bass Drive features a real tube in the circuit. You can tweak the three-band EQ and enjoy the warm, slightly overdriven tone coming from the 12AX7 like the classic tube tone growl. This creates a full and fat tone and extra sustain that blends so beautifully in the mix. Features: 115-240V switch-able built in main power supply, Gain, Bass, Middle, Treble, and Level.
MSRP $389

For more information:

Magnatone unveils the Starlite, its new 5-watt amplifier with a vintage look designed for the office, backstage, or the studio.

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Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

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Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
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