Available in four and five-string models, the new Bromberg B24 and B25 basses are designed to please the most discriminating bass player.

San Diego, CA (March 30, 2011) -- Carvin has announced their latest signature bass guitars, the Brian Bromberg Signature Series. Carvin worked closely with acclaimed bassist Brian Bromberg to create these new instruments, incorporating a sleek new design with innovative features. Available in four and five-string models, the new Bromberg B24 and B25 basses are designed to please the most discriminating bass player.

The B24 and B25 are neck-though instruments, with an alder body, maple neck and standard AAAA flamed maple top with matching headstock and abalone logo. Carvin's unique new RAD-J radiused-top alnico single coil pickups are standard, and the cutting-edge design of these pickups allow the magnets to closely match the fingerboard radius, providing more even sound reproduction without dropouts or volume imbalance. Special circuitry and a high-impedance active volume pot unloads the pickups for better top-end and quicker response. You can also upgrade your B24 or B25 with our new RDH radiused-top humbuckers.

Other new features include a newly-designed headstock shape, and Brian's signature 12th fret abalone inlay. And Carvin's Custom Shop offers hundreds of additional options, including body, neck and fingerboard woods, upgraded top woods, finishes, inlays and more.

For more information:

Source: Press Release

On Black Midi's Cavalcade, Geordie Greep’s fretwork is an example of the 6-string as a capable component as much as a solo instrument, never completely stealing the show.

Popular music and mainstream tastes may be more fractured than ever, but the guitar continues to thrive.

As we soft launch into the new year, I’m not waiting for the requisite guitar obituary in the news. It’s not going to happen again anytime soon. Why? Because as far as the mainstream media is concerned, our beloved instrument is not only dead, it's irrelevant to the point of not even being an afterthought. When the New York Times published their most recent albums of the year list, there was barely a guitar-based recording to be found. Still, there is not only hope, but also cause for jubilation.

Read More Show less

Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

{u'media': u'[rebelmouse-document-pdf 13574 site_id=20368559 original_filename="7Shred-Jan22.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/13574/7Shred-Jan22.pdf', u'type': u'pdf', u'id': 13574, u'media_html': u'7Shred-Jan22.pdf'}
Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
Read More Show less